His Masterpiece eBook

Émile Gaboriau
This eBook from the Gutenberg Project consists of approximately 520 pages of information about His Masterpiece.

His Masterpiece eBook

Émile Gaboriau
This eBook from the Gutenberg Project consists of approximately 520 pages of information about His Masterpiece.
became clear on the left as far as the blue slate eaves of the Hotel de Ville, and on the right as far as the leaden-hued dome of St. Paul.  What startled her most of all, however, was the hollow of the stream, the deep gap in which the Seine flowed, black and turgid, from the heavy piles of the Pont Marie, to the light arches of the new Pont Louis Philippe.  Strange masses peopled the river, a sleeping flotilla of small boats and yawls, a floating washhouse, and a dredger moored to the quay.  Then, farther down, against the other bank, were lighters, laden with coals, and barges full of mill stone, dominated as it were by the gigantic arm of a steam crane.  But, suddenly, everything disappeared again.

Claude had an instinctive distrust of women—­that story of an accident, of a belated train and a brutal cabman, seemed to him a ridiculous invention.  At the second thunder-clap the girl had shrunk farther still into her corner, absolutely terrified.

‘But you cannot stop here all night,’ he said.

She sobbed still more and stammered, ’I beseech you, monsieur, take me to Passy.  That’s where I was going.’

He shrugged his shoulders.  Did she take him for a fool?  Mechanically, however, he turned towards the Quai des Celestins, where there was a cabstand.  Not the faintest glimmer of a lamp to be seen.

’To Passy, my dear?  Why not to Versailles?  Where do you think one can pick up a cab at this time of night, and in such weather?’

Her only answer was a shriek; for a fresh flash of lightning had almost blinded her, and this time the tragic city had seemed to her to be spattered with blood.  An immense chasm had been revealed, the two arms of the river stretching far away amidst the lurid flames of a conflagration.  The smallest details had appeared:  the little closed shutters of the Quai des Ormes, and the two openings of the Rue de la Masure, and the Rue du Paon-Blanc, which made breaks in the line of frontages; then near the Pont Marie one could have counted the leaves on the lofty plane trees, which there form a bouquet of magnificent verdure; while on the other side, beneath the Pont Louis Philippe, at the Mail, the barges, ranged in a quadruple line, had flared with the piles of yellow apples with which they were heavily laden.  And there was also the ripple of the water, the high chimney of the floating washhouse, the tightened chain of the dredger, the heaps of sand on the banks, indeed, an extraordinary agglomeration of things, quite a little world filling the great gap which seemed to stretch from one horizon to the other.  But the sky became dark again, and the river flowed on, all obscurity, amid the crashing of the thunder.

‘Thank heaven it’s over.  Oh, heaven! what’s to become of me?’

Just then the rain began to fall again, so stiffly and impelled by so strong a wind that it swept along the quay with the violence of water escaping through an open lock.

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Project Gutenberg
His Masterpiece from Project Gutenberg. Public domain.