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This eBook from the Gutenberg Project consists of approximately 478 pages of information about Uncle Silas.

I shall not recount with the particularity of the conscientious heroine of Mrs. Ann Radcliffe, all the suites of apartments, corridors, and lobbies, which I threaded in my ramble.  It will be enough to mention that I lighted upon a door at the end of a long gallery, which, I think, ran parallel with the front of the house; it interested me because it had the air of having been very long undisturbed.  There were two rusty bolts, which did not evidently belong to its original securities, and had been, though very long ago, somewhat clumsily superadded.  Dusty and rusty they were, but I had no difficulty in drawing them back.  There was a rusty key, I remember it well, with a crooked handle in the lock; I tried to turn it, but could not.  My curiosity was piqued.  I was thinking of going back and getting Mary Quince’s assistance.  It struck me, however, that possibly it was not locked, so I pulled the door and it opened quite easily.  I did not find myself in a strangely-furnished suite of apartments, but at the entrance of a gallery, which diverged at right angles from that through which I had just passed; it was very imperfectly lighted, and ended in total darkness.

I began to think how far I had already come, and to consider whether I could retrace my steps with accuracy in case of a panic, and I had serious thoughts of returning.

The idea of Mr. Charke was growing unpleasantly sharp and menacing; and as I looked down the long space before me, losing itself among ambiguous shadows, lulled in a sinister silence, and as it were inviting my entrance like a trap, I was very near yielding to the cowardly impulse.

But I took heart of grace and determined to see a little more.  I opened a side-door, and entered a large room, where were, in a corner, some rusty and cobwebbed bird-cages, but nothing more.  It was a wainscoted room, but a white mildew stained the panels.  I looked from the window:  it commanded that dismal, weed-choked quadrangle into which I had once looked from another window.  I opened a door at its farther end, and entered another chamber, not quite so large, but equally dismal, with the same prison-like look-out, not very easily discerned through the grimy panes and the sleet that was falling thickly outside.  The door through which I had entered made a little accidental creak, and, with my heart at my lips, I gazed at it, expecting to see Charke, or the skeleton of which I had talked so lightly, stalk in at the half-open aperture.  But I had an odd sort of courage which was always fighting against my cowardly nerves, and I walked to the door, and looking up and down the dismal passage, was reassured.

Well, one room more—­just that whose deep-set door fronted me, with a melancholy frown, at the opposite end of the chamber.  So to it I glided, shoved it open, advancing one step, and the great bony figure of Madame de la Rougierre was before me.

I could see nothing else.

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