old disgrace. 
Who knows what doom is mine?  The Omnipotent
    Keeps silence; nay, I know not whether strife
    Or peace was with me in some earlier life. 
Philip in a worse prison me hath pent
    These three days past—­but not without God’s will. 
    Stay we as God decrees:  God doth no ill.

LX.

GOD MADE AND GOD RULES.

La fabbrica del mondo.

The fabric of the world—­earth, air, and skies—­
    Each particle thereof and tiniest part
    Designed for special ends—­proclaims the art
    Of an almighty Maker good and wise. 
Nathless the lawless brutes, our crimes and lies,
    The joys of vicious men, the good man’s smart,
    All creatures swerving from their ends, impart
    Doubts that the Ruler is nor good nor wise. 
Can it then be that boundless Power, Love, Mind,
    Lets others reign, the while He takes repose? 
    Hath He grown old, or hath He ceased to heed? 
Nay, one God made and rules:  He shall unwind
    The tangled skein; the hidden law disclose,
    Whereby so many sinned in thought and deed.

NOTES ON MICHAEL ANGELO’S SONNETS.

I. Quoted by Donato Giannotti in his Dialogue De’ giorni che Dante consumo nel cercare l’Inferno e ’l Purgatorio. The date of its composition is perhaps 1545.

II.  Written probably for Donato Giannotti about the same date.

III.  Belonging to the year 1506, when Michael Angelo quarrelled with Julius and left Rome in anger.  The tree referred to in the last line is the oak of the Rovere family.

IV.  Same date, and same circumstances.  The autograph has these words at the foot of the sonnet:  Vostro Miccelangniolo, in Turchia. Rome itself, the Sacred City, has become a land of infidels.

V. Ser Giovanni da Pistoja was Chancellor of the Florentine Academy.  The date is probably 1509.  The Sonetto a Coda is generally humorous or satiric.

VI.  Written in one of those moments of affanno or stizzo to which the sculptor was subject.  For the old bitterness of feeling between Florence and Pistoja, see Dante, Inferno.

VII.  Michael Angelo was ill during the summer of 1544, and was nursed by Luigi del Riccio in his own house, Shortly after his recovery he quarrelled with his friend, and wrote him this sonnet as well as a very angry letter.

VIII. p. 38.  Cecchino Bracci was a boy of rare and surpassing beauty who died at Rome, January 8, 1544, in his seventeenth year.  Besides this sonnet, which refers to a portrait Luigi del Riccio had asked him to make of the dead youth, Michael Angelo composed a series of forty-eight quatrains upon the same subject, and sent them to his friend Luigi.  Michelangelo the younger, thinking that ’l’ignoranzia degli uomini ha campo di mormorare,’ suppressed the name Cecchino and changed lui into lei. Date about 1544.