The Theater (1720) eBook

This eBook from the Gutenberg Project consists of approximately 57 pages of information about The Theater (1720).

The Theater (1720) eBook

This eBook from the Gutenberg Project consists of approximately 57 pages of information about The Theater (1720).

Methought, I saw a Lady of a middle Age, large Stature, and in the Fulness of her Beauty, stand before me, magnificently dress’d; I had not Leisure to peruse her, before she began to walk about, skip and dance, and used so many odd Gestures, that she appeared to me little better than mad.  I had the Curiosity to approach, to observe what she might be, when upon contemplating her Features, her Dress, and her Air, I fancied, I had seen her exact Likeness in several Maps and Drawings in Metzo-Tinto, where her Form was made use of to express Britannia.  This gave me a Tenderness and Compassion for her Condition; I ask’d her many Questions, by her Replies to which I perceived her Head was a little turned, and her Notions of Things extravagant.  She owned, she had forsaken all those ingenious and industrious Arts, which she had practised long to the Wonder of her Neighbours, with the Reputation of a discreet and vertuous Matron, and now was resolved to turn Rope-Dancer.  This was no sooner said, but she falls to work, to setting up her Tackle with proper Supporters; and to my very great Astonishment fixed one End of her Rope in France, and t’other in Holland.  The Inhabitants of these Countries flock’d to behold her, watching and wishing for her Fall, and every one ready to receive her; she tottered strangely, and seemed ready to come down every Minute; upon which those below stretch’d out their Hands in Order to pull her down, and shewed Joy, and Disappointment, in their Looks alternately, as often as she stumbled or recovered.  She begg’d for a Pole to poise her, but no body wou’d lend her one; and looked about in vain for help.  There appeared at some Distance a Man in a broad Hat, and short Cloak, with a swarthy Complexion, and black Whiskers, who seemed altogether unconcern’d at what shou’d happen; to her in her Frights she gave him many a Look, as if she silently begg’d his Assistance, but whether she had done him any Injury, or that her Pride would not suffer her to turn Petitioner, she seemed ashamed to call to him for Help.  Thus she went on tottering, ’till she tore all her Garments, so that her Robes appeared like the ragged Colours in Westminster-Hall; at length seeing her Danger, he reached her out a Pole, and then she shewed a tolerable Skill and Agility; which the People perceiving, who were towards France, they resolved to let go the Rope that she might slip down to their Side, and this gave me such Pain for her Safety, that I waked with a Start of Consternation.

Tho’ there was nothing in this but a Dream, it cannot be imagined how concerned I was, that it did not last till I could be satisfied whether she fell, or no.  I was grave for at least an Hour after, and reflected on the Policy of those, who forsake a safe and profitable Path, for vain and dangerous Flights; I fancied my self a Politician too, and imagined I knew what a Nation of Projectors must bring their Country to.  I shall here make a Digression, without giving any Reason for it; for since I am not bound to the Unities of Time, and Place, as we are in Poetry, I stand in no Awe of the peevish Criticks.

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The Theater (1720) from Project Gutenberg. Public domain.