[Footnote 23:  See Zikronot, ed.  Cohan, pp. 62-66, 90, 313, 336, 380, passim; Schechter, Studies in Judaism, Philadelphia, 1908, ii. 132.]

[Footnote 24:  Margoliuth, Hibbure Likkutim, Venice, 1715, Introduction.]

[Footnote 25:  Horowitz, Frankfurter Rabbinen, Frankfort-on-the-Main, 1883, pp. 30-35; FKN, pp. 73-91; Emden, op. cit, p. 125; and biographies.]

[Footnote 26:  LTI, ii. 81, n.; Hannover, Yeven Mezulah, Warsaw, 1872, p. 7b.]

[Footnote 27:  Zunz, Literaturgeschichte, pp. 433-435, 442; Buber, Anshe Shem, Cracow, 1895, pp. 307-309; Benjacob, Ozar ha-Sefarim, p. 396; JE, xi. 217; Bikkure ha-’Ittim, 1830, p. 43.  Jacob of Gnesen, I suspect, must have lived in Russia.]

[Footnote 28:  Steinschneider, Jewish Literature, pp. 235, 240; Benjacob, op. cit, p. 396.]

[Footnote 29:  JE, xii. 265-266:  “Enfin les incredules les plus determines n’out presque rien allegue qui ne soit dans le Rampart de la Foi du Rabbin Isaac.”]

[Footnote 30:  Nusbaum, Historya Zhidov, i. p. 180; Edelman, op. cit, attributes the coming of Saul Wahl to this cause.]

[Footnote 31:  The Elim (Amsterdam, 1629), if not, as the Karaites maintain, actually the work of Zerah Troki, was surely the result of the problems submitted by him to Delmedigo.]

[Footnote 32:  JE, iv. 504; vii. 264; xii. 266; Ha-Eshkol, iii. and iv.  (R.M.  Jarre); LTI, ii. 80; Benjacob, op. cit, no. 1428.]

[Footnote 33:  Zunz, Ritus, Berlin, 1859, p. 73, and Gottesdienstliche Vortraege, Frankfort-on-the-Main, 1892, p. 452, n.a.; Wessely, Dibre Shalom we-Emet, ii. 7; Benjacob, op. cit., no. 1187.]

[Footnote 34:  Voskhod, 1893, i. 79; New Era Illustrated Magazine, v.; FNI, p. 28 f.; JE, i. 113; ii. 22, 622; xii. 265.]

[Footnote 35:  JE, vii. 454.]

[Footnote 36:  JE, i. 372; iv. 140; Ha-Yekeb, 1894, p. 68.]

[Footnote 37:  Bersohn, Tobiasz Cohn, Warsaw, 1872.]

[Footnote 38:  Cf.  FKN, pp. 38-42 (Vilna constitution); Hannover, op. cit., p. 23a; Ha-Modia’ la-Hadashim, II. i.  II, and JE, s.v.  Council, Kahal, Lithuania, etc.]

[Footnote 39:  See GMC, pp. 59 f., and compare with this Lermontoff’s Cossack Cradle-Song, which may be taken as a type: 

  Sleep, my child, my little darling, sleep, I sing to thee;
    Silently the soft white moonbeams fall on thee and me. 
  I will tell thee fairy stories in my lullaby;
    Sleep, my child, my pretty darling, sleep, I sing to thee. 
  Lo, I see the day approaching when the warriors meet;
    Then wilt thou grasp thy rifle and mount thy charger fleet. 
  I will broider in thy saddle colors fair to see,
   Sleep, my child, my little darling, sleep, I sing to thee. 
  Then my Cossack boy, my hero brave and proud and gay,
    Waves one farewell to his mother and rides far away. 
  Oh, what sorrow, pain and anguish then my soul shall fill,