He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a “grande passion.” This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his “taille d’athlete” to the elegance of the Apollo Belvidere.
“And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had — as I deserved to have — the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No, — I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar, — I will take one now, if you will excuse me.”
Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on —
“I liked bonbons too in those days, Miss Eyre, and I was croquant — (overlook the barbarism) — croquant chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the ‘voiture’ I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak — an unnecessary encumbrance, by-the-bye, on so warm a June evening — I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur ‘Mon ange’ — in a tone, of course, which should be audible to the ear of love alone — when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched porte cochere of the hotel.