Literary and General Lectures and Essays eBook

This eBook from the Gutenberg Project consists of approximately 326 pages of information about Literary and General Lectures and Essays.

Literary and General Lectures and Essays eBook

This eBook from the Gutenberg Project consists of approximately 326 pages of information about Literary and General Lectures and Essays.
men miscall the Real, he had been going down into the depths, and ascending into the heights, led, like Dante of old, by the guiding of a mighty spirit.  And in this volume, the record of seventeen years, we have the result of those spiritual experiences in a form calculated, as we believe, to be a priceless benefit to many an earnest seeker in this generation, and perhaps to stir up some who are priding themselves on a cold dilettantism and barren epicurism, into something like a living faith and hope.  Blessed and delightful it is to find, that even in these new ages the creeds which so many fancy to be at their last gasp, are still the final and highest succour, not merely of the peasant and the outcast, but of the subtle artist and the daring speculator.  Blessed it is to find the most cunning poet of our day able to combine the complicated rhythm and melody of modern times with the old truths which gave heart to martyrs at the stake; and to see in the science and the history of the nineteenth century new and living fulfilments of the words which we learnt at our mother’s knee.  Blessed, thrice blessed, to find that hero-worship is not yet passed away; that the heart of man still beats young and fresh; that the old tales of David and Jonathan, Damon and Pythias, Socrates and Alcibiades, Shakespeare and his nameless friend, of “love passing the love of woman,” ennobled by its own humility, deeper than death, and mightier than the grave, can still blossom out, if it be but in one heart here and there, to show men still how, sooner or later, “he that loveth knoweth God, for God is love.”

BURNS AND HIS SCHOOL {127}

Four faces among the portraits of modern men, great or small, strike us as supremely beautiful; not merely in expression, but in the form and proportion and harmony of features:  Shakespeare, Raffaelle, Goethe, Burns.  One would expect it to be so; for the mind makes the body, not the body the mind; and the inward beauty seldom fails to express itself in the outward, as a visible sign of the invisible grace or disgrace of the wearer.  Not that it is so always.  A Paul, Apostle of the Gentiles, may be ordained to be “in presence weak, in speech contemptible,” hampered by some thorn in the flesh—­to interfere apparently with the success of his mission, perhaps for the same wise purpose of Providence which sent Socrates to the Athenians, the worshippers of physical beauty, in the ugliest of human bodies, that they, or rather those of them to whom eyes to see had been given, might learn, that soul is after all independent of matter, and not its creature and its slave.  But, in the generality of cases, physiognomy is a sound and faithful science, and tells us, if not, alas! what the man might have been, still what he has become.  Yet even this former problem, what he might have been, may often be solved for us by youthful portraits, before sin and sorrow and weakness have had their will upon the

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Literary and General Lectures and Essays from Project Gutenberg. Public domain.