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This eBook from the Gutenberg Project consists of approximately 232 pages of information about Widdershins.

“Try to sing it,” said Oleron, his thumb still in the envelope; and Mrs. Barrett, with much dimpling and confusion, hummed the air.

“They do say it was sung to a harp, Mr. Oleron, and it will be very o-ald,” she concluded.

“And I was singing that?”

“Indeed you wass.  I would not be likely to tell you lies.”

With a “Very well—­let me have breakfast,” Oleron opened his letter; but the trifling circumstance struck him as more odd than he would have admitted to himself.  The phrase he had hummed had been that which he had associated with the falling from the tap on the evening before.

V

Even more curious than that the commonplace dripping of an ordinary water-tap should have tallied so closely with an actually existing air was another result it had, namely, that it awakened, or seemed to awaken, in Oleron an abnormal sensitiveness to other noises of the old house.  It has been remarked that silence obtains its fullest and most impressive quality when it is broken by some minute sound; and, truth to tell, the place was never still.  Perhaps the mildness of the spring air operated on its torpid old timbers; perhaps Oleron’s fires caused it to stretch its old anatomy; and certainly a whole world of insect life bored and burrowed in its baulks and joists.  At any rate, Oleron had only to sit quiet in his chair and to wait for a minute or two in order to become aware of such a change in the auditory scale as comes upon a man who, conceiving the midsummer woods to be motionless and still, all at once finds his ear sharpened to the crepitation of a myriad insects.

And he smiled to think of man’s arbitrary distinction between that which has life and that which has not.  Here, quite apart from such recognisable sounds as the scampering of mice, the falling of plaster behind his panelling, and the popping of purses or coffins from his fire, was a whole house talking to him had he but known its language.  Beams settled with a tired sigh into their old mortices; creatures ticked in the walls; joints cracked, boards complained; with no palpable stirring of the air window-sashes changed their positions with a soft knock in their frames.  And whether the place had life in this sense or not, it had at all events a winsome personality.  It needed but an hour of musing for Oleron to conceive the idea that, as his own body stood in friendly relation to his soul, so, by an extension and an attenuation, his habitation might fantastically be supposed to stand in some relation to himself.  He even amused himself with the far-fetched fancy that he might so identify himself with the place that some future tenant, taking possession, might regard it as in a sense haunted.  It would be rather a joke if he, a perfectly harmless author, with nothing on his mind worse than a novel he had discovered he must begin again, should turn out to be laying the foundation of a future ghost!...

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