The New Jerusalem eBook

This eBook from the Gutenberg Project consists of approximately 322 pages of information about The New Jerusalem.



A traveller sees the hundred branches of a tree long before he is near enough to see its single and simple root; he generally sees the scattered or sprawling suburbs of a town long before he has looked upon the temple or the market-place.  So far I have given impressions of the most motley things merely as they came, in chronological and not in logical order; the first flying vision of Islam as a sort of sea, with something both of the equality and the emptiness and the grandeur of its purple seas of sand; the first sharp silhouette of Jerusalem, like Mount St. Michael, lifting above that merely Moslem flood a crag still crowned with the towers of the Crusaders; the mere kaleidoscope of the streets, with little more than a hint of the heraldic meaning of the colours; a merely personal impression of a few of the leading figures whom I happened to meet first, and only the faintest suggestion of the groups for which they stood.  So far I have not even tidied up my own first impressions of the place; far less advanced a plan for tidying up the place itself.

In any case, to begin with, it is easy to be in far too much of a hurry about tidying up.  This has already been noted in the more obvious case, of all that religious art that bewildered the tourist with its churches full of flat and gilded ikons.  Many a man has had the sensation of something as full as a picture gallery and as futile as a lumber-room, merely by not happening to know what is really of value, or especially in what way it is really valued.  An Armenian or a Syrian might write a report on his visit to England, saying that our national and especially our naval heroes were neglected, and left to the lowest dregs of the rabble; since the portraits of Benbow and Nelson, when exhibited to the public, were painted on wood by the crudest and most incompetent artists.  He would not perhaps fully appreciate the fine shade of social status and utility implied in a public-house sign.  He might not realise that the sign of Nelson could be hung on high everywhere, because the reputation of Nelson was high everywhere, not because it was low anywhere; that his bad portrait was really a proof of his good name.  Yet the too rapid reformer may easily miss even the simple and superficial parallel between the wooden pictures of admirals and the wooden pictures of angels.  Still less will he appreciate the intense spiritual atmosphere, that makes the real difference between an ikon and an inn-sign, and makes the inns of England, noble and national as they are, relatively the homes of Christian charity but hardly a Christian faith.  He can hardly bring himself to believe that Syrians can be as fond of religion as Englishmen of beer.

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The New Jerusalem from Project Gutenberg. Public domain.
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