CHAPTER XI.

SCHELLING

1_a_.  Philosophy of Nature 1_b_.  Transcendental Philosophy 2.  System of Identity 3_a_.  Doctrine of Freedom 3_b_.  Philosophy of Mythology and Revelation

CHAPTER XII.

SCHELLING’S CO-WORKERS

1.  The Philosophers of Nature 2.  The Philosophers of Identity (F.  Krause) 3.  The Philosophers of Religion (Baader and Schleiermacher)

CHAPTER XIII.

HEGEL

1.  Hegel’s View of the World and his Method
2.  The System
  (a) Logic
  (b) The Philosophy of Nature
  (c) The Doctrine of Subjective Spirit
  (d) The Doctrine of Objective Spirit
  (e) Absolute Spirit

CHAPTER XIV.

THE OPPOSITION TO CONSTRUCTIVE IDEALISM:  FRIES, HERBART, SCHOPENHAUER

1.  The Psychologists:  Fries and Beneke 2.  Realism:  Herbart 3.  Pessimism:  Schopenhauer

CHAPTER XV.

PHILOSOPHY OUT OF GERMANY

1.  Italy 2.  France 3.  Great Britain and America 4.  Sweden, Norway, Denmark, and Holland

CHAPTER XVI.

GERMAN PHILOSOPHY SINCE THE DEATH OF HEGEL

1.  From the Division of the Hegelian School to the Materialistic
Controversy
2.  New Systems:  Trendelenburg, Fechner, Lotze, and Hartmann
3.  From the Revival of the Kantian Philosophy to the Present Time
  (a) Neo-Kantianism, Positivism, and Kindred Phenomena
  (b) Idealistic Reaction against the Scientific Spirit
  (c) The Special Philosophical Sciences
4.  Retrospect

INDEX

* * * * *

INTRODUCTION.

In no other department is a thorough knowledge of history so important as in philosophy.  Like historical science in general, philosophy is, on the one hand, in touch with exact inquiry, while, on the other, it has a certain relationship with art.  With the former it has in common its methodical procedure and its cognitive aim; with the latter, its intuitive character and the endeavor to compass the whole of reality with a glance.  Metaphysical principles are less easily verified from experience than physical hypotheses, but also less easily refuted.  Systems of philosophy, therefore, are not so dependent on our progressive knowledge of facts as the theories of natural science, and change less quickly; notwithstanding their mutual conflicts, and in spite of the talk about discarded standpoints, they possess in a measure the permanence of classical works of art, they retain for all time a certain relative validity.  The