Norman architecture

Oil, surplus in paint

Originality

“Our Lady of the Rocks,” L. da Vinci’s

Outline drawing

Outline studies and models

Paint, the vitality of

Paint, the consistency of

Paint, effect of oil in thick

“Painted Poetry”

Painter’s training, the object of the

Painting and drawing

Panel or canvas, the

Paolo Uccello

Paolo Veronese

Paper for drawing

Parallel shading

Parallelism of lines

Parthenon, the

Pater, Walter

Pen-and-ink drawing

Pens for pen-and-ink drawing

Perspective, the study of

Philip IV, Velazquez’ portrait of

Photograph, failure of the

Picture galleries, the influence of

Pictures, small and large, treatment of

Planes of tone, painting in the

Pre-Raphaelite paintings

Pre-Raphaelite movement, the

Preparatory drawings, disadvantage of

Primitive art

Primitive emotions

Procedure, in commencing a drawing

Profiles, beauty of

Proportions

Poppy oil and turpentine, the use of

Portrait-drawing

“Portrait of the Artist’s Daughter,” Sir E. Burne-Jones’s

Pose, the

Peuvis de Chavannes

Quality and texture, variety in

Radiating lines

“Rape of Europa, The,” Paul Veronese’s

Raphael

Red rays

Reed pens

Rembrandt and his colours

Reproduction, advantages of up-to-date

Retina, effect of light on the

Reynolds’ contrasts of colour

Rhythm, definition of

Right angle, power of the

Roman sculpture, lack of vitality in

Rossetti

Royal Academy Schools

Rubens

Ruskin

Schools of Art

Scientific and artistic accuracy

Scientific study, necessity for

Scumbling

Shading

Shape, variety of

Silhouette, the

Silver-point

Silver-point work, shading in

Sitter, the

Softness indicated by shading

Solar spectrum, the

Solids as flat copy

Spanish school, the

Straight lines indicative of strength

Straight lines and flat tones, analogy between

Strong light in contrast with dark shadow

Study of drawing, the

Stump, the

Style

“Sublime and the Beautiful, The,” Burke’s