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By Dr. Eder.
We are indebted to Chas. Ehrmann, Esq., for the improved formulas given below as translated by him for the Photographic Times.
Dr. Eder has for a considerable time directed especial attention to the soda and potash developers, either of which seems to offer certain advantages over the ammoniacal pyrogallol. This advantage becomes particularly apparent with emulsions prepared with ammonia, which frequently show with ammoniacal developer green or red fog, or a fog of clayish color by reflected, and of pale purple by transmitted light. Ferrous oxalate works quite well with plates of that kind; so do soda and potassa developers.
For soda developers, Eder uses a solution of 10 parts of pure crystallized soda in 100 parts of water. For use, 100 c.c. of this solution are mixed with 6 c.c. of a pyrogallic solution of 1:10, without the addition of any bromide.
More pleasant to work with is Dr. Stolze’s potassa developer. No. 1: Water, 200 c.c.; chem. pure potassium carbonate, 90 gr.; sodium sulphite, 25 gr. No. 2: Water 100 c.c.; citric, 11/2 gr.; sodium sulphite, 25 gr.; pyrogallol., 12 gr. Solution No. 2 is for its better keeping qualities preferable to Dr. Stolze’s solution.[A] The solutions when in well stoppered bottles keep well for some time. To develop, mix 100 c.c. of water with 40 min. of No. 1 and 50 min. of No. 2. The picture appears quickly and more vigorously than with iron oxalate. If it is desirable to decrease the density of the negatives, double the quantity of water. The negatives have a greenish brown to olive-green tone. A very fine grayish-black can be obtained by using a strong alum bath between developing and fixing. The same bath after fixing does not act as effectual in producing the desired tone. A bath of equal volumes of saturated solutions of alum and ferrous sulphate gives the negative a deep olive-brown color and an extraordinary intensity, which excludes all possible necessities of an after intensification.