“Let me entreat you,” cried Mr. Elton; “it would indeed be a delight!  Let me entreat you, Miss Woodhouse, to exercise so charming a talent in favour of your friend.  I know what your drawings are.  How could you suppose me ignorant?  Is not this room rich in specimens of your landscapes and flowers; and has not Mrs. Weston some inimitable figure-pieces in her drawing-room, at Randalls?”

Yes, good man!—­thought Emma—­but what has all that to do with taking likenesses?  You know nothing of drawing.  Don’t pretend to be in raptures about mine.  Keep your raptures for Harriet’s face.  “Well, if you give me such kind encouragement, Mr. Elton, I believe I shall try what I can do.  Harriet’s features are very delicate, which makes a likeness difficult; and yet there is a peculiarity in the shape of the eye and the lines about the mouth which one ought to catch.”

“Exactly so—­The shape of the eye and the lines about the mouth—­I have not a doubt of your success.  Pray, pray attempt it.  As you will do it, it will indeed, to use your own words, be an exquisite possession.”

“But I am afraid, Mr. Elton, Harriet will not like to sit.  She thinks so little of her own beauty.  Did not you observe her manner of answering me?  How completely it meant, `why should my picture be drawn?’”

“Oh! yes, I observed it, I assure you.  It was not lost on me.  But still I cannot imagine she would not be persuaded.”

Harriet was soon back again, and the proposal almost immediately made; and she had no scruples which could stand many minutes against the earnest pressing of both the others.  Emma wished to go to work directly, and therefore produced the portfolio containing her various attempts at portraits, for not one of them had ever been finished, that they might decide together on the best size for Harriet.  Her many beginnings were displayed.  Miniatures, half-lengths, whole-lengths, pencil, crayon, and water-colours had been all tried in turn.  She had always wanted to do every thing, and had made more progress both in drawing and music than many might have done with so little labour as she would ever submit to.  She played and sang;—­and drew in almost every style; but steadiness had always been wanting; and in nothing had she approached the degree of excellence which she would have been glad to command, and ought not to have failed of.  She was not much deceived as to her own skill either as an artist or a musician, but she was not unwilling to have others deceived, or sorry to know her reputation for accomplishment often higher than it deserved.

There was merit in every drawing—­in the least finished, perhaps the most; her style was spirited; but had there been much less, or had there been ten times more, the delight and admiration of her two companions would have been the same.  They were both in ecstasies.  A likeness pleases every body; and Miss Woodhouse’s performances must be capital.