Library of the World's Best Literature, Ancient and Modern — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 724 pages of information about Library of the World's Best Literature, Ancient and Modern — Volume 1.

Library of the World's Best Literature, Ancient and Modern — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 724 pages of information about Library of the World's Best Literature, Ancient and Modern — Volume 1.
mutual affection is a tacit avowal and appreciation of mutual good qualities,—­perhaps friendship yet more than love, for the latter is far more an aspiration, a passion, than the former, and influences the permanent character much less.  Under the magic of love a girl is generally in a feverish state of excitement, often in a wrong position, deeming herself the goddess, her lover the adorer; whereas it is her will that must bend to his, herself be abnegated for him.  Friendship neither permits the former nor demands the latter.  It influences silently, often unconsciously; perhaps its power is never known till years afterwards.  A girl who stands alone, without acting or feeling friendship, is generally a cold unamiable being, so wrapt in self as to have no room for any person else, except perhaps a lover, whom she only seeks and values as offering his devotion to that same idol, self.  Female friendship may be abused, may be but a name for gossip, letter-writing, romance, nay worse, for absolute evil:  but that Shakespeare, the mighty wizard of human hearts, thought highly and beautifully of female friendship, we have his exquisite portraits of Rosalind and Celia, Helen and the Countess, undeniably to prove; and if he, who could portray every human passion, every subtle feeling of humanity, from the whelming tempest of love to the fiendish influences of envy and jealousy and hate; from the incomprehensible mystery of Hamlet’s wondrous spirit, to the simplicity of the gentle Miranda, the dove-like innocence of Ophelia, who could be crushed by her weight of love, but not reveal it;—­if Shakespeare scorned not to picture the sweet influences of female friendship, shall women pass by it as a theme too tame, too idle for their pens?

THE ORDER OF KNIGHTHOOD

From ‘The Days of Bruce’

A right noble and glorious scene did the great hall of the palace present the morning which followed this eventful night.  The king, surrounded by his highest prelates and nobles, mingling indiscriminately with the high-born dames and maidens of his court, all splendidly attired, occupied the upper part of the hall, the rest of which was crowded by both his military followers and many of the good citizens of Scone, who flocked in great numbers to behold the august ceremony of the day.  Two immense oaken doors at the south side of the hall were flung open, and through them was discerned the large space forming the palace yard, prepared as a tilting-ground, where the new-made knights were to prove their skill.  The storm had given place to a soft, breezy morning, the cool freshness of which appeared peculiarly grateful from the oppressiveness of the night; light downy clouds sailed over the blue expanse of heaven, tempering without clouding the brilliant rays of the sun.  Every face was clothed with smiles, and the loud shouts which hailed the youthful candidates for knighthood, as they severally entered, told well the feeling with which the patriots of Scotland were regarded.

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Library of the World's Best Literature, Ancient and Modern — Volume 1 from Project Gutenberg. Public domain.