and months after returned to Europe.  For two years he practiced his skill at Constantinople.  Then he made his way to Buda-Pesth, then to Vienna.  While in the dual monarchy, he had come across a poverty-stricken Magyar noble, named Kallash, whom he had sheltered in a fit of generous pity, and who had died in his room at the Golden Eagle Inn.  Prince Chechevinski, who had already borne many aliases, showed his grief at the old Magyar’s death by adopting his name and title; hence it was that he presented himself in St. Petersburg in the season of 1858 under the high-sounding title of Count Kallash.

An extraordinary coincidence, already described, had brought him face to face with his sister Anna, whom he had never even heard of in all the years since her flight.  He found her now, poverty-stricken, prematurely old, almost demented, and, though he had hated her cordially in days gone by, his pity was aroused by her wretchedness, and he took her to his home, clothed and fed her, and surrounded her with such comforts as his bachelor apartment offered.

In the days that followed, every doubt he might have had as to her identity was dispelled.  She talked freely of their early childhood, of their father’s death, of their mother; she even spoke of her brother’s coldness and hostility in terms which drove away the last shadow of doubt whether she was really his sister.  But at first he made no corresponding revelations, remaining for her only Count Kallash.

XI

THE PHOTOGRAPH ALBUM

Little by little, however, as the poor old woman recovered something of health and strength, his heart went out toward her.  Telling her only certain incidents of his life, he gradually brought the narrative back to the period, twenty years before, immediately after their mother’s death, and at last revealed himself to his sister, after making her promise secrecy as to his true name.  Thus matters went on for nearly two years.

The broken-down old woman lived in his rooms in something like comfort, and took pleasure in dusting and arranging his things.  One day, when she was tidying the sitting room, her brother was startled by a sudden exclamation, almost a cry, which broke from his sister’s lips.

“Oh, heaven, it is she!” she cried, her eyes fixed on a page of the photograph album she had been dusting.  “Brother, come here; for heaven’s sake, who is this?”

“Baroness von Doering,” curtly answered Kallash, glancing quickly at the photograph.  “What do you find interesting in her?”

“It is either she or her double!  Do you know who she looks like?”

“Lord only knows!  Herself, perhaps!”

“No, she has a double!  I am sure of it!  Do you remember, at mother’s, my maid Natasha?”

“Natasha?” the count considered, knitting his brows in the effort to recollect.

“Yes, Natasha, my maid.  A tall, fair girl.  A thick tress of chestnut hair.  She had such beautiful hair!  And her lips had just the same proud expression.  Her eyes were piercing and intelligent, her brows were clearly marked and joined together—­in a word, the very original of this photograph!”