Gargantua and Pantagruel eBook

This eBook from the Gutenberg Project consists of approximately 1,126 pages of information about Gargantua and Pantagruel.

Such a one, about the year of our Lord 1513, was Jacoba Rodogina, an Italian woman of mean extract; from whose belly we, as well as an infinite number of others at Ferrara and elsewhere, have often heard the voice of the evil spirit speak, low, feeble, and small, indeed, but yet very distinct, articulate, and intelligible, when she was sent for out of curiosity by the lords and princes of the Cisalpine Gaul.  To remove all manner of doubt, and be assured that this was not a trick, they used to have her stripped stark naked, and caused her mouth and nose to be stopped.  This evil spirit would be called Curled-pate, or Cincinnatulo, seeming pleased when any called him by that name, at which he was always ready to answer.  If any spoke to him of things past or present, he gave pertinent answers, sometimes to the amazement of the hearers; but if of things to come, then the devil was gravelled, and used to lie as fast as a dog can trot.  Nay, sometimes he seemed to own his ignorance, instead of an answer letting out a rousing fart, or muttering some words with barbarous and uncouth inflexions, and not to be understood.

As for the Gastrolaters, they stuck close to one another in knots and gangs.  Some of them merry, wanton, and soft as so many milk-sops; others louring, grim, dogged, demure, and crabbed; all idle, mortal foes to business, spending half their time in sleeping and the rest in doing nothing, a rent-charge and dead unnecessary weight on the earth, as Hesiod saith; afraid, as we judged, of offending or lessening their paunch.  Others were masked, disguised, and so oddly dressed that it would have done you good to have seen them.

There’s a saying, and several ancient sages write, that the skill of nature appears wonderful in the pleasure which she seems to have taken in the configuration of sea-shells, so great is their variety in figures, colours, streaks, and inimitable shapes.  I protest the variety we perceived in the dresses of the gastrolatrous coquillons was not less.  They all owned Gaster for their supreme god, adored him as a god, offered him sacrifices as to their omnipotent deity, owned no other god, served, loved, and honoured him above all things.

You would have thought that the holy apostle spoke of those when he said (Phil. chap. 3), Many walk, of whom I have told you often, and now tell you even weeping, that they are enemies of the cross of Christ:  whose end is destruction, whose God is their belly.  Pantagruel compared them to the Cyclops Polyphemus, whom Euripides brings in speaking thus:  I only sacrifice to myself—­not to the gods—­and to this belly of mine, the greatest of all the gods.

Chapter 4.LIX.

Of the ridiculous statue Manduce; and how and what the Gastrolaters sacrifice to their ventripotent god.

While we fed our eyes with the sight of the phizzes and actions of these lounging gulligutted Gastrolaters, we on a sudden heard the sound of a musical instrument called a bell; at which all of them placed themselves in rank and file as for some mighty battle, everyone according to his office, degree, and seniority.

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Gargantua and Pantagruel from Project Gutenberg. Public domain.
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