THE END

INDEX

Abbott, Gorham, American Asiatic Society, 2, 443
Abbott, J.S.C., from M. (1867) on Louis Napoleon in New York. 2, 451
Abdul Mejid, decorates M., 2, 297
Abernethy, John, personality, 1, 98, 99
Abolitionism, M.’s antagonism, 2, 390, 415, 416, 418, 420, 430, 446
Accidents to M., runaway (1828), 1, 293-295
  in 1844, 2, 232
  fall (1846), 268
  during laying of Atlantic cable (1857), 376, 377, 383
  breaks leg (1869), 480
Acton, ——. and M. at Peterhoff (1856), 2, 363
Adams, J.Q., and election to Presidency, Jackson’s congratulations, 1,
    263
  and M.’s failure to get commission for painting for Capitol, 2, 28-30
Adams, John, portrait by M., 1, 196
Adams, Nehemiah, and Civil War, 2, 416
Adams, William, and M.’s last illness, 2, 506
  at M.’s funeral, address, 511, 512
  at memorial services, 514
Agamemnon, and laying of first Atlantic cable, 2, 378
Agate.  F.S., pupil of M., 1, 257, 275
  and origin of Academy of Design, 280
Albany, M. as portrait painter at (1823), 1, 245-249
Alexander I of Russia, in London (1814), appearance, anecdotes, 1,
    142-146
Alexander II of Russia.  M. on presentation to (1856), 2, 356-364
  attempt on life at Paris (1867), 455
Allan, Sir Hugh, at banquet to M., 2, 473
Allegorical painting, M. on, 1, 318
Allegri, Gregorio, M. on Miserere, 2, 345
Allston, Washington, M. desires to study under, 1, 21
  M. accompanies to England (1811), 31, 83
  journey to London, 86, 38
  on M. as artist, 46, 55, 56, 131
  and Leslie, 59, 156
  and death of wife, Coleridge’s prescription, 59, 168
  and M., Interest, influence and criticism, 74, 76, 83, 86, 104, 162,
    197-199, 436
  and War of 1812, 89
  at premier of Coleridge’s Remorse, 96
  illness, 96
  and Dr. Abernethy, 98, 99
  M. on, as artist, 102, 105
  M. on character. 105, 108
  Dead Man restored to Life, 105, 122, 124, 148, 197, 199
  poems, 110
  on French school of art, 114
  at Bristol (1814), 142, 153, 156, 171
  painting for steamer, 289
  Uriel in the Sun, 307
  compliment to, 308
  M. and death, 2, 207, 208
  brush of, 207
  M. presents portrait and brush to Academy of Design, 436, 437
  Letters: to M. (1814) on Dead Man, Bluecher, 1, 147
    with M. (1816) on sale of Dead Man, personal relations, 197, 198
    from M. (1819) on work at Charleston, Albton as R.A., 221
    to M. (1837) on rejection for government painting, 2, 32
    from M. (1839) on daguerreotype and art, 143
    with M. (1843) on telegraph