During the first quarter of the present century, the
free quadroon caste of New Orleans was in its golden
age. Earlier generations—sprung, upon
the one hand, from the merry gallants of a French colonial
military service which had grown gross by affiliation
with Spanish-American frontier life, and, upon the
other hand from comely Ethiopians culled out of the
less negroidal types of African live goods, and bought
at the ship’s side with vestiges of quills and
cowries and copper wire still in their head-dresses,—these
earlier generations, with scars of battle or private
rencontre still on the fathers, and of servitude on
the manumitted mothers, afforded a mere hint of the
splendor that was to result from a survival of the
fairest through seventy-five years devoted to the
elimination of the black pigment and the cultivation
of hyperian excellence and nymphean grace and beauty.
Nor, if we turn to the present, is the evidence much
stronger which is offered by the gens de couleur
whom you may see in the quadroon quarter this afternoon,
with “Ichabod” legible on their murky
foreheads through a vain smearing of toilet powder,
dragging their chairs down to the narrow gateway of
their close-fenced gardens, and staring shrinkingly
at you as you pass, like a nest of yellow kittens.
But as the present century was in its second and third
decades, the quadroones (for we must contrive
a feminine spelling to define the strict limits of
the caste as then established) came forth in splendor.
Old travellers spare no terms to tell their praises,
their faultlessness of feature, their perfection of
form, their varied styles of beauty,—for
there were even pure Caucasian blondes among them,—their
fascinating manners, their sparkling vivacity, their
chaste and pretty wit, their grace in the dance, their
modest propriety, their taste and elegance in dress.
In the gentlest and most poetic sense they were indeed
the sirens of this land where it seemed “always
afternoon”—a momentary triumph of
an Arcadian over a Christian civilization, so beautiful
and so seductive that it became the subject of special
chapters by writers of the day more original than correct
as social philosophers.
The balls that were got up for them by the male sang-pur
were to that day what the carnival is to the present.
Society balls given the same nights proved failures
through the coincidence. The magnates of government,—municipal,
state, federal,—those of the army, of the
learned professions and of the clubs,—in
short, the white male aristocracy in every thing save
the ecclesiastical desk,—were there.
Tickets were high-priced to insure the exclusion of
the vulgar. No distinguished stranger was allowed
to miss them. They were beautiful! They
were clad in silken extenuations from the throat to
the feet, and wore, withal, a pathos in their charm
that gave them a family likeness to innocence.
Madame Delphine, were you not a stranger, could have
told you all about it; though hardly, I suppose, without
tears.
Copyrights
Old Creole Days from Project Gutenberg. Public domain.