Sir John had made a wondrous picturesque figure of himself as, in a raised corner of the crowded and beflagged marquee, he had flourished a trowel, and talked about the great and enlightened public, and about the highest function of the drama, and about the duty of the artist to elevate, and about the solemn responsibility of theatrical managers, and about the absence of petty jealousies in the world of the stage.  Everybody had vociferously applauded, while reporters turned rapidly the pages of their note-books.  “Ass!” Edward Henry had said to himself with much force and sincerity—­meaning Sir John—­but he too had vociferously applauded; for he was from the Five Towns, and in the Five Towns people are like that!  Then Sir John had declared the corner-stone well and truly laid (it was on the corner which the electric sign of the future was destined to occupy), and after being thanked had wandered off, shaking hands here and there absently, to arrive at length in the office of the clerk-of-the-works, where Edward Henry had arranged suitably to refresh the stone-layer and a few choice friends of both sexes.

He had hoped that Elsie April would somehow reach that little office.  But Elsie April was absent, indisposed.  Her absence made the one blemish on the affair’s perfection.  Elsie April, it appeared, had been struck down by a cold which had entirely deprived her of her voice, so that the performance of the Azure Society’s Dramatic Club, so eagerly anticipated by all London, had had to be postponed.  Edward Henry bore the misfortune of the Azure Society with stoicism, but he had been extremely disappointed by the invisibility of Elsie April at his stone-laying.  His eyes had wanted her.

Sir John, awaking apparently out of a dream when Edward Henry had summoned him twice, climbed the uneven staircase and joined his host and youngest rival on the insecure planks and gangways that covered the first floor of the Regent Theatre.

“Come higher,” said Edward Henry, mounting upward to the beginnings of the second story, above which hung suspended from the larger crane the great cage that was employed to carry brick and stone from the ground.

The two fur coats almost mingled.

“Well, young man,” said Sir John Pilgrim, “your troubles will soon be beginning.”

Now Edward Henry hated to be addressed as “young man,” especially in the patronizing tone which Sir John used.  Moreover, he had a suspicion that in Sir John’s mind was the illusion that Sir John alone was responsible for the creation of the Regent Theatre—­that without Sir John’s aid as a stone-layer it could never have existed.

“You mean my troubles as a manager?” said Edward Henry, grimly.

“In twelve months from now—­before I come back from my world’s tour—­you’ll be ready to get rid of this thing on any terms.  You will be wishing that you had imitated my example and kept out of Piccadilly Circus.  Piccadilly Circus is sinister, my Alderman—­sinister.”