Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.

Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.

THE TRUE CHARACTER OF A DUNCE.

He hath a soul drowned in a lump of flesh, or is a piece of earth that Prometheus put not half his proportion of fire into.  A thing that hath neither edge of desire nor feeling of affection in it; the most dangerous creature for confirming an atheist, who would swear his soul were nothing but the bare temperature of his body.  He sleeps as he goes, and his thoughts seldom reach an inch further than his eyes.  The most part of the faculties of his soul lie fallow, or are like the restive jades that no spur can drive forward towards the pursuit of any worthy designs.  One of the most unprofitable of God’s creatures, being as he is a thing put clean beside the right use; made fit for the cart and the flail, and by mischance entangled amongst books and papers.  A man cannot tell possibly what he is now good for, save to move up and down and fill room, or to serve as animatum instrumentum, for others to work withal in base employments, or to be foil for better wits, or to serve (as they say monsters do) to set out the variety of nature, and ornament of the universe.  He is mere nothing of himself, neither eats, nor drinks, nor goes, nor spits, but by imitation, for all which he hath set forms and fashions, which he never varies, but sticks to with the like plodding constancy that a mill-horse follows his trace.  But the Muses and the Graces are his hard mistresses; though he daily invocate them, though he sacrifice hecatombs, they still look asquint.  You shall note him (besides his dull eye, and lowering head, and a certain clammy benumbed pace) by a fair displayed beard, a night-cap, and a gown, whose very wrinkles proclaim him the true genius of familiarity.  But of all others, his discourse and compositions best speak him, both of them are much of one stuff and fashion.  He speaks just what his books or last company said unto him, without varying one whit, and very seldom understands himself.  You may know by his discourse where he was last; for what he heard or read yesterday, he now dischargeth his memory or note-book of—­not his understanding, for it never came there.  What he hath he flings abroad at all adventures, without accommodating it to time, place, or persons, or occasions.  He commonly loseth himself in his tale, and flutters up and down windless without recovery, and whatsoever next presents itself, his heavy conceit seizeth upon, and goeth along with, however heterogeneal to his matter in hand.  His jests are either old fled proverbs, or lean-starved hackney apophthegms, or poor verbal quips, outworn by serving-men, tapsters, and milkmaids, even laid aside by balladers.  He assents to all men that bring any shadow of reason, and you may make him when he speaks most dogmatically even with one breath, to aver poor contradictions.  His compositions differ only terminorum positione from dreams; nothing but rude heaps of immaterial,

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Character Writings of the 17th Century from Project Gutenberg. Public domain.