Mr. Tulkinghorn with a nod goes on his way.
He comes to the dark door on the second floor.
He knocks, receives no answer, opens it, and accidentally
extinguishes his candle in doing so.
The air of the room is almost bad enough to have extinguished
it if he had not. It is a small room, nearly
black with soot, and grease, and dirt. In the
rusty skeleton of a grate, pinched at the middle as
if poverty had gripped it, a red coke fire burns low.
In the corner by the chimney stand a deal table and
a broken desk, a wilderness marked with a rain of
ink. In another corner a ragged old portmanteau
on one of the two chairs serves for cabinet or wardrobe;
no larger one is needed, for it collapses like the
cheeks of a starved man. The floor is bare,
except that one old mat, trodden to shreds of rope-yarn,
lies perishing upon the hearth. No curtain veils
the darkness of the night, but the discoloured shutters
are drawn together, and through the two gaunt holes
pierced in them, famine might be staring in—the
banshee of the man upon the bed.
For, on a low bed opposite the fire, a confusion of
dirty patchwork, lean-ribbed ticking, and coarse sacking,
the lawyer, hesitating just within the doorway, sees
a man. He lies there, dressed in shirt and trousers,
with bare feet. He has a yellow look in the spectral
darkness of a candle that has guttered down until the
whole length of its wick (still burning) has doubled
over and left a tower of winding-sheet above it.
His hair is ragged, mingling with his whiskers and
his beard—the latter, ragged too, and grown,
like the scum and mist around him, in neglect.
Foul and filthy as the room is, foul and filthy as
the air is, it is not easy to perceive what fumes
those are which most oppress the senses in it; but
through the general sickliness and faintness, and
the odour of stale tobacco, there comes into the lawyer’s
mouth the bitter, vapid taste of opium.
“Hallo, my friend!” he cries, and strikes
his iron candlestick against the door.
He thinks he has awakened his friend. He lies
a little turned away, but his eyes are surely open.
“Hallo, my friend!” he cries again.
“Hallo! Hallo!”
As he rattles on the door, the candle which has drooped
so long goes out and leaves him in the dark, with
the gaunt eyes in the shutters staring down upon the
bed.
CHAPTER XI
Our Dear Brother
A touch on the lawyer’s wrinkled hand as he
stands in the dark room, irresolute, makes him start
and say, “What’s that?”
“It’s me,” returns the old man of
the house, whose breath is in his ear. “Can’t
you wake him?”
“No.”
“What have you done with your candle?”
“It’s gone out. Here it is.”
Krook takes it, goes to the fire, stoops over the
red embers, and tries to get a light. The dying
ashes have no light to spare, and his endeavours are
vain. Muttering, after an ineffectual call to
his lodger, that he will go downstairs and bring a
lighted candle from the shop, the old man departs.
Mr. Tulkinghorn, for some new reason that he has,
does not await his return in the room, but on the
stairs outside.
Copyrights
Bleak House from Project Gutenberg. Public domain.