The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.

The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.
and recovery took place. But, when by a second attack the corresponding vessel of the opposite half of the brain was blocked the terminal avenues, and the central stations for the reception of the particular modes of motion associated with sound vibration of all kinds were destroyed in toto; and the patient became stone deaf.  It would have been extremely interesting to have seen whether, having lost that portion of the brain which constitutes the primary incitation of speech, this patient could have been taught lip language.

There is no doubt that persons who become deaf from destruction of the peripheral sense organ late in life do not lose the power of speech, and children who are stone deaf from ear disease and dumb in consequence can be trained to learn to speak by watching and imitating the movements of articulation.  Helen Keller indeed, although blind, was able to learn to speak by the education of the tactile motor sense.  By placing the hand on the vocal instrument she appreciated by the tactile motor sense the movements associated with phonation and articulation.  The tactile motor sense by education replaced in her the auditory and visual senses.  The following physiological experiment throws light on this subject.  A dog that had been deprived of sight by removal of the eyes when it was a puppy found its way about as well as a normal dog; but an animal made blind by removal of the occipital lobes of the brain was quite stupid and had great difficulty in finding its way about.  Helen Keller’s brain, as shown by her accomplishments in later life, was a remarkable one; not long after birth she became deaf and blind, consequently there was practically only one avenue of intelligence left open for the education of that brain, viz. the tactile kinaesthetic.  But the tactile motor sense is the active sense that waits upon and contributes to every other sense.  The hand is the instrument of the mind and the agent of the will; consequently the tactile motor sense is intimately associated in its structural representation in the brain with every other sense.  This avenue being open in Helen Keller, was used by her teacher to the greatest possible advantage, and all the innate potentialities of a brain naturally endowed with remarkable intellectual powers were fully developed, and those cortical structures which normally serve as the terminal stations (vide fig. 16) for the reception and analysis of light and sound vibrations were utilised to the full by Helen Keller by means of association tracts connecting them with the tactile motor central stations.  The brain acts as a whole in even the simplest mental processes by virtue of the fact that the so-called functional centres in the brain are not isolated fields of consciousness, but are inextricably associated one with another by association fibres.

THE PRIMARY REVIVAL OF SOME SENSATIONS IN THE BRAIN

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The Brain and the Voice in Speech and Song from Project Gutenberg. Public domain.