Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.

Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.

Is a creature mistaken in the making, for he should be a tiger; but the shape being thought too terrible, it is covered, and he wears the vizor of a man, yet retains the qualities of his former fierceness, currishness, and ravening.  Of that red earth of which man was fashioned this piece was the basest, of the rubbish which was left and thrown by came this jailor; his descent is then more ancient, but more ignoble, for he comes of the race of those angels that fell with Lucifer from heaven, whither he never (or very hardly) returns.  Of all his bunches of keys not one hath wards to open that door, for this jailor’s soul stands not upon those two pillars that support heaven (justice and mercy), it rather sits upon those two footstools of hell, wrong and cruelty.  He is a judge’s slave, and a prisoner’s his.  In this they differ; he is a voluntary one, the other compelled.  He is the hangman of the law with a lame hand, and if the law gave him all his limbs perfect he would strike those on whom he is glad to fawn.  In fighting against a debtor he is a creditor’s second, but observes not the laws of the duello; his play is foul, and on all base advantages.  His conscience and his shackles hang up together, and are made very near of the same metal, saving that the one is harder than the other and hath one property above iron, for that never melts.  He distils money out of the poor men’s tears, and grows fat by their curses.  No man coming to the practical part of hell can discharge it better, because here he does nothing but study the theory of it.  His house is the picture of hell in little, and the original of the letters patent of his office stands exemplified there.  A chamber of lousy beds is better worth to him than the best acre of corn-land in England.  Two things are hard to him (nay, almost impossible), viz., to save all his prisoners that none ever escape, and to be saved himself.  His ears are stopped to the cries of others, and God’s to his; and good reason, for lay the life of a man in one scale and his fees on the other, he will lose the first to find the second.  He must look for no mercy if he desires justice to be done to him, for he shows none; and I think he cares the less, because he knows heaven hath no need of such tenants—­the doors there want no porters, for they stand ever open.  If it were possible for all creatures in the world to sleep every night, he only and a tyrant cannot.  That blessing is taken from them, and this curse comes in the stead, to be ever in fear and ever hated:  what estate can be worse?

WHAT A CHARACTER IS.

If I must speak the schoolmaster’s language, I will confess that character comes of this infinitive mood, [Greek:  charassen], which signifies to engrave, or make a deep impression.  And for that cause a letter (as A, B) is called a character:  those elements which we learn first, leaving a strong seal in our memories.

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Character Writings of the 17th Century from Project Gutenberg. Public domain.