The Art of Fencing eBook

This eBook from the Gutenberg Project consists of approximately 81 pages of information about The Art of Fencing.

By feeling the Sword, is meant commanding the Fort and Feeble equally with the Hand, in order to communicate to the more distant Part of the Blade, as well as to that which is nearer, the Motion and Action that is requisite.

The Hilt should be situated in the Center, that is to say, between the upper and lower Parts, and the Inside and Outside of the Body, in order to be in a better Condition to defend whatever Part may be attacked.  The Arm must not be strait nor too much bent, to preserve its Liberty and be cover’d.  The Parts being thus placed, the Wrist and the Point of the Right Foot will be on a perpendicular Line.

The Point of the Sword ought to be about the Height of, and on a Line with the Adversary’s Shoulder, that is, it must be more or less raised, according as he is taller or shorter:  Some Masters raise it to one fixed Height, which would be very well if all Men were of the same Stature; but if we consider the difference in Height of Persons, we shall find it evidently bad.  ’Tis to be observed, that according to the Length or Shortness of the Blade, the Line from the Shell to the Point is higher or lower, when the Height of the Point is fix’d.

The Shoulder, the Bend of the Arm, the Hilt, the Point of the Sword, the Hip, the Right Knee and the Point of the Right Foot must be on a Line.

The Head should be upright and free without Stiffness or Affectation, the Face turned between full and profile, and not altogether full, as many Masters will have it, that being a constrained and disagreeable Figure.

[Illustration:  2d Plate.  A Lunge in Quart.]

[Illustration:  A Thrust in Quart.]

The Sight should be fixed on the Adversary’s, not only to observe his Motions, but also to discover his Design, it being possible to guess at the interior Design, by the exterior Action.

It is necessary to appear animated with a brave Boldness, for nothing requires a Man to exert himself more than Sword in Hand; and it is as difficult to attain such an Air of Intrepidity without much Excercise, as it is to become perfectly expert.

CHAP.  III.

Of Pushing Quart.

To push Quart within, besides the Precautions of placing yourself to Advantage, and of pushing properly and swiftly, which is to be acquired by Practice and nice Speculation, It is necessary that the Parts, in order to assist each other in making the Thrust, should be so disposed and situated, as that the Wrist should draw with it the Bend of the Arm, the Shoulder, and the upper Part of the Fore-Part of the Body, at the same time that the Left Hand and Arm should display or stretch themselves out smartly, bending one of the Knees and extending the other, which gives more Vigour and Swiftness to the Thrust; and the Body finding itself drawn forward by the swift Motion of the Wrist and other Parts, obliges the Right Foot to go forward

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The Art of Fencing from Project Gutenberg. Public domain.
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