delicate and sensitive child, and was seriously affected by the loss of his mother when he was six years old.  At school, he was cruelly treated by an older boy, which led to his decided views against public schools, expressed in his poem called Tirocinium.  His morbid sensitiveness increased upon him as he grew older, and interfered with his legal studies and advancement.  His depression of spirits took a religious turn; and we are glad to think that religion itself brought the balm which gave him twelve years of unclouded mind, devoted to friendship and to poetry.  He was offered, by powerful friends, eligible positions connected with the House of Lords, in 1762; but as the one of these which he accepted was threatened with a public examination, he abandoned it in horror; not, however, before the fearful suspense had unsettled his brain, so that he was obliged to be placed, for a short time, in an asylum for the insane.  When he left this asylum, he went to Huntingdon, where he became acquainted with the Rev. William Unwin, who, with his wife and son, seem to have been congenial companions to his desolate heart.  On the death of Mr. Unwin, in 1767, he removed with the widow to Olney, and there formed an intimate acquaintance with another clergyman, the Rev. William Newton.  Here, and in this society, the remainder of the poet’s life was passed in writing letters, which have been considered the best ever written in England; in making hymns, in conjunction with Mr. Newton, which have ever since been universal favorites; and in varied poetic attempts, which give him high rank in the literature of the day.  The first of his larger pieces was a poem entitled, The Progress of Error, which appeared in 1783, when the author had reached the advanced age of 52.  Then followed Truth and Expostulation, which, according to the poet himself, did much towards diverting his melancholy thoughts.  These poems would not have fixed his fame; but Lady Austen, an accomplished woman with whom he became acquainted in 1781, deserves our gratitude for having proposed to him the subjects of those poems which have really made him famous, namely, The Task, John Gilpin, and the translation of Homer.  Before, however, undertaking these, he wrote poems on Hope, Charity, Conversation and Retirement.  The story of John Gilpin—­a real one as told him by Lady Austen—­made such an impression upon him, that he dashed off the ballad at a sitting.

THE TASK.—­The origin of The Task is well known.  In 1783, Lady Austen suggested to him to write a poem in blank verse:  he said he would, if she would suggest the subject.  Her answer was, “Write on this sofa.”  The poem thus begun was speedily expanded into those beautiful delineations of varied nature, domestic life, and religious sentiment which rivalled the best efforts of Thomson.  The title that connects them is The Task.  Tirocinium or the Review