Punch, or the London Charivari, Volume 1, September 18, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 65 pages of information about Punch, or the London Charivari, Volume 1, September 18, 1841.

Punch, or the London Charivari, Volume 1, September 18, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 65 pages of information about Punch, or the London Charivari, Volume 1, September 18, 1841.

But here comes the police, to interfere, as usual, with the dissemination of useful truths.  Farewell, my good people; and whenever you are disposed for additional instruction, I can only say that I shall be very happy to afford it to you for a reasonable consideration.

* * * * *

A BOWER OF BLISS IN STANGATE.

    Oh, fly to the Bower—­fly with me.—­OLD OR NEW SONG (I forget which).

If you take a walk over Waterloo-bridge, and, after going straight on for some distance, turn to the right, you will find yourself in the New-Cut, where you may purchase everything, from a secretaire-bookcase to a saveloy, on the most moderate terms possible.  The tradesmen of the New-Cut are a peculiar class, and the butchers, in particular, seem to be brimming over with the milk of human kindness, for every female customer is addressed as “My love,” while every male passer-by is saluted with the friendly greeting of “Now, old chap, what can I do for you?” The greengrocers in this “happy land” earnestly invite the ladies to “pull away” at the mountains of cabbages which their sheds display, while little boys on the pavement offer what they playfully designate “a plummy ha’p’orth,” of onions to the casual passenger.

At the end of the New-Cut stands the Marsh-gate, which, at night, is all gas and ghastliness, dirt and dazzle, blackguardism and brilliancy.  The illumination of the adjacent gin-palace throws a glare on the haggard faces of those who are sauntering outside.  Having arrived thus far, watch your opportunity, by dodging the cabs and threading the maze of omnibuses, to effect a crossing, when you will find Stangate-street, running out, as some people say, of the Westminster-road; though of the fact that a street ever ran out of a road, we take leave to be sceptical.

Well, go on down this Stangate-street, and when you get to the bottom, you will find, on the left-hand, THE BOWER!  And a pretty bower it is, not of leaves and flowers, but of bricks and mortar.  It is not

  “A bower of roses by Bendermere’s stream,
    With the nightingale singing there all the day long;
  In the days of my childhood ’twas like a sweet dream,
    To sit ‘mid the roses and hear the birds’ song. 
  That bower, and its music, I never forget: 
    But oft, when alone, at the close of the year,
  I think is the nightingale singing there yet,
    Are the roses still fresh by the calm Bendermere?”

No, there is none of this sentimental twaddle about the Bower to which we are alluding.  There are no roses, and no nightingale; but there are lots of smoking, and plenty of vocalists.  We will paraphrase Moore, since we can hardly do less, and we may say, with truth,

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Punch, or the London Charivari, Volume 1, September 18, 1841 from Project Gutenberg. Public domain.