It is over and paid for. Let us mingle with the sixteen thousand inhabitants of the Georgian capital. Let us lose ourselves in the labyrinth of its streets, among its cosmopolitan population. Many Jews who button their coats from left to right, as they write—the contrary way to the other Aryan peoples. Perhaps the sons of Israel are not masters in this country, as in so many others? That is so, undoubtedly; a local proverb says it takes six Jews to outwit an Armenian, and Armenians are plentiful in these Transcaucasian provinces.
I reach a sandy square, where camels, with their heads out straight, and their feet bent under in front, are sitting in hundreds. They used to be here in thousands, but since the opening of the Transcaspian railway some years ago now, the number of these humped beasts of burden has sensibly diminished. Just compare one of these beasts with a goods truck or a luggage van!
Following the slope of the streets, I come out on the quays by the Koura, the bed of which divides the town into two unequal parts. On each side rise the houses, one above the other, each one looking over the roof of its neighbors. In the neighborhood of the river there is a good deal of trade. There you will find much moving about of vendors of wine, with their goatskins bellying out like balloons, and vendors of water with their buffalo skins, fitted with pipes looking like elephants’ trunks.
Here am I wandering at a venture; but to wander is human, says the collegians of Bordeaux, as they muse on the quays of the Gironde.
“Sir,” says a good little Jew to me, showing me a certain habitation which seems a very ordinary one, “you are a stranger?”
“Then do not pass this house without stopping a moment to admire it.”
“There lived the famous tenor Satar, who sang the contre-fa from his chest. And they paid him for it!”
I told the worthy patriarch that I hoped he would be able to sing a contre-sol even better paid for; and I went up the hill to the right of the Koura, so as to have a view of the whole town.
At the top of the hill, on a little open space where a reciter is declaiming with vigorous gestures the verses of Saadi, the adorable Persian poet, I abandon myself to the contemplation of the Transcaucasian capital. What I am doing here, I propose to do again in a fortnight at Pekin. But the pagodas and yamens of the Celestial Empire can wait awhile, here is Tiflis before my eyes; walls of the citadels, belfries of the temples belonging to the different religions, a metropolitan church with its double cross, houses of Russian, Persian, or Armenian construction; a few roofs, but many terraces; a few ornamental frontages, but many balconies and verandas; then two well-marked zones, the lower zone remaining Georgian, the higher zone, more modern, traversed by a long boulevard planted with fine trees, among which is seen the palace of Prince Bariatinsky, a capricious, unexpected marvel of irregularity, which the horizon borders with its grand frontier of mountains.