ACT III.

The eight small chairs that were brought on in the First Act are taken off stage.  The big arm-chair that ROSALIE sat in has been taken up the left corner of set.  Table has been moved up and on stage about a foot.  The knife that is to fall on given cue has been placed in slot in ceiling.  The window blind is pulled down, the curtains on window are opened.  Arm-chair back of table R. Chair below table R. Chair above table R. Chesterfield has been moved down stage C. about a foot.  Shelf back of chesterfield has been fixed for WALES to lie on.  Console table back in its original position, right end of chesterfield C. Chairs with upholstered seats put back to left and right sides of fireplace.  Door down L., open.

Be sure to clear everything off table R.C. for knife.

LIGHTING PLOT FOR ACT III.

Everything OUT at RISE except amber strip and amber baby in left first entrance and blue bunches outside of window, R., which are LIT.

1ST CUE.—­After prayer, ROSALIE raises window shade, white spot on knife in ceiling, LIT.

2ND CUE.—­Inspector pushes switch, lights lit, amber foots 1/2, table lamps, brackets, post lights, LIT.

NOTE.—­No lights in entrance R.C., L.C., and fireplace.

3RD CUE.—­ROSALIE pushes light switch, foots, table lamps, brackets, post lights, OUT.  Spot on knife from outside window R., LIT.

4TH CUE.—­POLLOCK pushes light switch, amber foots, table lamps, brackets, post lights, LIT same as AT RISE.  Spot on knife, out.

5TH CUE.—­ROSALIE says, “I call on the spirit of Edward Wales,” start to dim foots to 1/8.  Must be down on word “look.”  As window shade flies up, spot on knife, LIT.  As knife leaves ceiling spot OUT and amber foots, flash up, full.

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A Book of Make-Up

By ERIC WARD

This handbook is unique inasmuch as it is prepared specially for
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The author has had many years of professional experience on the
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