Through the numbness and giddiness that gradually
came into his head like a poisonous murk he saw one
thing clearly: It was gone—his art
was gone, the one thing that could save him.
That, too, like all the other good things of his life,
he had destroyed. At some time during those years
of debauchery it had died, that subtle, elusive something,
delicate as a flower; he had ruined it. Little
by little it had exhaled away, wilting in the air
of unrestrained debauches, perishing in the warm musk-laden
atmosphere of disreputable houses, defiled by the breath
of abandoned women, trampled into the spilt wine-lees
of the Imperial, dragged all fouled and polluted through
the lowest mire of the great city’s vice.
For a moment Vandover felt as though he was losing
his hold upon his reason; the return of the hysteria
shook him like a dry, light leaf. He suddenly
had a sensation that the room was too small to hold
him; he ran, almost reeled, to the open window, drawing
his breath deep and fast, inhaling the cool night
air, rolling his eyes wildly.
It was night. He looked out into a vast blue-gray
space sown with points of light, winking lamps, and
steady slow-burning stars. Below him was the
sleeping city. All the lesser staccato noises
of the day had long since died to silence; there only
remained that prolonged and sullen diapason, coming
from all quarters at once. It was like the breathing
of some infinitely great monster, alive and palpitating,
the sistole and diastole of some gigantic heart.
The whole existence of the great slumbering city passed
upward there before him through the still night air
in one long wave of sound.
It was Life, the murmur of the great, mysterious force
that spun the wheels of Nature and that sent it onward
like some enormous engine, resistless, relentless;
an engine that sped straight forward, driving before
it the infinite herd of humanity, driving it on at
breathless speed through all eternity, driving it
no one knew whither, crushing out inexorably all those
who lagged behind the herd and who fell from exhaustion,
grinding them to dust beneath its myriad iron wheels,
riding over them, still driving on the herd that yet
remained, driving it recklessly, blindly on and on
toward some far-distant goal, some vague unknown end,
some mysterious, fearful bourne forever hidden in thick
darkness.
Chapter Fifteen
About a week later Hiram Wade, Ida’s father,
brought suit against Vandover to recover twenty-five
thousand dollars, claiming that his daughter had killed
herself because she had been ruined by him and that
he alone was responsible for her suicide.
Vandover had passed this week in an agony of grief
over the loss of his art, a grief that seemed even
sharper than that which he had felt over the death
of his father. For this last calamity was like
the death of a child of his, some dear, sweet child,
that might have been his companion throughout all
his life. At times it seemed to him impossible
that his art should fail him in this manner, and again
and again he would put himself at his easel, only
to experience afresh the return of the numbness in
his brain, the impotency of his fingers.
Copyrights
Vandover and the Brute from Project Gutenberg. Public domain.