The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

Dialectic, then, need have nothing to do with truth, as little as the fencing master considers who is in the right when a dispute leads to a duel.  Thrust and parry is the whole business.  Dialectic is the art of intellectual fencing; and it is only when we so regard it that we can erect it into a branch of knowledge.  For if we take purely objective truth as our aim, we are reduced to mere Logic; if we take the maintenance of false propositions, it is mere Sophistic; and in either case it would have to be assumed that we were aware of what was true and what was false; and it is seldom that we have any clear idea of the truth beforehand.  The true conception of Dialectic is, then, that which we have formed:  it is the art of intellectual fencing used for the purpose of getting the best of it in a dispute; and, although the name Eristic would be more suitable, it is more correct to call it controversial Dialectic, Dialectica eristica.

Dialectic in this sense of the word has no other aim but to reduce to a regular system and collect and exhibit the arts which most men employ when they observe, in a dispute, that truth is not on their side, and still attempt to gain the day.  Hence, it would be very inexpedient to pay any regard to objective truth or its advancement in a science of Dialectic; since this is not done in that original and natural Dialectic innate in men, where they strive for nothing but victory.  The science of Dialectic, in one sense of the word, is mainly concerned to tabulate and analyse dishonest stratagems, in order that in a real debate they may be at once recognised and defeated.  It is for this very reason that Dialectic must admittedly take victory, and not objective truth, for its aim and purpose.

I am not aware that anything has been done in this direction, although I have made inquiries far and wide.[1] It is, therefore, an uncultivated soil.  To accomplish our purpose, we must draw from our experience; we must observe how in the debates which often arise in our intercourse with our fellow-men this or that stratagem is employed by one side or the other.  By finding out the common elements in tricks repeated in different forms, we shall be enabled to exhibit certain general stratagems which may be advantageous, as well for our own use, as for frustrating others if they use them.

[Footnote 1:  Diogenes Laertes tells us that among the numerous writings on Rhetoric by Theophrastus, all of which have been lost, there was one entitled [Greek:  Agonistikon taes peri tous eristikous gogous theorias.] That would have been just what we want.]

What follows is to be regarded as a first attempt.

THE BASIS OF ALL DIALECTIC.

First of all, we must consider the essential nature of every dispute:  what it is that really takes place in it.

Our opponent has stated a thesis, or we ourselves,—­it is all one.  There are two modes of refuting it, and two courses that we may pursue.

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.