Historical View of the Languages and Literature of the Slavic eBook

This eBook from the Gutenberg Project consists of approximately 454 pages of information about Historical View of the Languages and Literature of the Slavic.

Historical View of the Languages and Literature of the Slavic eBook

This eBook from the Gutenberg Project consists of approximately 454 pages of information about Historical View of the Languages and Literature of the Slavic.
tragedies to be found in human history.  Not less ready to maintain their convictions with the pen than with the sword, the theological literature of the fifteenth, sixteenth, and the first twenty years of the seventeenth centuries, is of an extent with which that of no other Slavic language can be compared.  It is true, however, that most of these productions bear decidedly the stamp of the period in which they were written.  Dictated by the polemical spirit of the age, and for the most part directed by one protestant party against another, there is very little to be found in them to gratify the Christian, or from which the theological student of the present day could derive any other than historical instruction.  On the other hand, while the theological literature of all the other Slavic nations is almost exclusively limited to sermons, catechisms, prayer-books, and other devotional exercises, among the Bohemians alone do we meet with cxegetical researches and interpretations, founded on a scientific examination of the original text of the Scriptures.

There are few branches of science or art in which the Bohemians have not to boast of some eminent name.  But the talent for which this nation is the most distinguished is that of music A fondness for music and a natural gift to execute it is indeed common to all Slavic nations:  but whilst their talent is mostly confined to a susceptible ear, and a skill in imitating,—­for the Russians and Poles possess some celebrated musical performers though very few distinguished composers,—­the talent of the Bohemian is of a far higher order.  He unites the spirit of harmony which characterizes the Germans, with the sweet gift of melody belonging to the Italians, and thus seems to be the true ideal of a complete musician.  A great part of the most eminent names among German composers are Bohemians by birth; and there is hardly any thing which strikes the American and English traveller in that beautiful region more, than the general prevalence of a gift so seldom met with in their own countries.

Bohemia, until the sixth century was inhabited by a Celtic race, the Boii.  After them the country was called Boiohemnum, i.e., home of the Boii; in German still Boeheim.[1] The Boii were driven to the south-west by the Markomanns; the Markomanns were conquered by the Lombards.  After the downfall of the great kingdom of Thuringia in the middle of the sixth century, Slavic nations pushed forward into Germany, and the Czekhes settled in Bohemia, where an almost deserted country offered them little or no resistance.  The Czekhes, a Slavic race, came from Belo-Chrobatia, as the region north of the Carpathian range was then called.[2] Their name has been usually explained from that of their chief, Czekh; but Dobrovsky more satisfactorily derives it from czeti, czjti, to begin, to be the first; according to him Czekhes signifies much the same as Front-SIavi.[3]

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Historical View of the Languages and Literature of the Slavic from Project Gutenberg. Public domain.