Punch, or the London Charivari, Volume 100, February 7, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 39 pages of information about Punch, or the London Charivari, Volume 100, February 7, 1891.

Punch, or the London Charivari, Volume 100, February 7, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 39 pages of information about Punch, or the London Charivari, Volume 100, February 7, 1891.

Mr. M.-J. Only what? Mrs. M.-J. Only crying!

THE SEQUEL.

“The Judges appointed by the spirited proprietors of All Sorts to decide the ’Model Husband Contest’—­which was established on lines similar to one recently inaugurated by one of our New York contemporaries—­have now issued their award.  Two competitors have sent in certificates which have been found equally deserving of the prize; viz., Mrs. CORNELIA GALAHAD-GREEN, Graemair Villa, Peckham, and Mrs. GRISELDA MONARCH-JONES, Aspen Lodge, Lordship Lane.  The sum of Twenty Pounds will consequently be divided between these two ladies, to whom, with their respective spouses, we beg to tender our cordial felicitations.”—­(Extract from Daily Paper, some six months hence.)

* * * * *

CRUMMLES REDIVIVUS!

[Illustration]

For some months Society has been on the tip-toe of expectation with regard to the new Tragedy by Mr. SHAKSPEARE SMITHSON, which is to inaugurate the magnificent Theatre, built at a sumptuous and total disregard of expense by Mr. DILEY PUFF, a lineal descendant of the great PUFF family, by intermarriage with the more recent CRUMMLES’s, expressly for the performance of the genuine English Drama.  A veil of secrecy has, however, been drawn over all the arrangements connected with the new production.  One after another the Author, the Manager, and the leading Actors were appealed to in vain.  Finally, one of Our Representatives taking his courage in both hands, brought it and himself safely to the stage-door of the new theatre, and knocked.  After some hesitation he was admitted by an intelligent boy, who, however, at first seemed indisposed to be drawn into conversation, though he admitted he had been engaged for the responsible post of call-boy at an inadequate salary.  Our Representative managed to interest the lad in the inspection of a numismatic representation of Her Most Gracious Majesty, which he happened to have brought with him on the back of half-a-crown, and with which Our Representative toyed, holding it between the thumb and dexter finger of the right hand.  We give the result in Our Representative’s own words:—­

“Come this way,” said the boy, on whom the sight of the coin seemed to operate like some weird talisman, leading me to a remote part of the stage, the floor of which had been tastefully littered with orange-peel in a variety of patterns; “we shall be comfortabler.”

“Now tell me,” I said, “about this new piece.”

“It’s what they call a Tragedy,” said the boy.

“Ah!” I replied, “that is interesting; but I want to know about the Author.  What do you think of him?”

“The horther?  Oh my!” said the precocious lad, producing an apple from his trousers’ pocket, but his right eye still fixed on the talisman, “’e don’t count.  Why we none of us pays no attention to ’im.  Crikey, you should ’a seen ’im come a cropper on his nut down them new steps.  But, look ‘ere, Sir,” he continued, more solemnly, “I’m a tellin’ yer secrets, I am; and if DILEY were to ’ear of it, I’d get a proper jacketin’.  Swear you won’t peach.”

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Punch, or the London Charivari, Volume 100, February 7, 1891 from Project Gutenberg. Public domain.