“Lilian’s Last Love” (Chicago:  Hooley’s Theatre, September 4, 1877); “Hurricanes” (Chicago:  Hooley’s Theatre, May 27, 1878); “Old Love Letters” (New York:  Park Theatre, August 31, 1878); “The Banker’s Daughter,” being a revision of “Lilian’s Last Love” (New York:  Union Square Theatre, September 30, 1878); “Wives,” being an adaptation from Moliere (New York:  Daly’s Theatre, October 18, 1879); “Fun in the Green-room” (New York:  Booth’s Theatre, April 10, 1882); “The Young Mrs. Winthrop” (New York:  Madison Square Theatre, October 9, 1882); “One of Our Girls” (New York:  Lyceum Theatre, November 10, 1885); “Met by Chance” (New York:  Lyceum Theatre, January 11, 1887); “The Henrietta” (New York:  Union Square Theatre, September 26, 1887); “Baron Rudolph,” first named “Rudolph von Hallenstein” (New York:  Fourteenth Street Theatre, October 25, 1887); “Shenandoah” (New York:  Star Theatre, September 9, 1889); “Aristocracy” (New York:  Palmer’s Theatre, November 14, 1892); “Peter Stuyvesant,” in collaboration with Brander Matthews (New York:  Wallack’s Theatre, October 2, 1899).  Plays that have never been acted are:  “Knave & Queen,” in collaboration with Sir Charles Young, and “Kate,” issued, 1906, in book form by Harper & Brothers.

AUGUSTUS THOMAS

Born, St. Louis, Mo., January 8,1859.  Author of the following plays, with their dates of first production:  “Editha’s Burglar,” with Mrs. F. H. Burnett (St. Louis:  Pope’s Theatre, July 1, 1884); “The Burglar” (Boston:  Park Theatre, June, 1888); “A Man of the World” (New York:  Madison Square Theatre, October 30, 1889); “Afterthoughts” (New York:  Madison Square Theatre, November 24, 1890); “Reckless Temple” (New York:  Standard Theatre, October 27, 1890); “Alabama” (New York:  Madison Square Theatre, April 1, 1891); “Colonel Carter of Cartersville,” from the novel by F. Hopkinson Smith (New York:  Palmer’s Theatre, March 22,1892); “Holly-Tree Inn” (New York:  Union Square Theatre, April 11, 1892); “In Mizzoura” (Chicago:  Hooley’s Theatre, August, 1893); “New Blood” (New York:  Palmer’s Theatre, September 19, 1894; previously in Chicago); “The Man Upstairs” (New York:  Hoyt’s Theatre, April 9, 1895); “The Capitol” (New York:  Standard Theatre, September 9, 1895); “That Overcoat” (1898); “The Hoosier Doctor” (New York:  Fourteenth Street Theatre, April 18, 1898); “The Meddler” (New York:  Wallack’s Theatre, September 1, 1898); “Arizona” (Chicago:  Grand Opera House, June 12, 1899); “Oliver Goldsmith” (New York:  Fifth Avenue Theatre, March 19, 1900); “On the Quiet” (New York:  Hoyt’s Theatre, February 11, 1901); “Colorado” (New York:  Palmer’s Theatre, January 12, 1902); “Soldiers of Fortune,” from the novel by Richard Harding Davis (New York:  Savoy Theatre, March 17, 1902); “The Earl of Pawtucket” (New York:  Madison Square Theatre, February 5, 1903); “The Other Girl” (New York:  Criterion Theatre, December 23, 1903); “Mrs. Leffingwell’s Boots” (New York:  Savoy