What Dress Makes of Us eBook

This eBook from the Gutenberg Project consists of approximately 44 pages of information about What Dress Makes of Us.

What Dress Makes of Us eBook

This eBook from the Gutenberg Project consists of approximately 44 pages of information about What Dress Makes of Us.

A wise woman will adopt a prevailing mode with discretion, for, what may be essentially appropriate for one, may be fatally inappropriate for another.  In adjusting her “crown of glory” a woman must consider the proportions of her face.  She should be able to discern whether her eyes are too near the top of her head or, too far below; whether she has a square or wedge-shaped chin; a lean, long face, or a round and bountifully curved one.  She should be alert to her defects and study never to emphasize nor exaggerate them.

Why, through stupidity or carelessness, make a cartoon of yourself, when with a proper appreciation of your possibilities you can be a pleasing picture?  It is just as glorious to be a fine picture or a poem as it is to paint the one, or write the other.  Indeed, a woman who harmoniously develops the best within her has the charm of an exquisite poem and inspires poets to sing; and if by the grace and beauty of her dress she enhances her natural endowments and makes herself a pleasing picture, the world becomes her debtor.

In the important matter of becomingly arranging the hair, the following sketches and suggestions may hint to bright, thinking, women what styles to choose or avoid.

For Wedge-Shaped Faces.

[Illustration:  No. 3]

[Illustration:  No. 4]

The least-discerning eye can see that the wedge-Shaped face No. 3 is caricatured, and its triangular proportions made more evident, by allowing the hair to extend in curls or a fluffy bang on either side of the head.  Women with delicately modelled faces with peaked chins should avoid these broad effects above their brows.

It is obvious in the sketch No. 4, that the wedge-shaped face is perceptibly improved by wearing the hair in soft waves, or curls closely confined to the head and by arranging a coil or high puff just above and in front of the crown.  This arrangement gives a desirable oval effect to the face, the sharp prominence of the chin being counteracted by the surmounting puffs.

For Heavy Jaws.

It may readily be seen that a woman with the square, heavy-jawed face pictured by No. 5, should not adopt a straight, or nearly straight, bang, nor wear her hair low on her forehead, nor adjust the greater portion of her hair so that the coil cannot be seen above the crown of her head.  The low bang brings into striking relief all the hard lines of her face and gives the impression that she has pugilistic tendencies.

[Illustration:  No. 5]

To insure artistic balance to her countenance, and bring out the womanly strength and vital power of her face, her hair should be arranged in coils, puffs, or braids that will give breadth to the top of her head as shown by No. 6.  A fluffy, softly curled bang adds grace to the forehead and gives it the necessary broadness it needs to lessen and lighten the heaviness of the lower part of the face.  A bow of ribbon, or an aigrette of feathers, will add effectively the crown of braids or puffs which a wise woman with a square jaw will surmount her brow if she wishes to subdue the too aggressive, fighting qualities of her strong chin.

Copyrights
Project Gutenberg
What Dress Makes of Us from Project Gutenberg. Public domain.