In Morocco eBook

This eBook from the Gutenberg Project consists of approximately 173 pages of information about In Morocco.

All these many threads of the native life, woven of greed and lust, of fetichism and fear and blind hate of the stranger, form, in the souks, a thick network in which at times one’s feet seem literally to stumble.  Fanatics in sheepskins glowering from the guarded thresholds of the mosques, fierce tribesmen with inlaid arms in their belts and the fighters’ tufts of wiry hair escaping from camel’s-hair turbans, mad negroes standing stark naked in niches of the walls and pouring down Soudanese incantations upon the fascinated crowd, consumptive Jews with pathos and cunning in their large eyes and smiling lips, lusty slave-girls with earthen oil-jars resting against swaying hips, almond-eyed boys leading fat merchants by the hand, and bare-legged Berber women, tattooed and insolently gay, trading their striped blankets, or bags of dried roses and irises, for sugar, tea or Manchester cottons—­from all these hundreds of unknown and unknowable people, bound together by secret affinities, or intriguing against each other with secret hate, there emanates an atmosphere of mystery and menace more stifling than the smell of camels and spices and black bodies and smoking fry which hangs like a fog under the close roofing of the souks.

And suddenly one leaves the crowd and the turbid air for one of those quiet corners that are like the back-waters of the bazaars, a small square where a vine stretches across a shop-front and hangs ripe clusters of grapes through the reeds.  In the patterning of grape-shadows a very old donkey, tethered to a stone-post, dozes under a pack-saddle that is never taken off; and near by, in a matted niche, sits a very old man in white.  This is the chief of the Guild of “morocco” workers of Marrakech, the most accomplished craftsman in Morocco in the preparing and using of the skins to which the city gives its name.  Of these sleek moroccos, cream-white or dyed with cochineal or pomegranate skins, are made the rich bags of the Chleuh dancing-boys, the embroidered slippers for the harem, the belts and harnesses that figure so largely in Moroccan trade—­and of the finest, in old days, were made the pomegranate-red morocco bindings of European bibliophiles.

From this peaceful corner one passes into the barbaric splendor of a souk hung with innumerable plumy bunches of floss silk—­skeins of citron yellow, crimson, grasshopper green and pure purple.  This is the silk-spinners’ quarter, and next to it comes that of the dyers, with great seething vats into which the raw silk is plunged, and ropes overhead where the rainbow masses are hung out to dry.

Another turn leads into the street of the metal-workers and armourers, where the sunlight through the thatch flames on round flanks of beaten copper or picks out the silver bosses of ornate powder-flasks and pistols, and near by is the souk of the plough-shares, crowded with peasants in rough Chleuh cloaks who are waiting to have their archaic ploughs repaired, and that of the smiths, in an outer lane of mud huts where negroes squat in the dust and sinewy naked figures in tattered loincloths bend over blazing coals.  And here ends the maze of the bazaars.

Project Gutenberg
In Morocco from Project Gutenberg. Public domain.
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