On the Edge of the War Zone eBook

Mildred Aldrich
This eBook from the Gutenberg Project consists of approximately 237 pages of information about On the Edge of the War Zone.

On the Edge of the War Zone eBook

Mildred Aldrich
This eBook from the Gutenberg Project consists of approximately 237 pages of information about On the Edge of the War Zone.

I had to await the pleasure of the commander of the Cinquieme Armee, as the Embassy was powerless to help me, although they did their best with great good will.  I enclose you my sauf-conduit that you may see what so important a document is like.  Then I want to tell you the funny thing—­/ never had to show it once.  I was very curious to know just how important it was.  I went by the way of Esbly.  On buying my ticket I expected to be asked for it, as there was a printed notice beside the window to the ticket-office announcing that all purchasers of tickets must be furnished with a sauf-conduit.  No one cared to see mine.  No one asked for it on the train.  No one demanded it at the exit in Paris.  Nor, when I returned, did anyone ask for it either at the ticket-office in Paris or at the entrance to the train.  Considering that I had waited weeks for it, had to ask for it three times, had to explain what I was going to do in Paris, where I was going to stay, how long, etc., I had to be amused.

I was really terribly disappointed.  I had longed to show it.  It seemed so chic to travel with the consent of a big general.

Of course, if I had attempted to go without it, I should have risked getting caught, as, at any time, the train was liable to be boarded and all papers examined.

I learned at the Embassy, where the military attache had consulted the Ministry of War, that an arrangement was to be made later regarding foreigners, and that we were to be provided with a special book which, while it would not allow us to circulate freely, would give us the right to demand a permission—­and get it if the military authorities chose.  No great change that.

The visit served little purpose except to show me a sad-looking Paris and make me rejoice to get back.

Now that the days are so short, and it is dark at four o’clock, Paris is almost unrecognizable.  With shop-shutters closed, tramway windows curtained, very few street-lights—­none at all on short streets—­no visible lights in houses, the city looks dead.  You ’d have to see it to realize what it is like.

The weather was dull, damp, the cold penetrating, and the atmosphere depressing, and so was the conversation.  It is better here on the hilltop, even though, now and then, we hear the guns.

Coming back from Paris there were almost no lights on the platforms at the railway stations, and all the coaches had their curtains drawn.  At the station at Esbly the same situation—­a few lights, very low, on the main platform, and absolutely none on the platform where I took the narrow-gauge for Couilly.  I went stumbling, in absolute blackness, across the main track, and literally felt my way along the little train to find a door to my coach.  If it had not been for the one lamp on my little cart waiting in the road, I could not have seen where the exit at Couilly was.  It was not gay, and it was far from gay climbing the long hill, with the feeble rays of that one lamp to light the blackness.  Luckily Ninette knows the road in the dark.

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Project Gutenberg
On the Edge of the War Zone from Project Gutenberg. Public domain.