The Atlantic Monthly, Volume 09, No. 56, June, 1862 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about The Atlantic Monthly, Volume 09, No. 56, June, 1862.

The Atlantic Monthly, Volume 09, No. 56, June, 1862 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about The Atlantic Monthly, Volume 09, No. 56, June, 1862.

The sun sets on some retired meadow, where no house is visible, with all the glory and splendor that it lavishes on cities, and, perchance, as it has never set before,—­where there is but a solitary marsh-hawk to have his wings gilded by it, or only a musquash looks out from his cabin, and there is some little black-veined brook in the midst of the marsh, just beginning to meander, winding slowly round a decaying stump.  We walked in so pure and bright a light, gilding the withered grass and leaves, so softly and serenely bright, I thought I had never bathed in such a golden flood, without a ripple or a murmur to it.  The west side of every wood and rising ground gleamed like the boundary of Elysium, and the sun on our backs seemed like a gentle herdsman driving us home at evening.

So we saunter toward the Holy Land, till one day the sun shall shine more brightly than ever he has done, shall perchance shine into our minds and hearts, and light up our whole lives with a great awakening light, as warm and serene and golden as on a bank-side in autumn.

WAR AND LITERATURE.

It would be a task worthy of a volume, and requiring that space in order to be creditably performed, to show how war affects literature, at what points they meet, where they are at variance, if any wars stimulate, and what kinds depress the intellectual life of nations.  The subject is very wide.  It would embrace a discussion of the effects of war when it occurs during a period of great literary and artistic splendor, as in Athens and in the Italian Republics; whether intellectual decline is postponed or accelerated by the interests and passions of the strife; whether the preliminary concentration of the popular heart may claim the merit of adding either power or beauty to the intellectual forms which bloom together with the war.

These things are not entirely clear, and the experience of different countries is conflicting.  The Thirty Years’ War, though it commenced with the inspiration of great political and religious ideas, did not lift the German mind to any new demonstrations of truth or impassioned utterances of the imagination.  The nation sank away from it into a barren and trivial life, although the war itself occasioned a multitude of poems, songs, hymns, and political disquisitions.  The hymns of this period, which are filled with a sense of dependence, of the greatness and awfulness of an invisible eternity, and breathe a desire for the peaceful traits of a remote religious life, are at once a confession of the weariness of the best minds at the turmoil and uncertainty of the contest and a permanent contribution of the finest kind to that form of sacred literature.  But princes and electors were fighting as much for the designation and establishment of their petty nationalities, which first checkered the map of Europe after the imperial Catholic power was rolled southwardly, as they were

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The Atlantic Monthly, Volume 09, No. 56, June, 1862 from Project Gutenberg. Public domain.