“That last day in the garden,” he said finally, “I thought I had conquered myself, and it was in that moment that I fell for ever.  When I knew you loved me, I could fight no more.  You have seen me, you have lived with me, you have divined my misery.  But don’t think, Domini, that it ever came from you.  It was the consciousness of my lie to you, my lie to God, that—­that—­I can’t tell you—­I can’t tell you—­you know.”

He looked into her face, then turned to go away into the desert.

“I’ll go!  I’ll go!” he muttered.

Then Domini spoke.

“Boris!” she said.

He stopped.

“Boris, now at last you can pray.”

She went into the tent, and left him alone.  He knew that in the tent she was praying for him.  He stood, trying to listen to her prayer, then, with an uncertain hand, he felt in his breast.  He drew out a wooden cross, given to him by his mother when he entered the monastery.  He bent down his head, touched it with his lips, and fell upon his knees in the desert.

From that night, Domini realised that her duty was plain before her.  Androvsky was still at heart a monk, and she was a fervently religious woman.  She put God above herself, above her poor, desperate, human love, above Androvsky and his passionate love for her.  She put the things of eternity before the things of time.  She never told Androvsky of the child that was coming.

After he had made his confession to the priest of Beni-Mora who had married them, she led him to the monastery door, and there they parted for ever on earth, to be reunited, as both believed, in heaven.

And now, in the garden of Count Anteoni, which has passed into other hands, a little boy may often be seen playing.

Sometimes, when twilight is falling over the Sahara, his mother calls him to her, to the white wall from which she looks out over the desert.

“Listen, Boris,” she whispers.

The little boy leans his face against her breast, and obeys.

An Arab is passing below on the desert track, singing to himself, as he goes towards his home in the oasis, “No one but God and I knows what is in my heart.”

The mother whispers the words to herself.  The cool wind of the night blows over the vast spaces of the Sahara and touches her cheek, reminding her of her glorious days of liberty, of the passion that came to her soul like fire in the desert.

But she does not rebel, for always, when night falls, she sees the form of a man praying, one who once fled from prayer in the desert; she sees a wanderer who at last has reached his home.

* * * * *

OLIVER WENDELL HOLMES

Elsie Venner