Kenilworth eBook

This eBook from the Gutenberg Project consists of approximately 697 pages of information about Kenilworth.

These four bands entered the spacious hall with the utmost order, a short pause being made, that the spectators might satisfy their curiosity as to each quadrille before the appearance of the next.  They then marched completely round the hall, in order the more fully to display themselves, regulating their steps to organs, shalms, hautboys, and virginals, the music of the Lord Leicester’s household.  At length the four quadrilles of maskers, ranging their torch-bearers behind them, drew up in their several ranks on the two opposite sides of the hall, so that the Romans confronting the Britons, and the Saxons the Normans, seemed to look on each other with eyes of wonder, which presently appeared to kindle into anger, expressed by menacing gestures.  At the burst of a strain of martial music from the gallery the maskers drew their swords on all sides, and advanced against each other in the measured steps of a sort of Pyrrhic or military dance, clashing their swords against their adversaries’ shields, and clattering them against their blades as they passed each other in the progress of the dance.  It was a very pleasant spectacle to see how the various bands, preserving regularity amid motions which seemed to be totally irregular, mixed together, and then disengaging themselves, resumed each their own original rank as the music varied.

In this symbolical dance were represented the conflicts which had taken place among the various nations which had anciently inhabited Britain.

At length, after many mazy evolutions, which afforded great pleasure to the spectators, the sound of a loud-voiced trumpet was heard, as if it blew for instant battle, or for victory won.  The maskers instantly ceased their mimic strife, and collecting themselves under their original leaders, or presenters, for such was the appropriate phrase, seemed to share the anxious expectation which the spectators experienced concerning what was next to appear.

The doors of the hall were thrown wide, and no less a person entered than the fiend-born Merlin, dressed in a strange and mystical attire, suited to his ambiguous birth and magical power.

About him and behind him fluttered or gambolled many extraordinary forms, intended to represent the spirits who waited to do his powerful bidding; and so much did this part of the pageant interest the menials and others of the lower class then in the Castle, that many of them forgot even the reverence due to the Queen’s presence, so far as to thrust themselves into the lower part of the hall.

The Earl of Leicester, seeing his officers had some difficulty to repel these intruders, without more disturbance than was fitting where the Queen was in presence, arose and went himself to the bottom of the hall; Elizabeth, at the same time, with her usual feeling for the common people, requesting that they might be permitted to remain undisturbed to witness the pageant.  Leicester went under this pretext; but

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Kenilworth from Project Gutenberg. Public domain.
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