company.  As each bird’s name is called, the owner must imitate its note as well as he can, but when the owl is named, all hands must be put behind the chairs, and remain there until the next bird’s name is mentioned.  When the Bird-catcher cries “All the birds,” the players must together give their various imitations of birds.  Should any player fail to give the cry when his bird is named, or forget to put his hands behind his chair, he has to change places with Bird-catcher.

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FRENCH ROLL

A good many children may play at this game.  One player is called the buyer, the rest form a line in front of him and take hold of each other.  The first in this line is called the baker, the last the French roll.  Those between are supposed to be the oven.  When they are all in place the buyer says to the baker, “Give me my French roll.”  The baker replies, “It is at the back of the oven.”  The buyer goes to fetch it, when the French roll begins running from the back of the oven, and comes up to the baker, calling all the while, “Who runs?  Who runs?” The buyer may run after him, but if the French roll gets first to the top of the line, he becomes baker, and the last in the line is French roll.  If, however, the buyer catches the French roll, the French roll becomes buyer, and the buyer takes the place of the baker.

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THE GARDEN GATE

The Garden Gate is a very pretty game.  A ring is formed of all the players except one, who stands in the middle.  The others dance round her three times, and when they stop she begins to sing: 

  “Open wide the garden gate, the garden gate, the garden gate,
  Open wide the garden gate and let me through.”

The circle then dances round her again, singing: 

  “Get the key of the garden gate, the garden gate, the garden gate,
  Get the key of the garden gate and open and let yourself through.”

The girl inside the circle, pretending to sob, replies: 

  “I’ve lost the key of the garden gate, the garden gate, the garden gate,
  I’ve lost the key of the garden gate, and cannot let myself through.”

But the dancers dance round and round her, singing: 

  “Then you may stop all night within the gate, within the gate,
        within the gate,
  You may stop all night within the gate, unless you have strength
        to break through.”

The captive then rushes to the weakest part of the ring, and tries to break through by throwing her whole weight upon the clasped hands of the children, and generally contrives to break through, the one whose hand gives way being made captive in her stead.

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CHARADES