It was during these days that Vandover took up his
banjo-playing seriously, if it could be said that
he did anything seriously at this time. He took
occasional lessons of a Mexican in a room above a
wigmaker’s store on Market Street, and learned
to play by note. For a little time he really
applied himself; after he had mastered the customary
style of play he began to affect the more brilliant
and fancy performances, playing two banjos at once,
or putting nickels under the bridge and picking the
strings with a calling-card to imitate a mandolin.
He even made up some comical pieces that had a great
success among the boys. One of these he called
the “Pleasing Pan-Hellenic Production”;
another was the imitation of the “Midway Plaisance
Music,” and a third had for title “A Sailor
Robbing a Ship,” in which he managed to imitate
the sounds of the lapping of the water, the creaking
of the oarlocks, the tramp of the sailor’s feet
upon the deck, the pistol shot that destroyed him,
and—by running up the frets on the bass-string—his
dying groans, a finale that never failed to produce
a tremendous effect.
Chapter Thirteen
Just before Lent, and about three months after the
death of Vandover’s father, Henrietta Vance
gave a reception and dance at her house. The
affair was one of a series that the girls of the Cotillon
had been giving to the men of the same club.
Vandover had gone to all but the last, which had occurred
while he was at Coronado. He was sure of meeting
Geary, young Haight, Turner Ravis, and all the people
of his set at these functions, and had always managed
to have a very jolly time. He had been very quiet
since his father’s death and had hardly gone
out at all; in fact, since Ida Wade’s death
and his trip down the coast he had seen none of his
acquaintances except the boys. But he determined
now that he would go to this dance and in so doing
return once more to the world that he knew. By
this time he had become pretty well accustomed to
his father’s death and saw no reason why he should
not have a good time.
At first he thought he would ask Turner to go with
him, but in the end made up his mind to go alone,
instead; one always had a better time when one went
alone. Young Haight would have liked to have asked
Turner, but did not because he supposed, of course,
that Vandover would take her. In the end Turner
had Delphine act as her escort.
Vandover arrived at Henrietta Vance’s house
at about half-past eight. A couple of workmen
were stretching the last guy ropes of the awning that
reached over the sidewalk; every window of the house
was lighted. The front door was opened for the
guest before he could ring, and he passed up the stairs,
catching a glimpse of the parlours through the portieres
of the doors. As yet they were empty of guests,
the floors were covered with canvas, and the walls
decorated with fern leaves. In a window recess
one of the caterer’s men was setting out two
punch bowls and a multitude of glass cups; three or
four musicians were gathered about the piano, tuning
up, and one heard the subdued note of a cornet; the
air was heavy with the smell of pinks and of La France
roses.
Copyrights
Vandover and the Brute from Project Gutenberg. Public domain.