Miriam Monfort eBook

Catherine Anne Warfield
This eBook from the Gutenberg Project consists of approximately 583 pages of information about Miriam Monfort.

Miriam Monfort eBook

Catherine Anne Warfield
This eBook from the Gutenberg Project consists of approximately 583 pages of information about Miriam Monfort.

When the carriage stopped, or whither it transported me, or who lifted my insensible form to the chamber prepared for me, I know not—­never knew.  There was a faint reviving, I remember; a process of disrobing gone through by the aid of foreign assistance (whose, I recognized not), then I slumbered profoundly and securely through the entire night, to recover no clearness of perception until a late hour on the following morning.

CHAPTER VI.

I awoke, as I had done of old, after one of my lethargic seizures, from a deep, unrefreshing slumber, with a lingering sense about me of drowsiness and even fatigue.

I found myself lying on a broad, canopied bedstead, the massive posts of which were of wrought rosewood, bare of draperies, as became the season, save at the head-board, behind which a heavy curtain was dropped of rose-colored damask satin.

Of the same rich material were composed the tester and the lightly-quilted coverlet, thrown across the foot of the bed, over a fine white Marseilles counterpane.

The chimney immediately opposite to me, as I lay, was of black marble, and, instead of graceful Greek caryatides, bandaged mummies, or Egyptian figures, supported the heavy shelf that surmounted the polished grate.  In the centre of this massive mantel-slab was placed a huge bronze clock, and candelabra of the same material graced its corners.

In either recess of this chimney rosewood doors were situated, one of which stood invitingly ajar, disclosing the bath-room, into which it opened, with its accessories of white marble.

The other, firmly closed, seemed to be the outlet of the chamber—­its only one—­with the exception of the four large Venetian windows, two on either side of me as I lay, the sashes of which, warm as the season was, were drawn closely down.

The furniture of this spacious chamber to which, as if by the touch of a magician’s wand, I found myself transported, was throughout solid and of elegant forms, consisting as it did of armoire, toilet-table, bookcase, etagere, writing and flower stands, tables and chairs, of the richest rosewood.

At the foot of my bed was placed a console, supporting a huge Bible and Prayer-book, bound alike in purple velvet, emblazoned with central suns of gold—­an arch-hypocrisy that was not lost on its object.  Freshly-gathered flowers were heaped in the vases of the floral stands, filling the close, cool room with an overpowering fragrance.  The carpet of crimson and white seemed to the eye what it afterward proved to the foot—­thick, soft, and elastic; and harmonized well with the rich, antique, and consistent furniture.

The sort of microscopic scrutiny that children manifest seemed mine—­in my unreasoning, half-convalescent state; and for a time I observed all that I have described with a listless pleasure, difficult to analyze, a sort of dreamy acceptance of my condition, the very memory of which exasperated me, later, almost to self-contempt.

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Project Gutenberg
Miriam Monfort from Project Gutenberg. Public domain.