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[316] From Lelia, chap.  LXVII.

[317] Jacques (1834), the hero of which is George Sand in man’s disguise, sets forth the author’s doctrine of free love.

[318] From Jacques, letter 95.

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[319] From Lettres d’un Voyageur, letter 9.

[320] Ibid., a Rollinat, September, 1834.

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[321] Hans Holbein, the younger (1497-1543), German artist.

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[322] From La Mare au Diable, chap. 1.

[323] Ibid., The Author to the Reader.

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[324] Ibid., chap. 1.

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[325] Ibid., chap. 1.

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[326] From Impressions et Souvenirs, ed. 1873, p. 135.

[327] Ibid., p. 137.

[328] From Wordsworth’s Lines Composed a few Miles above Tintern Abbey.

[329] From Impressions et Souvenirs, p. 136.

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[330] Ibid., p. 139.

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[331] Ibid., p. 269.

[332] Ibid., p. 253.

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[333] See The Function of Criticism, Selections, p. 29.[Transcriber’s note:  This approximates to the section following the text reference for Footnote 29 in this e-text.]

[334] Emile Zola (1840-1902), French novelist, was the apostle of the “realistic” or “naturalistic” school. L’Assommoir (1877) depicts especially the vice of drunkenness.

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[335] From Journal d’un Voyageur, February 10, 1871, p. 305.

[336] Emile Louis Victor de Laveleye (1822-92), Belgian economist.  He was especially interested in bimetallism, primitive property, and nationalism.

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[337] From Journal d’un Voyageur, December 21, 1870, p. 202.

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[338] Ibid., December 21, 1870, p. 220.

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[339] Ibid., February 7, 1871, p. 228.

[340] Round my House:  Notes of Rural Life in France in Peace and War (1876), by Philip Gilbert Hamerton.  See especially chapters XI and XII.