How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.

How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.

which are arranged upon the central tables of the saloon.  To explain the presence of coral in the midst of a zoological collection it is necessary to remind the visitor that this beautiful substance, which is chiefly a deposit of carbonate of lime, is also the fossil remains of that animal known to zoologists as the polypus.  These polypi put forth buds, which remain attached to the parental polypus, and generate other buds; and in this way countless polypi, linked together, yet maintaining a separate and distinct existence, spread themselves over miles and miles of submarine rocks, in endless varieties of shape, and leave their remains to be dredged by the hardy fisherman, for the adornment of beauty.  These beautiful polypi skeletons cluster in curious formations, as the visitor will perceive on examining the fine collection of corals before him.[1] Among the remarkable coral formations to which the general visitor’s attention may be directed, are the sea-mushroom, the remains of a single polypus of great size; the brainstone, which presents a circular mass of long winding cells, and altogether has the appearance of the masses and veins of the brain; the sea-pen, and the sea-fan.  In the cases, ranged together in the saloon, the visitor who feels interested in the infinite varieties of coral formation, will find specimens that-will give him a full idea of the architectural abilities of the active zoophytes that carry on their operations upon the rocks that lie not far below the surface of the ocean.  From the coral tables, the visitor’s way lies out of the Mammalia Saloon to the north, into a gallery of which all Englishmen who understand the value of a perfect museum, are justly proud.

THE EASTERN ZOOLOGICAL GALLERY

of the British Museum runs the entire length of the building.  It is divided into five compartments, and its space is devoted to the display of Birds, Shells, and a few Paintings.  The birds exhibited in this gallery fill no less than one hundred and sixty-six wall-cases; and the shells which are distributed throughout the central space occupy fifty large tables:  the lesser tables which are placed here and there near the birds, being devoted to the display of birds’ eggs.  The pictures are hung above the wall-cases.  This general glance at the arrangement of the gallery, will prevent the visitor from falling into the error of distracting his attention from one order of zoological development to another at frequent intervals.  Already he has examined the various species of animal life which rank in the highest class—­the mammalia.  Before him now, are ranged vast numbers of the second class of animal life; and he will do well to pay these some attention, and to get definite impressions regarding them, before he turns to the other attractions which the museum offers.  Before proceeding to examine the first order of birds which are in the first eastern room, the visitor should

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How to See the British Museum in Four Visits from Project Gutenberg. Public domain.