The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.

The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.
and instead of a steady flow of modulated, articulate sounds, speech is broken up into a succession of irregular, jerky, syllabic fragments, without modulation, and often accompanied by a tremulous vibration of the voice.  Syllables are unconsciously dropped out, blurred, or run into one another, or imperfectly uttered; especially is difficulty found with consonants, particularly explosive sounds, b, p, m; again, linguals and dentals are difficult to utter.  Similar defects occur in written as in vocal speech; the syllables and even the letters are disjointed; there is a fine tremor in the writing, and inco-ordination in the movements of the pen.  Silent thoughts leave out syllables and words in the framing of sentences; consequently they are not expressed by the hand.  The ideation of a written or spoken word is based upon the association of the component syllables, and the difficulty arises primarily from the progressive impairment of this function of association upon which spoken and written language so largely depends.  Examination of the brain in this disease explains the cause of the speech trouble and the progressive dementia (loss of mind) and paralysis with which it is associated.  There is a wasting of the cerebral hemispheres, especially of the frontal lobes, a portion of the brain which, later on, we shall see is intimately associated with the function of articulate speech.

THE CEREBRAL MECHANISM OF SPEECH AND SONG

Neither vocalisation nor articulation are essentially human.  Many of the lower animals, e.g. parrots, possess the power of articulate speech, and birds can be taught to pipe tunes.  The essential difference between the articulate speech of the parrot and the human being is that the parrot merely imitates sounds, it does not employ these articulate sounds to express judgments; likewise there are imbecile human beings who, parrot-like, repeat phrases which are meaningless.  Articulate speech, even when employed by a primitive savage, always expresses a judgment.  Even in the simple psychic process of recalling the name aroused by the sight of a common object in daily use, and in affixing the verbal sign to that object, a judgment is expressed.  But that judgment is based upon innumerable experiences primarily acquired through our special senses, whereby we have obtained a knowledge of the properties and uses of the object.  This statement implies that the whole brain is consciously and unconsciously in action.  There is, however, a concentration of psychic action in those portions of the brain which are essential for articulate speech; consequently the word, as it is mentally heard, mentally seen, and mentally felt (by the movements of the jaw, tongue, lips, and soft palate), occupies the field of clear consciousness; but the concept is also the nucleus of an immense constellation of subconscious psychic processes with which it has been associated by experiences in the past.  In language, articulate sounds are generally employed as objective signs attached to objects with which they have no natural tie.

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The Brain and the Voice in Speech and Song from Project Gutenberg. Public domain.