Giorgione eBook

This eBook from the Gutenberg Project consists of approximately 158 pages of information about Giorgione.

Giorgione eBook

This eBook from the Gutenberg Project consists of approximately 158 pages of information about Giorgione.

Archivio Storico dell’ Arte (now L’Arte), 1888, p. 47. (See also sub Venturi.)

Art Journal. 1895. p. 90. (Dr. Richter.)

BERENSON, B.  “Venetian Painting at the New Gallery.” 1895. (Privately printed.) “Venetian Painters of the Renaissance.”  Third edition, 1897.  Putnam, London. Gazette des Beaux Arts, 1897, p. 279.

BURCKHARDT.  “Cicerone.”  Sixth edition, 1893. (Dr. Bode.)

CONTI, A.  “Giorgione, Studio.”  Florence, 1894.

CROWE AND CAVALCASELLE.  “History of Painting in North Italy,” vol. ii. 
London, 1871.  “Life of Titian.”  Two vols.

FRY, ROGER.  “Giovanni Bellini.”  London, 1899.

GRONAU, DR. G. Gazette des Beaux Arts, 1894, p. 332. Repertorium fuer Kunstwissenschaft, xviii. 4, p. 284.  “Zorzon da Castelfranco.  La sua origine, la sua morte, e tomba.”  Venice, 1894.  “Tizian.”  Berlin, 1900.

LAFENESTRE, G.  “La vie et l’oeuvre de Titien.”  Paris, 1886.

LOGAN, MARY.  “Guide to the Italian Pictures at Hampton Court.”  London, 1894.

Magazine of Art, 1890, pp. 91 and 138. (Sir W. Armstrong.) 1893.  April. (Mr. W.F.  Dickes.)

MORELLI, GIOVANNI.  “Italian Painters.”  Translated by C.J.  Ffoulkes. 
London, 1892.  Vols. i. and ii. passim.

MUeNTZ, E.  “La fin de la Renaissance.”  Paris.

New Gallery Catalogue of Exhibition of Venetian Art, 1895.

PATER, W.  “The Renaissance.”  Chapter on the School of Giorgione.  London, 1893.

PHILLIPS, CLAUDE. Gazette des Beaux Arts, 1884, p. 286. Magazine of Art, July 1895.  “The Picture Gallery of Charles I.” (Portfolio, January 1896).  “The Earlier Work of Titian” (Portfolio, October 1897). North American Review, October 1899.

Repertorium fuer Kunstwissenschaft.  Bd. xiv. p. 316. (Herr von Seidlitz.) Bd. xix.  Hft. 6. (Dr. Harck.)

RIDOLFI, C.  “Le Maraviglie dell’ arte della pittura.”  Venice, 1648.

Royal Academy.  Catalogues of the Exhibitions of Old Masters.

VASARI.  “Le Vite.”  Ed. Sansoni.  Florence, 1879.  Translation edited by Blashfield and Hopkins, with Notes.  London, 1897.

VENTURI, ADOLFO. Archivio Storico dell’ Arte, vi. 409, 412. L’Arte, 1900, p. 24, etc.  “La Galleria Crespi in Milano,” 1900.

WICKHOFF, F. Gazette des Beaux Arts, 1893, p. 135. Jahrbuch der Preussischen Kunstsammlungen, 1895.  Heft i.

ZANETTI, A.  “Varie Pitture,” etc., with engravings of some fragments from the Fondaco de’ Tedeschi frescoes, 1760.

GIORGIONE

CHAPTER I

GIORGIONE’S LIFE

Apart from tradition, very few ascertained facts are known to us as to Giorgione’s life.  The date of his birth is conjectural, there being but Vasari’s unsupported testimony that he died in his thirty-fourth year.  Now we know from unimpeachable sources that his death happened in October-November 1510,[1] so that, assuming Vasari’s statement to be correct, Giorgione will have been born in 1477.[2]

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Giorgione from Project Gutenberg. Public domain.