The Mirror of the Sea eBook

Joseph M. Carey
This eBook from the Gutenberg Project consists of approximately 224 pages of information about The Mirror of the Sea.

The Mirror of the Sea eBook

Joseph M. Carey
This eBook from the Gutenberg Project consists of approximately 224 pages of information about The Mirror of the Sea.

XXXI.

The Nore sand remains covered at low-water, and never seen by human eye; but the Nore is a name to conjure with visions of historical events, of battles, of fleets, of mutinies, of watch and ward kept upon the great throbbing heart of the State.  This ideal point of the estuary, this centre of memories, is marked upon the steely gray expanse of the waters by a lightship painted red that, from a couple of miles off, looks like a cheap and bizarre little toy.  I remember how, on coming up the river for the first time, I was surprised at the smallness of that vivid object—­a tiny warm speck of crimson lost in an immensity of gray tones.  I was startled, as if of necessity the principal beacon in the water-way of the greatest town on earth should have presented imposing proportions.  And, behold! the brown sprit-sail of a barge hid it entirely from my view.

Coming in from the eastward, the bright colouring of the lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary.  But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore.  The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond.  On the imposing expanse of the great estuary the traffic of the port where so much of the world’s work and the world’s thinking is being done becomes insignificant, scattered, streaming away in thin lines of ships stringing themselves out into the eastern quarter through the various navigable channels of which the Nore lightship marks the divergence.  The coasting traffic inclines to the north; the deep-water ships steer east with a southern inclination, on through the Downs, to the most remote ends of the world.  In the widening of the shores sinking low in the gray, smoky distances the greatness of the sea receives the mercantile fleet of good ships that London sends out upon the turn of every tide.  They follow each other, going very close by the Essex shore.  Such as the beads of a rosary told by business-like shipowners for the greater profit of the world they slip one by one into the open:  while in the offing the inward-bound ships come up singly and in bunches from under the sea horizon closing the mouth of the river between Orfordness and North Foreland.  They all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal.  The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here

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The Mirror of the Sea from Project Gutenberg. Public domain.