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United States

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About 401 pages (120,419 words)
United States Summary



Fishing boat at the harbour at Portsmouth, New Hampshire. [Credit: Craig Blouin/New England Stock Photo]Fishing boat at the harbour at Portsmouth, New Hampshire. [Credit: Craig Blouin/New England Stock Photo]

Country of North America, a federal republic of 50 states. Besides the 48 contiguous states that occupy the middle latitudes of the continent, the United States includes the state of Alaska, at the northwestern extreme of North America, and the island state of Hawaii, in the mid-Pacific Ocean. The coterminous states are bounded on the north by Canada, on the east by the Atlantic Ocean, on the south by the Gulf of Mexico and Mexico, and on the west by the Pacific Ocean. The United States is the fourth largest country in the world in area (after Russia, Canada, and China). The national capital is Washington, which is coextensive with the District of Columbia, the federal capital region created in 1790.

The major characteristic of the United States is probably its great variety. Its physical environment ranges from the Arctic to the subtropical, from the moist rain forest to the arid desert, from the rugged mountain peak to the flat prairie. Although the total population of the United States is large by world standards, its overall population density is relatively low; the country embraces some of the world's largest urban concentrations as well as some of the most extensive areas that are almost devoid of habitation.

The United States contains a highly diverse population; but, unlike a country such as China that largely incorporated indigenous peoples, its diversity has to a great degree come from an immense and sustained global immigration. Probably no other country has a wider range of racial, ethnic, and cultural types than does the United States. In addition to the presence of surviving native Americans (including American Indians, Aleuts, and Eskimo) and the descendants of Africans taken as slaves to America, the national character has been enriched, tested, and constantly redefined by the tens of millions of immigrants who by and large have gone to America hoping for greater social, political, and economic opportunities than they had in the places they left.

The United States is the world's greatest economic power, measured in terms of gross national product (GNP). The nation's wealth is partly a reflection of its rich natural resources and its enormous agricultural output, but it owes more to the country's highly developed industry. Despite its relative economic self-sufficiency in many areas, the United States is the most important single factor in world trade by virtue of the sheer size of its economy. Its exports and imports represent major proportions of the world total. The United States also impinges on the global economy as a source of and as a destination for investment capital. The country continues to sustain an economic life that is more diversified than any other on Earth, providing the majority of its people with one of the world's highest standards of living.

The United States is relatively young by world standards, being barely more than 200 years old; it achieved its current size only in the mid-20th century. America was the first of the European colonies to separate successfully from its motherland, and it was the first nation to be established on the premise that sovereignty rests with its citizens and not with the government. In its first century and a half, the country was mainly preoccupied with its own territorial expansion and economic growth and with social debates that ultimately led to civil war and a healing period that is still not complete. In the 20th century the United States emerged as a world power, and since World War II it has been one of the preeminent powers. It has not accepted this mantle easily nor always carried it willingly; the principles and ideals of its founders have been tested by the pressures and exigencies of its dominant status. Although the United States still offers its residents opportunities for unparalleled personal advancement and wealth, the depletion of its resources, contamination of its environment, and continuing social and economic inequality that perpetuates areas of poverty and blight all threaten the fabric of the country.

Ed.

The District of Columbia is discussed in the article Washington. For discussion of other major U.S. cities, see the articles Boston, Chicago, Los Angeles, New Orleans, New York City, Philadelphia, and San Francisco. Political units in association with the United States include Puerto Rico, discussed in the article Puerto Rico, and several Pacific islands, discussed in Guam, Northern Mariana Islands, and American Samoa.

The land


The Colorado River in Marble Canyon at the northeastern end of Grand Canyon National Park, &elipsis; [Credit: © Gary Ladd]The Colorado River in Marble Canyon at the northeastern end of Grand Canyon National Park, &elipsis; [Credit: © Gary Ladd]

The two great sets of elements that mold the physical environment of the United States are, first, the geologic, which determines the main patterns of landforms, drainage, and mineral resources and influences soils to a lesser degree, and, second, the atmospheric, which dictates not only climate and weather but also in large part the distribution of soils, plants, and animals. Although these elements are not entirely independent of one another, each produces on a map patterns that are so profoundly different that essentially they remain two separate geographies. (Since this article covers only the coterminous United States, see also the articles Alaska and Hawaii.)

Relief

The centre of the coterminous United States is a great sprawling interior lowland, reaching from the ancient shield of central Canada on the north to the Gulf of Mexico on the south. To east and west this lowland rises, first gradually and then abruptly, to mountain ranges that divide it from the sea on both sides. The two mountain systems differ drastically. The Appalachian Mountains on the east are low, almost unbroken, and in the main set well back from the Atlantic. From New York to the Mexican border stretches the low Coastal Plain, which faces the ocean along a swampy, convoluted coast. The gently sloping surface of the plain extends out beneath the sea, where it forms the continental shelf, which, although submerged beneath shallow ocean water, is geologically identical to the Coastal Plain. Southward the plain grows wider, swinging westward in Georgia and Alabama to truncate the Appalachians along their southern extremity and separate the interior lowland from the Gulf.

West of the Central Lowland is the mighty Cordillera, part of a global mountain system that rings the Pacific Basin. The Cordillera encompasses fully one-third of the United States, with an internal variety commensurate with its size. At its eastern margin lie the Rocky Mountains, a high, diverse, and discontinuous chain that stretches all the way from New Mexico to the Canadian border. The Cordillera's western edge is a Pacific coastal chain of rugged mountains and inland valleys, the whole rising spectacularly from the sea without benefit of a coastal plain. Pent between the Rockies and the Pacific chain is a vast intermontane complex of basins, plateaus, and isolated ranges so large and remarkable that they merit recognition as a region separate from the Cordillera itself.

These regions—the Interior Lowlands and their upland fringes, the Appalachian Mountain system, the Atlantic Plain, the Western Cordillera, and the Western Intermontane Region—are so various that they require further division into 24 major subregions, or provinces (see map).

The Interior Lowlands and their upland fringes

Andrew Jackson is supposed to have remarked that the United States begins at the Alleghenies, implying that only west of the mountains, in the isolation and freedom of the great Interior Lowlands, could people finally escape Old World influences. Whether or not the lowlands constitute the country's cultural core is debatable, but there can be no doubt that they comprise its geologic core and in many ways its geographic core as well.

This enormous region rests upon an ancient, much-eroded platform of complex crystalline rocks that have for the most part lain undisturbed by major orogenic (mountain-building) activity for more than 600,000,000 years. Over much of central Canada, these Precambrian rocks are exposed at the surface and form the continent's single largest topographical region, the formidable and ice-scoured Canadian Shield.

In the United States most of the crystalline platform is concealed under a deep blanket of sedimentary rocks. In the far north, however, the naked Canadian Shield extends into the United States far enough to form two small but distinctive landform regions: the rugged and occasionally spectacular Adirondack Mountains of northern New York; and the more subdued but austere Superior Uplands of northern Minnesota, Wisconsin, and Michigan. As in the rest of the shield, glaciers have stripped soils away, strewn the surface with boulders and other debris, and obliterated preglacial drainage systems. Most attempts at farming in these areas have been abandoned, but the combination of a comparative wilderness in a northern climate, clear lakes, and white-water streams has fostered the development of both regions as year-round outdoor recreation areas.

Mineral wealth in the Superior Uplands is legendary. Iron lies near the surface and close to the deepwater ports of the upper Great Lakes. Iron is mined both north and south of Lake Superior, but best known are the colossal deposits of Minnesota's Mesabi Range, for more than a century one of the world's richest and a vital element in America's rise to industrial power. In spite of depletion, the Minnesota and Michigan mines still yield a major proportion of the country's iron and a significant percentage of the world's supply.

South of the Adirondack Mountains and Superior Uplands lies the boundary between crystalline and sedimentary rocks; abruptly, everything is different. The core of this sedimentary region—the heartland of the United States—is the great Central Lowland, which stretches for 1,500 miles (2,400 kilometres) from New York to central Texas and north another 1,000 miles to the Canadian province of Saskatchewan. To some, the landscape may seem dull, for heights of more than 2,000 feet (600 metres) are unusual, and truly rough terrain is almost lacking. Landscapes are varied, however, largely as the result of glaciation that directly or indirectly affected most of the subregion. North of the Missouri–Ohio river line, the advance and readvance of continental ice left an intricate mosaic of boulders, sand, gravel, silt, and clay and a complex pattern of lakes and drainage channels, some abandoned, some still in use. The southern part of the Central Lowland is quite different, covered mostly with loess (wind-deposited silt) that further subdued the already low relief surface. Elsewhere, especially near major rivers, postglacial streams carved the loess into rounded hills, and visitors have aptly compared their billowing shapes to the waves of the sea. Above all, the loess produces soil of extraordinary fertility. As the Mesabi iron was a major source of America's industrial wealth, its agricultural prosperity has been rooted in Midwestern loess.

The Central Lowland resembles a vast saucer, rising gradually to higher lands on all sides. Southward and eastward, the land rises gradually to three major plateaus. Beyond the reach of glaciation to the south, the sedimentary rocks have been raised into two broad upwarps, separated from one another by the great valley of the Mississippi River. The Ozark Plateau lies west of the river and occupies most of southern Missouri and northern Arkansas; on the east the Interior Low Plateaus dominate central Kentucky and Tennessee. Except for two nearly circular patches of rich limestone country—the Nashville Basin of Tennessee and the Kentucky Bluegrass region—most of both plateau regions consists of sandstone uplands, intricately dissected by streams. Local relief runs to several hundreds of feet in most places, and visitors to the region must travel winding roads along narrow stream valleys. The soils there are poor, and mineral resources are scanty.

Eastward from the Central Lowland the Appalachian Plateau—a narrow band of dissected uplands that strongly resembles the Ozark Plateau and Interior Low Plateaus in steep slopes, wretched soils, and endemic poverty—forms a transition between the interior plains and the Appalachian Mountains. Usually, however, the Appalachian Plateau is considered a subregion of the Appalachian Mountains, partly on grounds of location, partly because of geologic structure. Unlike the other plateaus, where rocks are warped upward, the rocks there form an elongated basin, wherein bituminous coal has been preserved from erosion. This Appalachian coal, like the Mesabi iron that it complements in U.S. industry, is extraordinary. Extensive, thick, and close to the surface, it has stoked the furnaces of northeastern steel mills for decades and helps explain the huge concentration of heavy industry along the lower Great Lakes.

The western flanks of the Interior Lowlands are the Great Plains, a territory of awesome bulk that spans the full distance between Canada and Mexico in a swath nearly 500 miles wide. The Great Plains were built by successive layers of poorly cemented sand, silt, and gravel—debris laid down by parallel east-flowing streams from the Rocky Mountains. Seen from the east, the surface of the Great Plains rises inexorably from about 2,000 feet near Omaha, Neb., to more than 6,000 feet at Cheyenne, Wyo., but the climb is so gradual that popular legend holds the Great Plains to be flat. True flatness is rare, although the High Plains of western Texas, Oklahoma, Kansas, and eastern Colorado come close. More commonly, the land is broadly rolling, and parts of the northern plains are sharply dissected into badlands.

The main mineral wealth of the Interior Lowlands derives from fossil fuels. Coal occurs in structural basins protected from erosion—high-quality bituminous in the Appalachian, Illinois, and western Kentucky basins; and subbituminous and lignite in the eastern and northwestern Great Plains. Petroleum and natural gas have been found in nearly every state between the Appalachians and the Rockies, but the Midcontinent Fields of western Texas and the Texas Panhandle, Oklahoma, and Kansas surpass all others. Aside from small deposits of lead and zinc, metallic minerals are of little importance.

The Appalachian Mountain system

Screw Auger Falls in the Mahoosuc Range, northern Appalachian Mountains, Maine. [Credit: George Wuerthner]Screw Auger Falls in the Mahoosuc Range, northern Appalachian Mountains, Maine. [Credit: George Wuerthner]

The Appalachians dominate the eastern United States and separate the Eastern Seaboard from the interior with a belt of subdued uplands that extends nearly 1,500 miles from northeastern Alabama to the Canadian border. They are old, complex mountains, the eroded stumps of much greater ranges. Present topography results from erosion that has carved weak rocks away, leaving a skeleton of resistant rocks behind as highlands. Geologic differences are thus faithfully reflected in topography. In the Appalachians these differences are sharply demarcated and neatly arranged, so that all the major subdivisions except New England lie in strips parallel to the Atlantic and to one another.

The core of the Appalachians is a belt of complex metamorphic and igneous rocks that stretches all the way from Alabama to New Hampshire. The western side of this belt forms the long slender rampart of the Blue Ridge Mountains, containing the highest elevations in the Appalachians (Mount Mitchell, N.C., 6,684 feet [2,037 metres]) and some of its most handsome mountain scenery. On its eastern, or seaward, side the Blue Ridge descends in an abrupt and sometimes spectacular escarpment to the Piedmont, a well-drained, rolling land—never quite hills, but never quite a plain. Before the settlement of the Midwest the Piedmont was the most productive agricultural region in the United States, and several Pennsylvania counties still consistently report some of the highest farm yields per acre in the entire country.

West of the crystalline zone, away from the axis of primary geologic deformation, sedimentary rocks have escaped metamorphism but are compressed into tight folds. Erosion has carved the upturned edges of these folded rocks into the remarkable Ridge and Valley country of the western Appalachians. Long linear ridges characteristically stand about 1,000 feet from base to crest and run for tens of miles, paralleled by broad open valleys of comparable length. In Pennsylvania, ridges run unbroken for great distances, occasionally turning abruptly in a zigzag pattern; by contrast, the southern ridges are broken by faults and form short, parallel segments that are lined up like magnetized iron filings. By far the largest valley—and one of the most important routes in North America—is the Great Valley, an extraordinary trench of shale and limestone that runs nearly the entire length of the Appalachians. It provides a lowland passage from the middle Hudson valley to Harrisburg, Pa., and on southward, where it forms the Shenandoah and Cumberland valleys, and has been one of the main paths through the Appalachians since pioneer times. In New England it is floored with slates and marbles and forms the Valley of Vermont, one of the few fertile areas in an otherwise mountainous region.

Topography much like that of the Ridge and Valley is found in the Ouachita Mountains of western Arkansas and eastern Oklahoma, an area generally thought to be a detached continuation of Appalachian geologic structure, the intervening section buried beneath the sediments of the lower Mississippi valley.

The once-glaciated New England section of the Appalachians is divided from the rest of the chain by an indentation of the Atlantic. Although almost completely underlain by crystalline rocks, New England is laid out in north–south bands, reminiscent of the southern Appalachians. The rolling, rocky hills of southeastern New England are not dissimilar to the Piedmont, while, farther northwest, the rugged and lofty White Mountains are a New England analogue to the Blue Ridge. (Mount Washington, N.H., at 6,288 feet [1917 metres], is the highest peak in the northeastern United States.) The westernmost ranges—the Taconics, Berkshires, and Green Mountains—show a strong north–south lineation like the Ridge and Valley. Unlike the rest of the Appalachians, however, glaciation has scoured the crystalline rocks much like those of the Canadian Shield, so that New England is best known for its picturesque landscape, not for its fertile soil.

Typical of diverse geologic regions, the Appalachians contain a great variety of minerals. Only a few occur in quantities large enough for sustained exploitation, notably iron in Pennsylvania's Blue Ridge and Piedmont and the famous granites, marbles, and slates of northern New England. In Pennsylvania the Ridge and Valley region contains one of the world's largest deposits of anthracite coal, once the basis of a thriving mining economy; many of the mines are now shut, oil and gas having replaced coal as the major fuel used to heat homes.

The Atlantic Plain

The eastern and southeastern fringes of the United States are part of the outermost margins of the continental platform, repeatedly invaded by the sea and veneered with layer after layer of young, poorly consolidated sediments. Part of this platform now lies slightly above sea level and forms a nearly flat and often swampy coastal plain, which stretches from Cape Cod, Mass., to beyond the Mexican border. Most of the platform, however, is still submerged, so that a band of shallow water, the continental shelf, parallels the Atlantic and Gulf coasts, in some places reaching 250 miles out to sea.

The Atlantic Plain slopes so gently that even slight crustal upwarping can shift the coastline far out to sea at the expense of the continental shelf. The peninsula of Florida is just such an upwarp; nowhere in its 400-mile length does the land rise more than 350 feet above sea level; much of the southern and coastal areas rise less than 10 feet and are poorly drained and dangerously exposed to Atlantic storms. Downwarps can result in extensive flooding. North of New York City, for example, the weight of glacial ice depressed most of the Coastal Plain beneath the sea, and the Atlantic now beats directly against New England's rock-ribbed coasts. Cape Cod, Long Island (N.Y.), and a few offshore islands are all that remain of New England's drowned Coastal Plain. Another downwarp lies perpendicular to the Gulf coast and guides the course of the lower Mississippi. The river, however, has filled with alluvium what otherwise would be an arm of the Gulf, forming a great inland salient of the Coastal Plain called the Mississippi Embayment.

South of New York the Coastal Plain gradually widens, but ocean water has invaded the lower valleys of most of the coastal rivers and has turned them into estuaries. The greatest of these is Chesapeake Bay, merely the flooded lower valley of the Susquehanna River and its tributaries, but there are hundreds of others. Offshore a line of sandbars and barrier beaches stretches intermittently the length of the Coastal Plain, hampering entry of shipping into the estuaries but providing the eastern United States with a playground that is more than 1,000 miles long.

Poor soils are the rule on the Coastal Plain, though rare exceptions have formed some of America's most famous agricultural regions—for example, the citrus country of central Florida's limestone uplands and the Cotton Belt of the Old South, once centred on the alluvial plain of the Mississippi and belts of chalky black soils of eastern Texas, Alabama, and Mississippi. The Atlantic Plain's greatest natural wealth derives from petroleum and natural gas trapped in domal structures that dot the Gulf Coast of eastern Texas and Louisiana. Onshore and offshore drilling have revealed colossal reserves of oil and natural gas.

The Western Cordillera

West of the Great Plains the United States seems to become a craggy land whose skyline is rarely without mountains—totally different from the open plains and rounded hills of the East. On a map the alignment of the two main chains—the Rocky Mountains on the east, the Pacific ranges on the west—tempts one to assume a geologic and hence topographic homogeneity. Nothing could be farther from the truth, for each chain is divided into widely disparate sections.

The Rockies are typically diverse. The Southern Rockies are composed of a disconnected series of lofty elongated upwarps, their cores made of granitic basement rocks, stripped of sediments, and heavily glaciated at high elevations. In New Mexico and along the western flanks of the Colorado ranges, widespread volcanism and deformation of colourful sedimentary rocks have produced rugged and picturesque country, but the characteristic central Colorado or southern Wyoming range is impressively austere rather than spectacular. The Front Range west of Denver is prototypical, rising abruptly from its base at about 6,000 feet to rolling alpine meadows between 11,000 and 12,000 feet. Peaks appear as low hills perched on this high-level surface, so that Colorado, for example, boasts 53 mountains over 14,000 feet but not one over 14,500 feet.

The Middle Rockies cover most of west central Wyoming. Most of the ranges resemble the granitic upwarps of Colorado, but thrust faulting and volcanism have produced varied and spectacular country to the west, some of which is included in Grand Teton and Yellowstone national parks. Much of the subregion, however, is not mountainous at all but consists of extensive intermontane basins and plains—largely floored with enormous volumes of sedimentary waste eroded from the mountains themselves. Whole ranges have been buried, producing the greatest gap in the Cordilleran system, the Wyoming Basin—resembling in geologic structure and topography an intermontane peninsula of the Great Plains. As a result, the Rockies have never posed an important barrier to east–west transportation in the United States; all major routes, from the Oregon Trail to interstate highways, funnel through the basin, essentially circumventing the main ranges of the Rockies.

The Northern Rockies contain the most varied mountain landscapes of the Cordillera, reflecting a corresponding geologic complexity. The region's backbone is a mighty series of batholiths—huge masses of molten rock that slowly cooled below the surface and were later uplifted. The batholiths are eroded into rugged granitic ranges, which, in central Idaho, compose the most extensive wilderness country in the coterminous United States. East of the batholiths and opposite the Great Plains, sediments have been folded and thrust-faulted into a series of linear north–south ranges, a southern extension of the spectacular Canadian Rockies. Although elevations run 2,000 to 3,000 feet lower than the Colorado Rockies (most of the Idaho Rockies lie well below 10,000 feet), increased rainfall and northern latitude have encouraged glaciation—there as elsewhere a sculptor of handsome alpine landscape.

The western branch of the Cordillera directly abuts the Pacific Ocean. This coastal chain, like its Rocky Mountain cousins on the eastern flank of the Cordillera, conceals bewildering complexity behind a facade of apparent simplicity. At first glance the chain consists merely of two lines of mountains with a discontinuous trough between them. Immediately behind the coast is a line of hills and low mountains—the Pacific Coast Ranges. Farther inland, averaging 150 miles from the coast, the line of the Sierra Nevada and the Cascade Range includes the highest elevations in the coterminous United States. Between these two unequal mountain lines is a discontinuous trench, the Troughs of the Coastal Margin.

South Fork Kings River, Kings Canyon National Park, California, U.S. [Credit: Josef Muench]South Fork Kings River, Kings Canyon National Park, California, U.S. [Credit: Josef Muench]

The apparent simplicity disappears under the most cursory examination. The Pacific Coast Ranges actually contain five distinct sections, each of different geologic origin and each with its own distinctive topography. The Transverse Ranges of southern California are a crowded assemblage of islandlike faulted ranges, with peak elevations of more than 10,000 feet but sufficiently separated by plains and low passes so that travel through them is easy. From Point Conception to the Oregon border, however, the main California Coast Ranges are entirely different, resembling the Appalachian Ridge and Valley region, with low linear ranges that result from erosion of faulted and folded rocks. Major faults run parallel to the low ridges, and the greatest—the notorious San Andreas Fault—was responsible for the earthquake that all but destroyed San Francisco in 1906. Along the California–Oregon border, everything changes again. In this region, the wildly rugged Klamath Mountains represent a western salient of interior structure reminiscent of the Idaho Rockies and the northern Sierra Nevada. In western Oregon and southwestern Washington the Coast Ranges are also different—a gentle, hilly land carved by streams from a broad arch of marine deposits interbedded with tabular lavas. In the northernmost part of the Coast Ranges and the remote northwest, a domal upwarp has produced the Olympic Mountains; its serrated peaks tower nearly 8,000 feet above Puget Sound and the Pacific, and the heavy precipitation on its upper slopes supports the largest active glaciers in the United States outside of Alaska.

East of these Pacific Coast Ranges the Troughs of the Coastal Margin contain the only extensive lowland plains of the Pacific margin—California's Central Valley, Oregon's Willamette River valley, and the half-drowned basin of Puget Sound in Washington. Parts of an inland trench that extends for great distances along the east coast of the Pacific, similar valleys occur in such diverse areas as Chile and the Alaska panhandle. These valleys are blessed with superior soils, easily irrigated, and very accessible from the Pacific. They have enticed settlers for more than a century and have become the main centres of population and economic activity for much of the U.S. West Coast.

Still farther east rise the two highest mountain chains in the coterminous United States—the Cascades and the Sierra Nevada. Aside from elevation, geographic continuity, and spectacular scenery, however, the two ranges differ in almost every important respect. Except for its northern section, where sedimentary and metamorphic rocks occur, the Sierra Nevada is largely made of granite, part of the same batholithic chain that creates the Idaho Rockies. The range is grossly asymmetrical, the result of massive faulting that has gently tilted the western slopes toward the Central Valley but has uplifted the eastern side to confront the interior with an escarpment nearly two miles high. At high elevation glaciers have scoured the granites to a gleaming white, while on the west the ice has carved spectacular valleys such as the Yosemite. The loftiest peak in the Sierras is Mount Whitney, which at 14,494 feet (4,418 metres) is the highest mountain in the coterminous states. The upfaulting that produced Mount Whitney is accompanied by downfaulting that formed nearby Death Valley, at 282 feet (86 metres) below sea level the lowest point in North America.

The Cascades are made largely of volcanic rock; those in northern Washington contain granite like the Sierras, but the rest are formed from relatively recent lava outpourings of dun-coloured basalt and andesite. The Cascades are in effect two ranges. The lower, older range is a long belt of upwarped lava, rising unspectacularly to elevations between 6,000 and 8,000 feet. Perched above the “low Cascades” is a chain of lofty volcanoes that punctuate the horizon with magnificent glacier-clad peaks. The highest is Mount Rainier, which at 14,410 feet (4,392 metres) is all the more dramatic for rising from near sea level. Most of these volcanoes are quiescent, but they are far from extinct. Mount Lassen in northern California erupted violently in 1914, as did Mount St. Helens in the state of Washington in 1980. Most of the other high Cascade volcanoes exhibit some sign of seismic activity.

The Western Intermontane Region

Forested slopes of the Beartooth Mountains, Mont., in the northern Rocky Mountains. [Credit: © John Elk]Forested slopes of the Beartooth Mountains, Mont., in the northern Rocky Mountains. [Credit: © John Elk]

The Cordillera's two main chains enclose a vast intermontane region of arid basins, plateaus, and isolated mountain ranges that stretches from the Mexican border nearly to Canada and extends 600 miles from east to west. This enormous territory contains three huge subregions, each with a distinctive geologic history and its own striking topography.

The Colorado Plateau, nestled against the western flanks of the Southern Rockies, is an extraordinary island of geologic stability set in the turbulent sea of Cordilleran tectonic activity. Stability was not absolute, of course, so that parts of the plateau are warped and injected with volcanics, but in general the landscape results from the erosion by streams of nearly flat-lying sedimentary rocks. The result is a mosaic of angular mesas, buttes, and steplike canyons intricately cut from rocks that often are vividly coloured. Large areas of the plateau are so improbably picturesque that they have been set aside as national preserves. The Grand Canyon of the Colorado River is the most famous of several dozen such areas.

West of the plateau and abutting the Sierra Nevada's eastern escarpment lies the arid Basin and Range subregion, among the most remarkable topographic provinces of the United States. The Basin and Range extends from southern Oregon and Idaho into northern Mexico. Rocks of great complexity have been broken by faulting, and the resulting blocks have tumbled, eroded, and been partly buried by lava and alluvial debris accumulating in the desert basins. The eroded blocks form mountain ranges that are characteristically dozens of miles long, several thousand feet from base to crest, with peak elevations that rarely rise to more than 10,000 feet, and almost always aligned roughly north–south. The basin floors are typically alluvium and sometimes salt marshes or alkali flats.

The third intermontane region, the Columbia Basin, is literally the last, for in some parts its rocks are still being formed. Its entire area is underlain by innumerable tabular lava flows that have flooded the basin between the Cascades and Northern Rockies to undetermined depths. The volume of lava must be measured in thousands of cubic miles, for the flows blanket large parts of Washington, Oregon, and Idaho and in southern Idaho have drowned the flanks of the Northern Rocky Mountains in a basaltic sea. Where the lavas are fresh, as in southern Idaho, the surface is often nearly flat, but more often the floors have been trenched by rivers—conspicuously the Columbia and the Snake—or by glacial floodwaters that have carved an intricate system of braided canyons in the remarkable Channeled Scablands of eastern Washington. In surface form the eroded lava often resembles the topography of the Colorado Plateau, but the gaudy colours of the Colorado are replaced here by the sombre black and rusty brown of weathered basalt.

Most large mountain systems are sources of varied mineral wealth, and the American Cordillera is no exception. Metallic minerals have been taken from most crystalline regions and have furnished the United States with both romance and wealth—the Sierra Nevada gold that provoked the 1849 gold rush, the fabulous silver lodes of western Nevada's Basin and Range, and gold strikes all along the Rocky Mountain chain. Industrial metals, however, are now far more important; copper and lead are among the base metals, and the more exotic molybdenum, vanadium, and cadmium are mainly useful in alloys.

In the Cordillera, as elsewhere, the greatest wealth stems from fuels. Most major basins contain oil and natural gas, conspicuously the Wyoming Basin, the Central Valley of California, and the Los Angeles Basin. The Colorado Plateau, however, has yielded some of the most interesting discoveries—considerable deposits of uranium and colossal occurrences of oil shale. Oil from the shale, however, probably cannot be economically removed without widespread strip-mining and correspondingly large-scale damage to the environment. Wide exploitation of low-sulfur bituminous coal has been initiated in the Four Corners area of the Colorado Plateau, and open-pit mining has already devastated parts of this once-pristine country as completely as it has West Virginia.

Drainage

As befits a nation of continental proportions, the United States has an extraordinary network of rivers and lakes, including some of the largest and most useful in the world. In the humid East they provide an enormous mileage of cheap inland transportation; westward, most rivers and streams are unnavigable but are heavily used for irrigation and power generation. Both East and West, however, traditionally have used lakes and streams as public sewers, and despite efforts to clean them up, most large waterways are laden with vast, poisonous volumes of industrial, agricultural, and human wastes.

The Eastern systems

Chief among U.S. rivers is the Mississippi, which, with its great tributaries, the Ohio and the Missouri, drains most of the midcontinent. The Mississippi is navigable to Minneapolis nearly 1,200 miles by air from the Gulf of Mexico; and along with the Great Lakes–St. Lawrence system it forms the world's greatest network of inland waterways. The Mississippi's eastern branches, chiefly the Ohio and the Tennessee, are also navigable for great distances. From the west, however, many of its numerous Great Plains tributaries are too seasonal and choked with sandbars to be used for shipping. The Missouri, for example, though longer than the Mississippi itself, was essentially without navigation until the mid-20th century, when a combination of dams, locks, and dredging opened the river to barge traffic.

The Great Lakes–St. Lawrence system, the other half of the midcontinental inland waterway, is connected to the Mississippi–Ohio via Chicago by canals and the Illinois River. The five Great Lakes (four of which are shared with Canada) constitute by far the largest freshwater lake group in the world and carry a larger tonnage of shipping than any other. The three main barriers to navigation—the St. Marys Rapids, at Sault Sainte Marie; Niagara Falls; and the rapids of the St. Lawrence—are all bypassed by locks, whose 27-foot draft lets ocean vessels penetrate 1,300 miles into the continent, as far as Duluth, Minnesota, and Chicago.

The third group of Eastern rivers drains the coastal strip along the Atlantic Ocean and the Gulf of Mexico. Except for the Rio Grande, which rises west of the Rockies and flows about 1,900 circuitous miles to the Gulf, few of these coastal rivers measure more than 300 miles, and most flow in an almost straight line to the sea. Except in glaciated New England and in arid southwestern Texas, most of the larger coastal streams are navigable for some distance.

The Pacific systems

West of the Rockies, nearly all of the rivers are strongly influenced by aridity. In the deserts and steppes of the intermontane basins, most of the scanty runoff disappears into interior basins, only one of which, the Great Salt Lake, holds any substantial volume of water. Aside from a few minor coastal streams, only three large river systems manage to reach the sea—the Columbia, the Colorado, and the San Joaquin–Sacramento system of California's Central Valley. All three of these river systems are exotic: that is, they flow for considerable distances across dry lands from which they receive little water. Both the Columbia and the Colorado have carved awesome gorges, the former through the sombre lavas of the Cascades and the Columbia Basin, the latter through the brilliantly coloured rocks of the Colorado Plateau. These gorges lend themselves to easy damming, and the once-wild Columbia has been turned into a stairway of placid lakes whose waters irrigate the arid plateaus of eastern Washington and power one of the world's largest hydroelectric networks. The Colorado is less extensively developed, and proposals for new dam construction have met fierce opposition from those who want to preserve the spectacular natural beauty of the river's canyon lands.

Climate

Climate affects human habitats both directly and indirectly through its influence on vegetation, soils, and wildlife. In the United States, however, the natural environment has been altered drastically by nearly four centuries of European settlement, as well as thousands of years of Indian occupancy.

Wherever land is abandoned, however, “wild” conditions return rapidly, achieving over the long run a dynamic equilibrium among soils, vegetation, and the inexorable strictures of climate. Thus, though Americans have created an artificial environment of continental proportions, the United States still can be divided into a mosaic of bioclimatic regions, each of them distinguished by peculiar climatic conditions and each with a potential vegetation and soil that eventually would return in the absence of humans. The main exception to this generalization applies to fauna, so drastically altered that it is almost impossible to know what sort of animal geography would redevelop in the areas of the United States if humans were removed from the scene.

Climatic controls

The pattern of U.S. climates is largely set by the location of the coterminous United States almost entirely in the middle latitudes, by its position with respect to the continental landmass and its fringing oceans, and by the nation's gross pattern of mountains and lowlands. Each of these geographic controls operates to determine the character of air masses and their changing behaviour from season to season.

The coterminous United States lies entirely between the tropic of Cancer and 50° N latitude, a position that confines Arctic climates to the high mountaintops and genuine tropics to a small part of southern Florida. By no means, however, is the climate literally temperate, for the middle latitudes are notorious for extreme variations of temperature and precipitation.

The great size of the North American landmass tends to reinforce these extremes. Since land heats and cools more rapidly than bodies of water, places distant from an ocean tend to have continental climates; that is, they alternate between extremes of hot summers and cold winters, in contrast to the marine climates, which are more equable. Most U.S. climates are markedly continental, the more so because the Cordillera effectively confines the moderating Pacific influence to a narrow strip along the West Coast. Extremes of continentality occur near the centre of the country, and in North Dakota temperatures have ranged between a summer high record of 121 °F (49 °C) and a winter low of −60 °F (−51 °C). Moreover, the general eastward drift of air over the United States carries continental temperatures all the way to the Atlantic coast. Bismarck, N.D., for example, has a great annual temperature range. Boston, on the Atlantic but largely exempt from its influence, has a lesser but still-continental range, while San Francisco, which is under strong Pacific influence, has only a small summer–winter differential.

In addition to confining Pacific temperatures to the coastal margin, the Pacific Coast Ranges are high enough to make a local rain shadow in their lee, although the main barrier is the great rampart formed by the Sierra Nevada and Cascade ranges. Rainy on their western slopes and barren on the east, this mountain crest forms one of the sharpest climatic divides in the United States.

The rain shadow continues east to the Rockies, leaving the entire Intermontane Region either arid or semiarid, except where isolated ranges manage to capture leftover moisture at high altitudes. East of the Rockies the westerly drift brings mainly dry air, and as a result, the Great Plains are semiarid. Still farther east, humidity increases owing to the frequent incursion from the south of warm, moist, and unstable air from the Gulf of Mexico, which produces more precipitation in the United States than the Pacific and Atlantic oceans combined.

Although the landforms of the Interior Lowlands have been termed dull, there is nothing dull about their weather conditions. Air from the Gulf of Mexico can flow northward across the Great Plains, uninterrupted by topographical barriers, but continental Canadian air flows south by the same route, and, since these two air masses differ in every important respect, the collisions often produce disturbances of monumental violence. Plainsmen and Midwesterners are accustomed to sudden displays of furious weather—tornadoes, blizzards, hailstorms, precipitous drops and rises in temperature, and a host of other spectacular meteorological displays, sometimes dangerous but seldom boring.

The change of seasons

Most of the United States is marked by sharp differences between winter and summer. In winter, when temperature contrasts between land and water are greatest, huge masses of frigid, dry Canadian air periodically spread far south over the midcontinent, bringing cold, sparkling weather to the interior and generating great cyclonic storms where their leading edges confront the shrunken mass of warm Gulf air to the south. Although such cyclonic activity occurs throughout the year, it is most frequent and intense during the winter, parading eastward out of the Great Plains to bring the Eastern states practically all their winter precipitation. Winter temperatures differ widely, depending largely on latitude. Thus, New Orleans, La., at 30° N latitude, and International Falls, Minn., at 49° N, have respective January temperature averages of 55 °F (13 °C) and 3 °F (−16° C). In the north, therefore, precipitation often comes as snow, often driven by furious winds; farther south, cold rain alternates with sleet and occasional snow. Southern Florida is the only dependably warm part of the East, though “polar outbursts” have been known to bring temperatures below 0 °F (−18 °C) as far south as Tallahassee. The main uniformity of Eastern weather in wintertime is the expectation of frequent change.

Winter climate on the West Coast is very different. A great spiraling mass of relatively warm, moist air spreads south from the Aleutian Islands of Alaska, its semipermanent front producing gloomy overcast and drizzles that hang over the Pacific Northwest all winter long, occasionally reaching southern California, which receives nearly all of its rain at this time of year. This Pacific air brings mild temperatures along the length of the coast; the average January day in Seattle, Wash., ranges between 33 and 44 °F (1 and 7 °C) and in Los Angeles between 45 and 64 °F (7 and 18 °C). In southern California, however, rains are separated by long spells of fair weather, and the whole region is a winter haven for those seeking refuge from less agreeable weather in other parts of the country. The Intermontane Region is similar to the Pacific Coast, but with much less rainfall and a considerably wider range of temperatures.

During the summer there is a reversal of the air masses, and east of the Rockies the change resembles the summer monsoon of Southeast Asia. As the midcontinent heats up, the cold Canadian air mass weakens and retreats, pushed north by an aggressive mass of warm, moist air from the Gulf. The great winter temperature differential between North and South disappears as the hot, soggy blanket spreads from the Gulf coast to the Canadian border. Heat and humidity are naturally most oppressive in the South, but there is little comfort in the more northern latitudes. In Houston, Texas, the temperature on a typical July day reaches 93 °F (34 °C), with relative humidity averaging near 75 percent, but Minneapolis, Minn., more than 1,000 miles north, is only slightly cooler and less humid.

Since the Gulf air is unstable as well as wet, convectional and frontal summer thunderstorms are endemic east of the Rockies, accounting for a majority of total summer rain. These storms usually drench small areas with short-lived, sometimes violent downpours, so that crops in one Midwestern county may prosper, those in another shrivel in drought, and those in yet another be flattened by hailstones. Relief from the humid heat comes in the northern Midwest from occasional outbursts of cool Canadian air; small but more consistent relief is found downwind from the Great Lakes and at high elevations in the Appalachians. East of the Rockies, however, U.S. summers are distinctly uncomfortable, and air conditioning is viewed as a desirable amenity in most areas.

Again, the Pacific regime is different. The moist Aleutian air retreats northward, to be replaced by mild, stable air from over the subtropical but cool waters of the Pacific, and except in the mountains the Pacific Coast is nearly rainless though often foggy. In the meanwhile, a small but potent mass of dry hot air raises temperatures to blistering levels over much of the intermontane Southwest. In Yuma, Ariz., for example, the normal temperature in July reaches 107 °F (42 °C), while nearby Death Valley, Calif., holds the national record, 134 °F (57 °C). During its summer peak this scorching air mass spreads from the Pacific margin as far as Texas on the east and Idaho to the north, turning the whole interior basin into a summer desert.

Over most of the United States, as in most continental climates, spring and autumn are agreeable but disappointingly brief. Autumn is particularly idyllic in the East, with a romantic Indian summer of ripening corn and brilliantly coloured foliage and of mild days and frosty nights. The shift in dominance between marine and continental air masses, however, spawns furious weather in some regions. Along the Atlantic and Gulf coasts, for example, autumn is the season for hurricanes—the American equivalent of typhoons of the Asian Pacific—which rage northward from the warm tropics to create havoc along the Gulf and Atlantic coasts as far north as New England. The Mississippi valley holds the dubious distinction of recording more tornadoes than any other area on Earth. These violent and often deadly storms usually occur over relatively small areas and are confined largely to spring and early summer.

The bioclimatic regions

Three first-order bioclimatic zones encompass most of the coterminous United States—regions in which climatic conditions are similar enough to dictate similar conditions of mature (zonal) soil and potential climax vegetation (i.e., the assemblage of plants that would grow and reproduce indefinitely given stable climate and average conditions of soil and drainage). These are the Humid East, the Humid Pacific Coast, and the Dry West. In addition, the boundary zone between the Humid East and the Dry West is so large and important that it constitutes a separate region, the Humid–Arid Transition. Finally, because the Western Cordillera contains an intricate mosaic of climatic types, largely determined by local elevation and exposure, it is useful to distinguish the Western Mountain Climate. The first three zones, however, are very diverse and require further breakdown, producing a total of 10 main bioclimatic regions. For two reasons, the boundaries of these bioclimatic regions are much less distinct than boundaries of landform regions. First, climate varies from year to year, especially in boundary zones, whereas landforms obviously do not. Second, regions of climate, vegetation, and soils coincide generally but sometimes not precisely. Boundaries, therefore, should be interpreted as zonal and transitional, and rarely should be considered as sharp lines in the landscape.

For all of their indistinct boundaries, however, these bioclimatic regions have strong and easily recognized identities. Such regional identity is strongly reinforced when a particular area falls entirely within a single bioclimatic region and at the same time a single landform region. The result—as in the Piedmont South, the central Midwest, or the western Great Plains—is a landscape with an unmistakable regional personality.

The Humid East

The largest and in some ways the most important of the bioclimatic zones, the Humid East was where the Europeans first settled, tamed the land, and adapted to American conditions. In early times almost all of this territory was forested, a fact of central importance in American history that profoundly influenced both soils and wildlife. As in most of the world's humid lands, soluble minerals have been leached from the earth, leaving a great family of soils called pedalfers, rich in relatively insoluble iron and aluminum compounds.

Both forests and soils, however, differ considerably within this vast region. Since rainfall is ample and summers are warm everywhere, the main differences result from the length and severity of winters, which determine the length of the growing season. Winter, obviously, differs according to latitude, so that the Humid East is sliced into four great east–west bands of soils and vegetation, with progressively more amenable winters as one travels southward. These changes occur very gradually, however, and the boundaries therefore are extremely subtle.

The Sub-Boreal Forest Region is the northernmost of these bands. It is only a small and discontinuous part of the United States, representing the tattered southern fringe of the vast Canadian taiga—a scrubby forest dominated by evergreen needle-leaf species that can endure the ferocious winters and reproduce during the short, erratic summers. Average growing seasons are less than 120 days, though localities in Michigan's Upper Peninsula have recorded frost-free periods lasting as long as 161 days and as short as 76 days. Soils of this region that survived the scour of glaciation are miserably thin podzols—heavily leached, highly acid, and often interrupted by extensive stretches of bog. Most attempts at farming in the region long since have been abandoned.

Farther south lies the Humid Microthermal Zone of milder winters and longer summers. Large broadleaf trees begin to predominate over the evergreens, producing a mixed forest of greater floristic variety and economic value that is famous for its brilliant autumn colours. As the forest grows richer in species, sterile podzols give way to more productive gray-brown podzolic soils, stained and fertilized with humus. Although winters are warmer than in the Sub-Boreal zone, and although the Great Lakes help temper the bitterest cold, January temperatures ordinarily average below freezing, and a winter without a few days of subzero temperatures is uncommon. Everywhere, the ground is solidly frozen and snow covered for several months of the year.

Still farther south are the Humid Subtropics. The region's northern boundary is one of the country's most significant climatic lines: the approximate northern limit of a growing season of 180–200 days, the outer margin of cotton growing, and, hence, of the Old South. Most of the South lies in the Piedmont and Coastal Plain, for higher elevations in the Appalachians cause a peninsula of Northern mixed forest to extend as far south as northern Georgia. The red-brown podzolic soil, once moderately fertile, has been severely damaged by overcropping and burning. Thus much of the region that once sustained a rich, broadleaf-forest flora now supports poor piney woods. Throughout the South, summers are hot, muggy, long, and disagreeable; Dixie's “frosty mornings” bring a welcome respite in winter.

The southern margins of Florida contain the only real tropics in the coterminous United States; it is an area in which frost is almost unknown. Hot, rainy summers alternate with warm and somewhat drier winters, with a secondary rainfall peak during the autumn hurricane season—altogether a typical monsoonal regime. Soils and vegetation are mostly immature, however, since southern Florida rises so slightly above sea level that substantial areas, such as the Everglades, are swampy and often brackish. Peat and sand frequently masquerade as soil, and much of the vegetation is either salt-loving mangrove or sawgrass prairie.

The Humid Pacific Coast

The western humid region differs from its eastern counterpart in so many ways as to be a world apart. Much smaller, it is crammed into a narrow littoral belt to the windward of the Sierra–Cascade summit, dominated by mild Pacific air, and chopped by irregular topography into an intricate mosaic of climatic and biotic habitats. Throughout the region rainfall is extremely seasonal, falling mostly in the winter half of the year. Summers are droughty everywhere, but the main regional differences come from the length of drought—from about two months in humid Seattle, Wash., to nearly five months in semiarid San Diego, Calif.

Western Washington, Oregon, and northern California lie within a zone that climatologists call Marine West Coast. Winters are raw, overcast, and drizzly—not unlike northwestern Europe—with subfreezing temperatures restricted mainly to the mountains, upon which enormous snow accumulations produce local alpine glaciers. Summers, by contrast, are brilliantly cloudless, cool, and frequently foggy along the West Coast and somewhat warmer in the inland valleys. This mild marine climate produces some of the world's greatest forests of enormous straight-boled evergreen trees that furnish the United States with much of its commercial timber. Mature soils are typical of humid midlatitude forestlands, a moderately leached gray-brown podzol.

Toward the south, with diminishing coastal rain the moist marine climate gradually gives way to California's tiny but much-publicized Mediterranean regime. Although mountainous topography introduces a bewildering variety of local environments, scanty winter rains are quite inadequate to compensate for the long summer drought, and much of the region has a distinctly arid character. For much of the year, cool, stable Pacific air dominates the West Coast, bringing San Francisco its famous fogs and Los Angeles its infamous smoggy temperature inversions. Inland, however, summer temperatures reach blistering levels, so that in July, while Los Angeles expects a normal daily maximum of 83 °F (28 °C), Fresno expects 100 °F (38 °C) and is climatically a desert. As might be expected, Mediterranean California contains a huge variety of vegetal habitats, but the commonest perhaps is the chaparral, a drought-resistant, scrubby woodland of twisted hard-leafed trees, picturesque but of little economic value. Chaparral is a pyrophytic (fire-loving) vegetation—i.e., under natural conditions its growth and form depend on regular burning. These fires constitute a major environmental hazard in the suburban hills above Los Angeles and San Francisco Bay, especially in autumn, when hot dry Santa Ana winds from the interior regularly convert brush fires into infernos. Soils are similarly varied, but most of them are light in colour and rich in soluble minerals, qualities typical of subarid soils.

The Dry West

In the United States, to speak of dry areas is to speak of the West. It covers an enormous region beyond the dependable reach of moist oceanic air, occupying the entire Intermontane area and sprawling from Canada to Mexico across the western part of the Great Plains. To Americans nurtured in the Humid East, this vast territory across the path of all transcontinental travelers has been harder to tame than any other—and no region has so gripped the national imagination as this fierce and dangerous land.

In the Dry West nothing matters more than water. Thus, though temperatures may differ radically from place to place, the really important regional differences depend overwhelmingly on the degree of aridity, whether an area is extremely dry and hence desert or semiarid and therefore steppe.

Americans of the 19th century were preoccupied by the myth of a Great American Desert, which supposedly occupied more than one-third of the entire country. True desert, however, is confined to the Southwest, with patchy outliers elsewhere, all without exception located in the lowland rain shadows of the Cordillera. Vegetation in these desert areas varies between nothing at all (a rare circumstance confined mainly to salt flats and sand dunes) to a low cover of scattered woody scrub and short-lived annuals that burst into flamboyant bloom after rains. Soils are usually thin, light-coloured, and very rich with mineral salts. In some areas wind erosion has removed fine-grained material, leaving behind desert pavement, a barren veneer of broken rock.

Most of the West, however, lies in the semiarid region, in which rainfall is scanty but adequate to support a thin cover of short bunchgrass, commonly alternating with scrubby brush. Here, as in the desert, soils fall into the large family of the pedocals, rich in calcium and other soluble minerals, but in the slightly wetter environments of the West, they are enriched with humus from decomposed grass roots. Under the proper type of management, these chestnut-coloured steppe soils have the potential to be very fertile.

Weather in the West resembles that of other dry regions of the world, often extreme, violent, and reliably unreliable. Rainfall, for example, obeys a cruel natural law: as total precipitation decreases, it becomes more undependable. John Steinbeck's novel The Grapes of Wrath describes the problems of a family enticed to the arid frontier of Oklahoma during a wet period only to be driven out by the savage drought of the 1930s that turned the western Great Plains into the great American Dust Bowl. Temperatures in the West also fluctuate convulsively within short periods, and high winds are infamous throughout the region.

The Humid–Arid Transition

East of the Rockies all climatic boundaries are gradational. None, however, is so important or so imperceptibly subtle as the boundary zone that separates the Humid East from the Dry West and that alternates unpredictably between arid and humid conditions from year to year. Stretching approximately from Texas to North Dakota in an ill-defined band between the 95th and 100th meridians, this transitional region deserves separate recognition, partly because of its great size, and partly because of the fine balance between surplus and deficit rainfall, which produces a unique and valuable combination of soils, flora, and fauna. The native vegetation, insofar as it can be reconstructed, was prairie, the legendary sea of tall, deep-rooted grass now almost entirely tilled and planted to grains. Soils, often of loessial derivation, include the enormously productive chernozem (black earth) in the north, with reddish prairie soils of nearly equal fertility in the south. Throughout the region temperatures are severely continental, with bitterly cold winters in the north and scorching summers everywhere.

The western edge of the prairie fades gradually into the shortgrass steppe of the High Plains, the change a function of diminishing rainfall. The eastern edge, however, represents one of the few major discordances between a climatic and biotic boundary in the United States, for the grassland penetrates the eastern forest in a great salient across humid Illinois and Indiana. Many scholars believe this part of the prairie was artificially induced by repeated burning and consequent destruction of the forest margins by Indians.

The Western mountains

Throughout the Cordillera and Intermontane regions, irregular topography shatters the grand bioclimatic pattern into an intricate mosaic of tiny regions that differ drastically according to elevation and exposure. No small- or medium-scale map can accurately record such complexity, and mountainous parts of the West are said, noncommittally, to have a “mountain climate.” Lowlands are usually dry, but increasing elevation brings lower temperature, decreased evaporation, and—if a slope faces prevailing winds—greater precipitation. Soils vary wildly from place to place, but vegetation is fairly predictable. From the desert or steppe of intermontane valleys, a climber typically ascends into parklike savanna, then through an orderly sequence of increasingly humid and boreal forests until, if the range is high enough, one reaches the timberline and Arctic tundra. The very highest peaks are snow-capped, although permanent glaciers rarely occur outside the cool humid highlands of the Pacific Northwest.

Peirce F. Lewis

Plant life

The dominant features of the vegetation are indicated by the terms forest, grassland, desert, and alpine tundra.

A coniferous forest of white and red pine, hemlock, spruce, jack pine, and balsam fir extends interruptedly in a narrow strip near the Canadian border from Maine to Minnesota and southward along the Appalachian Mountains. There may be found smaller stands of tamarack, spruce, paper birch, willow, alder, and aspen or poplar. Southward, a transition zone of mixed conifers and deciduous trees gives way to a hardwood forest of broad-leaved trees. This forest, with varying mixtures of maple, oak, ash, locust, linden, sweet gum, walnut, hickory, sycamore, beech, and the more southerly tulip tree, once extended uninterruptedly from New England to Missouri and eastern Texas. Pines are prominent on the Atlantic and Gulf coastal plain and adjacent uplands, often occurring in nearly pure stands called pine barrens. Pitch, longleaf, slash, shortleaf, Virginia, and loblolly pines are commonest. Hickory and various oaks combine to form a significant part of this forest, with magnolia, white cedar, and ash often seen. In the frequent swamps, bald cypress, tupelo, and white cedar predominate. Pines, palmettos, and live oaks are replaced at the southern tip of Florida by the more tropical royal and thatch palms, figs, satinwood, and mangrove.

The grasslands occur principally in the Great Plains area and extend westward into the intermontane basins and benchlands of the Rocky Mountains. Numerous grasses such as buffalo, grama, side oat, bunch, needle, and wheat grass, together with many kinds of herbs, make up the plant cover. Coniferous forests cover the lesser mountains and high plateaus of the Rockies, Cascades, and Sierra Nevada. Ponderosa (yellow) pine, Douglas fir, western red cedar, western larch, white pine, lodgepole pine, several spruces, western hemlock, grand fir, red fir, and the lofty redwood are the principal trees of these forests. The densest growth occurs west of the Cascade and Coast ranges in Washington, Oregon, and northern California, where the trees are often 100 feet or more in height. There the forest floor is so dark that only ferns, mosses, and a few shade-loving shrubs and herbs may be found.

The alpine tundra, located in the coterminous United States only in the mountains above the limit of trees, consists principally of small plants that bloom brilliantly for a short season. Sagebrush is the most common plant of the arid basins and semideserts west of the Rocky Mountains, but juniper, nut pine, and mountain mahogany are often found on the slopes and low ridges. The desert, extending from southeastern California to Texas, is noted for the many species of cactus, some of which grow to the height of trees, and for the Joshua tree and other yuccas, creosote bush, mesquite, and acacias.

The United States is rich in the variety of its native forest trees, some of which, as the species of sequoia, are the most massive known. More than 1,000 species and varieties have been described, of which almost 200 are of economic value, either because of the timber and other useful products that they yield or by reason of their importance in forestry.

Besides the native flowering plants, estimated at between 20,000 to 25,000 species, many hundreds of species introduced from other regions—chiefly Europe, Asia, and tropical America—have become naturalized. A large proportion of these are common annual weeds of fields, pastures, and roadsides. In some districts these naturalized “aliens” constitute 50 percent or more of the total plant population.

Paul H. Oehser

Reed C. Rollins

Ed.

Animal life

With most of North America, the United States lies in the Nearctic faunistic realm, a region containing an assemblage of species similar to Eurasia and North Africa but sharply different from the tropical and subtropical zones to the south. Main regional differences correspond roughly with primary climatic and vegetal patterns. Thus, for example, the animal communities of the Dry West differ sharply from those of the Humid East and from those of the Pacific Coast. Because animals tend to range over wider areas than plants, faunal regions are generally coarser than vegetal regions and harder to delineate sharply.

The animal geography of the United States, however, is far from a natural pattern, for European settlement produced a series of environmental changes that grossly altered the distribution of animal communities. First, many species were hunted to extinction or near extinction, most conspicuously, perhaps, the American bison, which ranged by the millions nearly from coast to coast but now rarely lives outside of zoos and wildlife preserves. Second, habitats were upset or destroyed throughout most of the country—forests cut, grasslands plowed and overgrazed, and migration paths interrupted by fences, railroads, and highways. Third, certain introduced species found hospitable niches and, like the English sparrow, spread over huge areas, often preempting the habitats of native animals. Fourth, though their effects are not fully understood, chemical biocides such as DDT were used for so long and in such volume that they are believed at least partly responsible for catastrophic mortality rates among large mammals and birds, especially predators high on the food chain. Fifth, there has been a gradual northward migration of certain tropical and subtropical insects, birds, and mammals, perhaps encouraged by gradual climatic warming. In consequence, many native animals have been reduced to tiny fractions of their former ranges or exterminated completely, while other animals, both native and introduced, have found the new anthropocentric environment well suited to their needs, with explosive effects on their populations. The coyote, opossum, armadillo, and several species of deer are among the animals that now occupy much larger ranges than they once did.

Peirce F. Lewis

Arrangement of the account of the distribution of the fauna according to the climatic and vegetal regions has the merit that it can be compared further with the distribution of insects and of other invertebrates, some of which may be expected to fall into the same patterns as the vertebrates, while others, with different modes or different ages of dispersal, have geographic patterns of their own.

The transcontinental zone of coniferous forest at the north, the taiga, and the tundra zone into which it merges at the northern limit of tree growth are strikingly paralleled by similar vertical zones in the Rockies, and on Mount Washington in the east, where the area above the timberline and below the snow line is often inhabited with tundra animals like the ptarmigan and the white Parnassius butterflies, while the spruce and other conifers below the timberline form a belt sharply set off from the grassland or hardwood forest or desert at still lower altitudes.

A whole series of important types of animals spread beyond the limits of such regions or zones, sometimes over most of the continent. Aquatic animals, in particular, may live equally in forest and plains, in the Gulf states, and at the Canadian border. Such widespread animals include the white-tailed (Virginia) deer and black bear, the puma (though only in the remotest parts of its former range) and bobcat, the river otter (though now rare in inland areas south of the Great Lakes) and mink, and the beaver and muskrat. The distinctive coyote ranges over all of western North America and eastward as far as Maine. The snapping turtle ranges from the Atlantic coast to the Rocky Mountains.

In the northern coniferous forest zone, or taiga, the relations of animals with European or Eurasian representatives are numerous, and this zone is also essentially circumpolar. The relations are less close than in the Arctic forms, but the moose, beaver, hare, red fox, otter, wolverine, and wolf are recognizably related to Eurasian animals. Even some fishes, like the whitefishes (Coregonidae), the yellow perch, and the pike, exhibit this kind of Old World–New World relation. A distinctively North American animal in this taiga assemblage is the Canadian porcupine.

The hardwood forest area of the eastern and the southeastern pinelands compose the most important of the faunal regions within the United States. A great variety of fishes, amphibians, and reptiles of this region have related forms in East Asia, and this pattern of representation is likewise found in the flora. This area is rich in catfishes, minnows, and suckers. The curious ganoid fishes, the bowfin and the gar, are ancient types. The spoonbill cat, a remarkable type of sturgeon in the lower Mississippi, is represented elsewhere in the world only in the Yangtze in China. The Appalachian region is headquarters for the salamanders of the world, with no less than seven of the eight families of this large group of amphibians represented; no other continent has more than three of the eight families together. The eellike sirens and amphiumas (congo snakes) are confined to the southeastern states. The lungless salamanders of the family Plethodontidae exhibit a remarkable variety of genera and a number of species centring in the Appalachians. There is a great variety of frogs, and these include tree frogs whose main development is South American and Australian. The emydid freshwater turtles of the southeast parallel those of East Asia to a remarkable degree, though the genus Clemmys is the only one represented in both regions. Much the same is true of the water snakes, pit vipers, rat snakes, and green snakes, though still others are peculiarly American. The familiar alligator is a form with an Asiatic relative, the only other living true alligator being a species in central China.

In its mammals and birds the southeastern fauna is less sharply distinguished from the life to the north and west and is less directly related to that of East Asia. The forest is the home of the white-tailed deer, the black bear, the gray fox, the raccoon, and the common opossum. The wild turkey and the extinct hosts of the passenger pigeon were characteristic. There is a remarkable variety of woodpeckers. The birdlife in general tends to differ from that of Eurasia in the presence of birds, like the tanagers, American orioles, and hummingbirds, that belong to South American families. Small mammals abound with types of the worldwide rodent family Cricetidae, and with distinctive moles and shrews.

Most distinctive of the grassland animals proper is the American bison (see

American bison, or plains buffalo (<i>Bison bison</i>). [Credit: Alan G. Nelson/Root Resources]American bison, or plains buffalo (Bison bison). [Credit: Alan G. Nelson/Root Resources]

), whose nearly extinct European relative, the wisent, is a forest dweller. The most distinctive of the American hoofed animals is the pronghorn, or prongbuck, which represents a family intermediate between the deer and the true antelopes in that it sheds its horns like a deer but retains the bony horn cores. The pronghorn is perhaps primarily a desert mammal, but it formerly ranged widely into the shortgrass plains. Everywhere in open country in the West there are conspicuous and distinctive rodents. The burrowing pocket gopher is peculiarly American, rarely seen making its presence known by pushed-out mounds of earth. The ground squirrels of the genus Citellus are related to those of Central Asia, and resemble them in habit; in North America the gregarious prairie dog is a closely related form. The American badger (see
North American badger (<i>Taxidea taxus</i>). [Credit: Alvin E. Staffan from the National Audubon Society Collection/Photo Researchers]North American badger (Taxidea taxus). [Credit: Alvin E. Staffan from the National Audubon Society Collection/Photo Researchers]

), not especially related to the badger of Europe, has its headquarters in the grasslands. The prairie chicken is a bird distinctive of the plains region, which is invaded everywhere by birds from both the east and the west.

The Southwestern deserts are a paradise for reptiles. Distinctive lizards such as the poisonous Gila monster abound, and the rattlesnakes, of which only a few species are found elsewhere in the United States, are common there. Desert reptile species often range to the Pacific Coast and northward into the Great Basin. Noteworthy mammals are the graceful bipedal kangaroo rat (almost exlusively nocturnal; see

Kangaroo rat (<i>Dipodomys</i>). [Credit: Anthony Mercieca from Root Resources]Kangaroo rat (Dipodomys). [Credit: Anthony Mercieca from Root Resources]

), the ring-tailed cat, a relative of the raccoon, and the piglike peccary.

The Rocky Mountains and other western ranges afford distinctive habitats for rock- and cliff-dwelling hoofed animals and rodents. The small pikas, related to the rabbit, inhabit talus areas at high altitudes as they do in the mountain ranges of East Asia. Marmots live in the Rockies as in the Alps. Every western range formerly had its own race of mountain sheep. At the north the Rocky Mountain goat lives at high altitudes—it is more properly a goat antelope, related to the takin of the mountains of western China. The dipper, remarkable for its habit of feeding in swift-flowing streams, though otherwise a bird without special aquatic adaptations, is a Rocky Mountain form with relatives in Asia and Europe.

In the Pacific region the extremely distinctive primitive tailed frog Ascaphus, which inhabits icy mountain brooks, represents a family by itself, perhaps more nearly related to the frogs of New Zealand than to more familiar types. The Cascades and Sierras form centres for salamanders of the families Ambystomoidae and Plethodontidae second only to the Appalachians, and there are also distinctive newts. The burrowing lizards, of the well-defined family Anniellidae, are found only in a limited area in coastal California. The only family of birds distinctive of North America, that of the wren-tits, Chamaeidae, is found in the chaparral of California. The mountain beaver, or sewellel (which is not at all beaverlike), is likewise a type peculiar to North America, confined to the Cascades and Sierras, and there are distinct kinds of moles in the Pacific area.

The mammals of the two coasts are strikingly different, though true seals (the harbour seal and the harp seal) are found on both. The sea lions, with longer necks and with projecting ears, are found only in the Pacific—the California sea lion, the more northern Steller's sea lion, and the fur seal. On the East Coast the larger rivers of Florida are inhabited by the Florida manatee, or sea cow, a close relative of the more widespread and more distinctively marine West Indian species.

Karl Patterson Schmidt

Ed.

Settlement patterns

Although the land that now constitutes the United States was occupied and much affected by diverse Indian cultures over many millennia, these pre-European settlement patterns have had virtually no impact upon the contemporary nation—except locally, as in parts of New Mexico. A benign habitat permitted a huge contiguous tract of settled land to materialize across nearly all the eastern half of the United States and within substantial patches of the West. The vastness of the land, the scarcity of labour, and the abundance of migratory opportunities in a land replete with raw physical resources contributed to exceptional human mobility and a quick succession of ephemeral forms of land use and settlement. Human endeavours have greatly transformed the landscape, but such efforts have been largely destructive. Most of the pre-European landscape in the United States was so swiftly and radically altered that it is difficult to conjecture intelligently about its earlier appearance.

The overall impression of the settled portion of the American landscape, rural or urban, is one of disorder and incoherence, even in areas of strict geometric survey. The individual landscape unit is seldom in visual harmony with its neighbour, so that, however sound in design or construction the single structure may be, the general effect is untidy. These attributes have been intensified by the acute individualism of the American, vigorous speculation in land and other commodities, a strongly utilitarian attitude toward the land and the treasures above and below it, and government policy and law. The landscape is also remarkable for its extensive transportation facilities, which have greatly influenced the configuration of the land.

Another special characteristic of American settlement, one that became obvious only by the mid-20th century, is the convergence of rural and urban modes of life. The farmsteads—and rural folk in general—have become increasingly urbanized, and agricultural operations have become more automated, while the metropolis grows more gelatinous, unfocused, and pseudo-bucolic along its margins.

Rural settlement

Patterns of rural settlement indicate much about the history, economy, society, and minds of those who created them as well as about the land itself. The essential design of rural activity in the United States bears a strong family resemblance to that of other neo-European lands, such as Canada, Australia, New Zealand, South Africa, Argentina, or tsarist Siberia—places that have undergone rapid occupation and exploitation by immigrants intent upon short-term development and enrichment. In all such areas, under novel social and political conditions and with a relative abundance of territory and physical resources, ideas and institutions derived from a relatively stable medieval or early modern Europe have undergone major transformation. Further, these are nonpeasant countrysides, alike in having failed to achieve the intimate symbiosis of people and habitat, the humanized rural landscapes characteristic of many relatively dense, stable, earthbound communities in parts of Asia, Africa, Europe, and Latin America.

Early models of land allocation

From the beginning the prevalent official policy of the British (except between 1763 and 1776) and then of the U.S. government was to promote agricultural and other settlement—to push the frontier westward as fast as physical and economic conditions permitted. The British crown's grants of large, often vaguely specified tracts to individual proprietors or companies enabled the grantees to draw settlers by the sale or lease of land at attractive prices or even by outright gift.

Of the numerous attempts at group colonization, the most notable effort was the theocratic and collectivist New England town that flourished, especially in Massachusetts, Connecticut, and New Hampshire, during the first century of settlement. The town, the basic unit of government and comparable in area to townships in other states, allotted both rural and village parcels to single families by group decision. Contrary to earlier scholarly belief, in all but a few cases settlement was spatially dispersed in the socially cohesive towns, at least until about 1800. The relatively concentrated latter-day villages persist today as amoeba-like entities straggling along converging roads, neither fully rural nor agglomerated in form. The only latter-day settlement experiment of notable magnitude to achieve enduring success was a series of Mormon settlements in the Great Basin region of Utah and adjacent states, with their tightly concentrated farm villages reminiscent of the New England model. Other efforts have been made along ethnic, religious, or political lines, but success has been at best brief and fragile.

Creating the national domain

With the coming of independence and after complex negotiations, the original 13 states surrendered to the new national government nearly all their claims to the unsettled western lands beyond their boundaries. Some tracts, however, were reserved for disposal to particular groups. Thus, the Western Reserve of northeastern Ohio gave preferential treatment to natives of Connecticut, while the military tracts in Ohio and Indiana were used as bonus payments to veterans of the American Revolution.

A federally administered national domain was created, to which the great bulk of the territory acquired in 1803 in the Louisiana Purchase and later beyond the Mississippi and in 1819 in Florida was consigned. The only major exceptions were the public lands of Texas, which were left within that state's jurisdiction; such earlier French and Spanish land grants as were confirmed, often after tortuous litigation; and some Indian lands. In sharp contrast to the slipshod methods of colonial land survey and disposal, the federal land managers expeditiously surveyed, numbered, and mapped their territory in advance of settlement, beginning with Ohio in the 1780s, then sold or deeded it to settlers under inviting terms at a number of regional land offices.

The design universally followed in the new survey system (except within the French, Spanish, and Indian grants) was a simple, efficient rectangular scheme. Townships were laid out as blocks, each six by six miles in size, oriented with the compass directions. Thirty-six sections, each one square mile, or 640 acres (260 hectares), in size, were designated within each township; and public roads were established along section lines and, where needed, along half-section lines. At irregular intervals, offsets in survey lines and roads were introduced to allow for the Earth's curvature. Individual property lines were coincident with, or parallel to, survey lines, and this pervasive rectangularity generally carried over into the geometry of fields and fences or into the townsites later superimposed upon the basic rural survey.

This all-encompassing checkerboard pattern is best appreciated from an airplane window over Iowa or Kansas. There, one sees few streams or other natural features and few diagonal highways or railroads interrupting the overwhelming squareness of the landscape. A systematic rectangular layout, rather less rigorous in form, also appears in much of Texas and in those portions of Maine, western New York and Pennsylvania, and southern Georgia that were settled after the 1780s.

Distribution of rural lands

Since its formation, Congress has enacted a series of complex schemes for distribution of the national domain. The most famous of these plans was the Homestead Act of 1862, which offered title to 160 acres to individual settlers, subject only to residence for a certain period of time and to the making of minimal improvements to the land thus acquired. The legal provisions of such acts have varied with time as the nature of farming technology and of the remaining lands have changed, but their general effect has been to perpetuate the Jeffersonian ideal of a republic in which yeoman farmers own and till self-sufficient properties.

The program was successful in providing private owners with relatively choice lands, aside from parcels reserved for schools and various township and municipal uses. More than one-third of the national territory, however, is still owned by federal and state governments, with much of this land in forest and wildlife preserves. A large proportion of this land is in the West and is unsuited for intensive agriculture or grazing because of the roughness, dryness, or salinity of the terrain; much of it is leased out for light grazing or for timber cutting.

Patterns of farm life

During the classic period of American rural life, around 1900, the typical American lived or worked on a farm or was economically dependent upon farmers. In contrast to rural life in many other parts of the world, the farm family lived on an isolated farmstead some distance from town and often from farm neighbours; its property averaged less than one-quarter square mile. This farmstead varied in form and content with local tradition and economy. In particular, barn types were localized—for example, the tobacco barns of the South, the great dairy barns of Wisconsin, or the general-purpose forebay barns of southeastern Pennsylvania—as were modes of fencing. In general, however, the farmstead contained dwelling, barn, storage and sheds for small livestock and equipment, a small orchard, and a kitchen garden. A woodlot might be found in the least-accessible or least-fertile part of the farm.

Successions of such farms were connected with one another and with the towns by means of a dense, usually rectangular lattice of roads, largely unimproved at the time. The hamlets, villages, and smaller cities were arrayed at relatively regular intervals, with size and affluence determined in large part by the presence and quality of rail service or status as the county seat. But, among people who have been historically rural, individualistic, and antiurban in bias, many services normally located in urban places might be found in rustic settings. Thus, much retail business was transacted by means of itinerant peddlers, while small shops for the fabrication, distribution, or repair of various items were often located in isolated farmsteads, as were many post offices.

Social activity also tended to be widely dispersed among numerous rural churches, schools, or grange halls; and the climactic event of the year might well be the county fair, political rally, or religious encampment—again on a rural site. Not the least symptomatic sign of the strong tendency toward spatial isolation are the countless family burial plots or community cemeteries so liberally distributed across the countryside.

Regional small-town patterns

There has been much regional variation among smaller villages and hamlets, but such phenomena have received relatively little attention from students of American culture or geography. The distinctive New England village, of course, is generally recognized and cherished: it consists of a loose clustering of white frame buildings, including a church (usually Congregationalist or Unitarian), town hall, shops, and stately homes with tall shade trees around the central green, or commons—a grassy expanse that may contain a bandstand and monuments or flowers. Derivative village forms were later carried westward to sections of the northern Midwest.

Less widely known but equally distinctive is the town morphology characteristic of the Midland, or Pennsylvanian, culture area and most fully developed in southeastern and central Pennsylvania and Piedmont Maryland. It differs totally from the New England model in density, building materials, and general appearance. Closely packed, often contiguous buildings—mostly brick, but sometimes stone, frame, or stucco—abut directly on a sidewalk, which is often paved with brick and usually thickly planted with maple, sycamore, or other shade trees. Such towns are characteristically linear in plan, have dwellings intermingled with other types of buildings, have only one or two principal streets, and may radiate outward from a central square lined with commercial and governmental structures.

The most characteristic U.S. small town is the one whose pattern evolved in the Midwest. Its simple scheme is usually based on the grid plan. Functions are rigidly segregated spatially, with the central business district, consisting of closely packed two- or three-story brick buildings, limited exclusively to commercial and administrative activity. The residences, generally set well back within spacious lots, are peripheral in location, as are most rail facilities, factories, and warehouses.

Even the modest urbanization of the small town came late to the South. Most urban functions long were spatially dispersed—almost totally so in the early Chesapeake Bay country or North Carolina—or were performed entirely by the larger plantations dominating the economic life of much of the region. When city and town began to materialize in the 19th and 20th centuries, they tended to follow the Midwestern model in layout.

Although quite limited in geographic area, the characteristic villages of the Mormon and Hispanic-American districts are of considerable interest. The Mormon settlement uncompromisingly followed the ecclesiastically imposed grid plan composed of square blocks, each with perhaps only four very large house lots, and the block surrounded by extremely wide streets. Those villages in New Mexico in which population and culture were derived from Old Mexico were often built according to the standard Latin-American plan. The distinctive feature is a central plaza dominated by a Roman Catholic church and encircled by low stone or adobe buildings.

The rural–urban transition

Weakening of the agrarian ideal

The United States has had little success in achieving or maintaining the ideal of the family farm. Through purchase, inheritance, leasing, and other means, some of dubious legality, smaller properties have been merged into much larger entities. By the late 1980s, for example, when the average farm size had surpassed 460 acres, farms containing 2,000 or more acres accounted for almost half of all farmland and 20 percent of the cropland harvested, even though they comprised less than 3 percent of all farms. At the other extreme were those 60 percent of all farms that contained fewer than 180 acres and reported less than 15 percent of cropland harvested. This trend toward fewer but larger farms has continued.

The huge, heavily capitalized “neoplantation,” essentially a factory in the field, is especially conspicuous in parts of California, Arizona, and the Mississippi Delta, but examples can be found in any state. There are also many smaller but intensive operations that call for large investments and advanced managerial skills. This trend toward large-scale, capital-intensive farm enterprise has been paralleled by a sharp drop in rural farm population—a slump from the all-time high of some 32,000,000 in the early 20th century to about 5,000,000 in the late 1980s; but even in 1940, when farm folk still numbered more than 30,000,000, nearly 40 percent of farm operators were tenants, and another 10 percent were only partial owners.

As the agrarian population has dwindled, so too has its immediate impact lessened, though less swiftly, in economic and political matters. The rural United States, however, has been the source of many of the nation's values and images. The United States has become a highly urbanized, technologically advanced society far removed in daily life from cracker barrel, barnyard, corral, or logging camp. Although Americans have gravitated, sometimes reluctantly, to the big city, in the daydreams and assumptions that guide many sociopolitical decisions, the memory of a rapidly vanishing agrarian America is well noted. This is revealed not only in the works of contemporary novelists, poets, and painters but also throughout the popular arts: in movies, television, soap operas, folklore, country music, political oratory, and in much leisure activity.

Impact of the motor vehicle

Since about 1920 more genuine change has occurred in American rural life than during the preceding three centuries of European settlement in North America. Although the basic explanation is the profound social and technological transformations engulfing most of the world, the most immediate agent of change has been the internal-combustion engine. The automobile, truck, bus, and paved highway have more than supplanted a moribund passenger and freight railroad system. While many local rail depots have been boarded up and scores of secondary lines have been abandoned, hundreds of thousands of miles of old dirt roads have been paved, and a vast system of interstate highways has been constructed to connect major cities in a single nonstop network. The net result has been a shrinking of travel time and an increase in miles traveled for the individual driver, rural or urban.

Small towns in the United States have undergone a number of changes. Before 1970 towns near highways and urban centres generally prospered; while in the less-fortunate towns, where the residents lingered on for the sake of relatively cheap housing, downtown businesses often became extinct. From the late 1960s until about 1981 the rural and small-town population grew at a faster rate than the metropolitan population, the so-called metro–nonmetro turnaround, thus reversing more than a century of relatively greater urban growth. Subsequent evidence, however, suggests an approach toward equilibrium between the urban and rural sectors.

As Americans have become increasingly mobile, the visual aspect of rural America has altered drastically. The highway has become the central route, and many of the functions once confined to the local town or city now stretch for many miles along major roads.

Reversal of the classic rural dominance

The metropolitanization of life in the United States has not been limited to city, suburb, or exurb; it now involves most of the rural area and population. The result has been the decline of local crafts and regional peculiarities, quite visibly in such items as farm implements, fencing, silos, and housing and in commodities such as clothing or bread. In many ways, the countryside is now economically dependent on the city.

The city dweller is the dominant consumer for products other than those of field, quarry, or lumber mill; and city location tends to determine patterns of rural economy rather than the reverse. During weekends and the vacation seasons, swarms of city folk stream out to second homes in the countryside and to campgrounds, ski runs, beaches, boating areas, or hunting and fishing tracts. For many large rural areas, recreation is the principal source of income and employment; and such areas as northern New England and upstate New York have become playgrounds and sylvan refuges for many urban residents.

The larger cities reach far into the countryside for their vital supplies of water and energy. There is an increasing reliance upon distant coalfields to provide fuel for electrical power plants, and cities have gone far afield in seeking out rural disposal sites for their ever-growing volumes of garbage.

The majority of the rural population now lives within daily commuting range of a sizable city. This enables many farm residents to operate their farms while, at the same time, working part- or full-time at a city job, and it thus helps to prevent the drastic decline in rural population that has occurred in remoter parts of the country. Similarly, many small towns within the shadow of a metropolis, with fewer and fewer farmers to service, have become dormitory satellites, serving residents from nearby cities and suburbs.

Urban settlement

The United States has moved from a predominantly rural settlement into an urban society. In so doing, it has followed the general path that other advanced nations have traveled and one along which developing nations have begun to hasten. About three-fourths of the population live clustered within officially designated urban places and urbanized areas, which account for less than 2 percent of the national territory. At least another 15 percent live in dispersed residences that are actually urban in economic or social orientation.

Classic patterns of siting and growth

Although more than 95 percent of the population was rural during the colonial period and for the first years of independence, cities were crucial elements in the settlement system from the earliest days. Boston; New Amsterdam (New York City); Jamestown, Va.; Charleston, S.C.; and Philadelphia were founded at the same time as the colonies they served. Like nearly all other North American colonial towns of consequence, they were ocean ports. Until at least the beginning of the 20th century the historical geography of U.S. cities was intimately related with that of successive transportation systems. The location of successful cities with respect to the areas they served, as well as their internal structure, was determined largely by the nature of these systems.

The colonial cities acted as funnels for the collection and shipment of farm and forest products and other raw materials from the interior to trading partners in Europe, the Caribbean, or Africa and for the return flow of manufactured goods and other locally scarce items, as well as immigrants. Such cities were essentially marts and warehouses, and only minimal attention was given to social, military, educational, or religious functions. The inadequacy and high cost of overland traffic dictated sites along major ocean embayments or river estuaries; the only pre-1800 nonports worthy of notice were Lancaster and York, both in Pennsylvania, and Williamsburg, Va. With the populating of the interior and the spread of a system of canals and improved roads, such new cities as Pittsburgh, Pa.; Cincinnati, Ohio; Buffalo, N.Y.; and St. Louis, Mo., mushroomed at junctures between various routes or at which modes of transport were changed. Older ocean ports, such as New Castle, Del.; Newport, R.I.; Charleston, S.C.; Savannah, Ga.; and Portland, Maine, whose locations prevented them from serving large hinterlands, tended to stagnate.

From about 1850 to 1920 the success of new cities and the further growth of older ones in large part were dependent on their location within the new steam railroad system and on their ability to dominate a large tributary territory. Such waterside rail hubs as Buffalo; Toledo, Ohio; Chicago; and San Francisco gained population and wealth rapidly, while such offspring of the rail era as Atlanta, Ga.; Indianapolis, Ind.; Minneapolis, Minn.; Fort Worth, Texas; and Tacoma, Wash., also grew dramatically. Much of the rapid industrialization of the 19th and early 20th centuries occurred in places already favoured by water or rail transport systems; but in some instances, such as in the cities of northeastern Pennsylvania's anthracite region, some New England mill towns, and the textile centres of the Carolina and Virginia Piedmont, manufacturing brought about rapid urbanization and the consequent attraction of transport facilities. The extraction of gold, silver, copper, coal, iron, and, in the 20th century, gas and oil led to rather ephemeral centres—unless these places were able to capitalize on local or regional advantages other than minerals.

A strong early start, whatever the inital economic base may have been, was often the key factor in competition among cities. With sufficient early momentum, urban capital and population tended to expand almost automatically. The point is illustrated perfectly by the larger cities of the northeastern seaboard, from Portland, Maine, through Baltimore, Md. The nearby physical wealth is poor to mediocre, and they are now far off-centre on the national map; but a prosperous mercantile beginning, good land and sea connections with distant places, and a rich local accumulation of talent, capital, and initiative were sufficient to bring about the growth of one of the world's largest concentrations of industry, commerce, and people.

New factors in municipal development

The pre-1900 development of the American city was almost completely a chronicle of the economics of the production, collection, and distribution of physical commodities and basic services dictated by geography, but there have been striking deviations from this pattern. The physical determinants of urban location and growth have given way to social factors. Increasingly, the most successful cities are oriented toward the more advanced modes for the production and consumption of services, specifically the knowledge, managerial, and recreational industries. The largest cities have become more dependent upon corporate headquarters, communications, and the manipulation of information for their sustenance. Washington, D.C., is the most obvious example of a metropolis in which government and ancillary activities have been the spur for vigorous growth; but almost all of the state capitals have displayed a similar demographic and economic vitality. Further, urban centres that contain a major college or university often have enjoyed remarkable expansion.

With the coming of relative affluence and abundant leisure to the population and a decrease of labour input in industrial processes, a new breed of cities has sprouted across the land: those that cater to the pleasure-seeker, vacationer, and the retired—for example, the young, flourishing cities of Florida or Nevada and many locations in California, Arizona, and Colorado.

The automobile as a means of personal transportation was developed about the time of World War I, and the American city was catapulted into a radically new period, both quantitatively and qualitatively, in the further evolution of physical form and function. The size, density, and internal structure of the city were previously constrained by the limitations of the pedestrian and early mass-transit systems. Only the well-to-do could afford horse and carriage or a secluded villa in the countryside. Cities were relatively small and compact, with a single clearly defined centre, and they grew by accretion along their edges, without any significant spatial hiatuses except where commuter railroads linked outlying towns to the largest of metropolises. Workers living beyond the immediate vicinity of their work had to locate within reach of the few horse-drawn omnibuses or the later electric street railways.

The universality of the automobile, even among the less affluent, and the parallel proliferation of service facilities and highways greatly loosened and fragmented the American city, which spread over surrounding rural lands. Older, formerly autonomous towns grew swiftly. Many towns became satellites of the larger city or were absorbed. Many suburbs and subdivisions arose with single-family homes on lots larger than had been possible for the ordinary householder in the city. These communities were almost totally dependent on the highway for the flow of commuters, goods, and services, and many were located in splendid isolation, separated by tracts of farmland, brush, or forest from other such developments. At the major interchanges of the limited-access highways, a new form of agglomerated settlement sprang up. In a further elaboration of this trend, many larger cities have been girdled by a set of mushrooming complexes. These creations of private enterprise embody a novel concept of urban existence: a metropolitan module no longer reliant on the central city or its downtown. Usually anchored on a cluster of shopping malls and office parks, these “hypersuburbs,” whose residents and employees circulate freely within the outer metropolitan ring, offer virtually all of the social and economic facilities needed for the modern life-style.

The new look of the metropolitan area

The outcome has been a broad, ragged, semiurbanized belt of land surrounding each city, large or small, and quite often blending imperceptibly into the suburban-exurban halo encircling a neighbouring metropolitan centre. There is a great similarity in the makeup and general appearance of all such tracts: the planless intermixture of scraps of the rural landscape with the fragments of the scattered metropolis; the randomly distributed subdivisions or single homes; the vast shopping centres, the large commercial cemeteries, drive-in theatres, junkyards, and golf courses and other recreational enterprises; and the regional or metropolitan airport, often with its own cluster of factories, warehouses, or travel-oriented businesses. The traditional city—unitary, concentric in form, with a single well-defined middle—has been replaced by a relatively amorphous, polycentric metropolitan sprawl.

The inner city of a large U.S. metropolitan area displays some traits that are common to the larger centres of all advanced nations. A central business district, almost always the oldest section of the city, is surrounded by a succession of roughly circular zones, each distinctive in economic and social-ethnic character. The symmetry of this scheme is distorted by the irregularities of surface and drainage or the effects of radial highways and railroads. Land is most costly, and hence land use is most intensive, toward the centre. Major business, financial and governmental offices, department stores, and specialty shops dominate the downtown, which is usually fringed by a band of factories and warehouses. The outer parts of the city, like the suburbs, are mainly residential.

With some exceptions—e.g., large apartment complexes in downtown Chicago—people do not reside in the downtown areas, and there is a steady downward gradient in population density per unit area (and more open land and single-family residences) as one moves from the inner city toward the open country. Conversely, there is a general rise in income and social status with increasing distance from the core. The sharply defined immigrant neighbourhoods of the 19th century generally persist in a somewhat diluted form, though specific ethnic groups may have shifted their location. Later migrant groups, notably Southern blacks and Latin Americans, generally dominate the more run-down neighbourhoods of the inner cities.

Individual and collective character of cities

American cities, more so than the small-town or agrarian landscape, tend to be the product of a particular period rather than of location. The relatively venerable centres of the Eastern Seaboard—Boston; Philadelphia; Baltimore, Md.; Albany, N.Y.; Chester, Pa.; Alexandria, Va.; or Georgetown (a district of Washington, D.C.), for example—are virtual replicas of the fashionable European models of their early period rather than the fruition of a regional culture, unlike New Orleans and Santa Fe, N.M., which reflect other times and regions. The townscapes of Pittsburgh; Detroit, Mich.; Chicago; and Denver, Colo., depict national modes of thought and the technological development of their formative years, just as Dallas, Texas; Las Vegas, Nev.; San Diego, Calif.; Tucson, Ariz.; and Albuquerque, N.M., proclaim contemporary values and gadgetry more than any local distinctiveness. When strong-minded city founders instituted a highly individual plan and their successors managed to preserve it—as, for example, in Savannah, Ga.; Washington, D.C.; and Salt Lake City, Utah—or when there is a happy combination of a spectacular site and appreciative residents—as in San Francisco or Seattle, Wash.—a genuine individuality does seem to emerge. Such an identity also may develop where immigration has been highly selective, as in such places as Miami, Fla.; Phoenix, Ariz.; and Los Angeles.

As a group, U.S. cities differ from cities in other countries in both type and degree. The national political structure, the social inclinations of the people, and the strong outward surge of urban development have led to the political fragmentation of metropolises that socially and economically are relatively cohesive units. The fact that a single metropolitan area may sprawl across numerous incorporated towns and cities, several townships, and two or more counties and states has a major impact upon both its appearance and the way it functions. Not the least of these effects is a dearth of overall physical and social planning (or its ineffectuality when attempted), and the rather chaotic, inharmonious appearance of both inner-city and peripheral zones painfully reflects the absence of any effective collective action concerning such matters.

The American city is a place of sharp transitions. Construction, demolition, and reconstruction go on almost ceaselessly, though increasing thought has been given to preserving monuments and buildings. From present evidence, it would be impossible to guess that New York City and Albany date from the 1620s or that Detroit was founded in 1701. Preservation and restoration do occur, but often only when it makes sense in terms of tourist revenue. Physical and social blight has reached epidemic proportions in the slum areas of the inner city; but, despite the wholesale razing of such areas and the subsequent urban-renewal projects (sometimes as apartment or commercial developments for the affluent), the belief has become widespread that the ills of the U.S. city are incurable, especially with the increasing flight of capital, tax revenue, and the more highly educated, affluent elements of the population to suburban areas and the spatial and political polarization of whites and nonwhites.

In the central sections of U.S. cities, there is little sense of history or continuity; instead, one finds evidence of the dominance of the engineering mentality and of the credo that the business of the city is business. Commercial and administrative activities are paramount, and usually there is little room for church buildings or for parks or other nonprofit enterprises. The role of the cathedral, so central in the medieval European city, is filled by a U.S. invention serving both utilitarian and symbolic purposes, the skyscraper. Some cities have felt the need for other bold secular monuments; hence the Gateway Arch looming over St. Louis, Seattle's Space Needle, and Houston's Astrodome. Future archaeologists may well conclude from their excavations that American society was ruled by an oligarchy of highway engineers, architects, and bulldozer operators. The great expressways converging upon, or looping, the downtown area and the huge amount of space devoted to parking lots and garages are even more impressive than the massive surgery executed upon U.S. cities a century ago to hack out room for railroad terminals and marshaling yards.

Within many urban sites there has been radical physical transformation of shoreline, drainage systems, and land surface that would be difficult to match elsewhere in the world. Thus, in their physical lineaments, Manhattan and inner Boston bear scant resemblance to the landscapes seen by their initial settlers. The surface of downtown Chicago has been raised several feet above its former swamp level, the city's lakefront extensively reshaped, and the flow of the Chicago River reversed. Los Angeles, notorious for its disregard of the environment, has its concrete arroyo bottoms, terraced hillsides and landslides, and its own artificial microclimate.

The supercities

The unprecedented outward sprawl of American urban settlement has created some novel settlement forms, for the quantitative change has been so great as to induce qualitative transformation. The conurbation—a territorial coalescence of two or more sizable cities whose peripheral zones have grown together—may have first appeared in early 19th-century Europe. There are major examples in Great Britain, the Low Countries, and Germany, as well as in Japan.

Nothing elsewhere, however, rivals in size and complexity the aptly named megalopolis, that supercity stretching along the Atlantic from Portland, Maine, past Richmond, Va. Other large conurbations include, in the Great Lakes region, one centred on Chicago and containing large slices of Illinois, Wisconsin, and Indiana; another based in Detroit, embracing large parts of Michigan and Ohio and reaching into Canada; and a third stretching from Buffalo through Cleveland and back to Pittsburgh. All three are reaching toward one another and may form another megalopolis that, in turn, may soon be grafted onto the seaboard megalopolis by a corridor through central New York state.

Another example of a growing megalopolis is the huge southern California conurbation reaching from Santa Barbara, through a dominating Los Angeles, to the Mexican border. The solid strip of urban territory that lines the eastern shore of Puget Sound is a smaller counterpart. Quite exceptional in form is the slender linear multicity occupying Florida's Atlantic coastline, from Jacksonville to Miami, and the loose swarm of medium-sized cities clustering along the Southern Piedmont, from south-central Virginia to Birmingham, Ala.; also of note are the Texas cities of Dallas–Fort Worth, Houston, and San Antonio, which have formed a rapidly growing—though discontinuous—urbanized triangle.

One of the few predictions that seem safe in so dynamic and innovative a land as the United States is that, unless severe and painful controls are placed on land use, the shape of the urban environment will be increasingly megalopolitan: a small set of great constellations of polycentric urban zones, each complexly interlocked socially and physically with its neighbours.

Traditional regions of the United States

The differences among America's traditional regions, or culture areas, tend to be slight and shallow as compared with such areas in most older, more stable countries. The muted, often subtle nature of interregional differences can be ascribed to the relative newness of American settlement, a perpetually high degree of mobility, a superb communications system, and the galloping centralization of economy and government. It might even be argued that some of these regions are quaint vestiges of a vanishing past, of interest only to antiquarians.

Yet, in spite of the nationwide standardization in many areas of American thought and behaviour, the lingering effects of the older culture areas do remain potent. In the case of the South, for example, the differences helped to precipitate the gravest political crisis and bloodiest military conflict in the nation's history. More than a century after the Civil War, the South remains a powerful entity in political, economic, and social terms, and its peculiar status is recognized in religious, educational, athletic, and literary circles.

Even more intriguing is the appearance of a series of essentially 20th-century regions. Southern California is the largest and perhaps the most distinctive region, and its special culture has attracted large numbers of immigrants to the state. Similar trends are visible in southern Florida; in Texas, whose mystique has captured the national imagination; and to a certain degree in the more ebullient regions of New Mexico and Arizona as well. At the metropolitan level, it is difficult to believe that such distinctive cities as San Francisco, Las Vegas, Dallas, Tucson, and Seattle have become like all other American cities. A detailed examination, however, would show significant if sometimes subtle interregional differences in terms of language, religion, diet, folklore, folk architecture and handicrafts, political behaviour, social etiquette, and a number of other cultural categories.

The hierarchy of culture areas

A multitiered hierarchy of culture areas might be postulated for the United States; but the most interesting levels are, first, the nation as a whole and, second, the five to 10 large subnational regions, each embracing several states or major portions thereof. There is a remarkably close coincidence between the political United States and the cultural United States. Crossing into Mexico, the traveler passes across a cultural chasm. If the contrasts are less dramatic between the two sides of the U.S.-Canadian boundary, they are nonetheless real, especially to the Canadian. Erosion of the cultural barrier has been largely limited to the area that stretches from northern New York state to Aroostook county, Maine. There, a vigorous demographic and cultural immigration by French-Canadians has gone far toward eradicating international differences.

While the international boundaries act as a cultural container, the interstate boundaries are curiously irrelevant. Even when the state had a strong autonomous early existence—as happened with Massachusetts, Virginia, or Pennsylvania—subsequent economic and political forces have tended to wash away such initial identities. Actually, it could be argued that the political divisions of the 48 coterminous states are anachronistic in the context of contemporary socioeconomic and cultural forces. Partially convincing cases might be built for equating Utah and Texas with their respective culture areas because of exceptional historical and physical circumstances, or perhaps Oklahoma, given its very late European occupation and its dubious distinction as the territory to which exiled Indian tribes of the East were relegated. In most instances, however, the states either contain two or more distinctly different culture and political areas or fragments thereof or are part of a much larger single culture area. Thus sharp North–South dichotomies characterize California, Missouri, Illinois, Indiana, Ohio, and Florida, while Tennessee advertises that there are really three Tennessees. In Virginia the opposing cultural forces were so strong that actual fission took place in 1863 (with the admission to the Union of West Virginia) along one of those rare interstate boundaries that approximate a genuine cultural divide.

Much remains to be learned about the cause and effect relations between economic and culture areas in the United States. If the South or New England could at one time be correlated with a specific economic system, this is no longer easy to do. Cultural systems appear to respond more slowly to agents of change than do economic or urban systems. Thus the Manufacturing Belt, a core region for many social and economic activities, now spans parts of four traditional culture areas—New England, the Midland, the Midwest, and the northern fringes of the South. The great urban sprawl, from southern Maine to central Virginia, blithely ignores the cultural slopes that are still visible in its more rural tracts.

The cultural hearths

The culture areas of the United States are generally European in origin, the result of importing European colonists and ways of life and the subsequent adaptation of social groups to new habitats. The aboriginal cultures have had relatively little influence on the nation's modern culture. In the Southwestern and the indistinct Oklahoman subregions, the Indian element merits consideration only as one of several ingredients making up the regional mosaic. With some exceptions, the map of American culture areas in the East can be explained in terms of the genesis, development, and expansion of the three principal colonial cultural hearths along the Atlantic seaboard. Each was basically British in character, but their personalities remain distinct because of, first, different sets of social and political conditions during the critical period of first effective settlement and, second, local physical and economic circumstances. The cultural gradients between them tend to be much steeper and the boundaries more distinct than is true for the remainder of the nation.

New England

New England. [Credit: Encyclopædia Britannica, Inc.]New England. [Credit: Encyclopædia Britannica, Inc.]

New England was the dominant region during the century of rapid expansion following the American Revolution and not merely in terms of demographic or economic expansion. In social and cultural life—in education, politics, theology, literature, science, architecture, and the more advanced forms of mechanical and social technology—the area exercised its primacy. New England was the leading source of ideas and styles for the nation from about 1780 to 1880; it furnishes an impressive example of the capacity of strongly motivated communities to rise above the constraints of a harsh environment.

During its first two centuries, New England had an unusually homogeneous population. With some exceptions, the British immigrants shared the same nonconformist religious beliefs, language, social organization, and general outlook. A distinctive regional culture took form, most noticeably in terms of dialect, town morphology, and folk architecture. The personality of the people also took on a regional coloration both in folklore and in actuality; there is sound basis for the belief that the traditional New England Yankee is self-reliant, thrifty, inventive, and enterprising. The influx of immigrants that began in the 1830s diluted and altered the New England identity, but much of its early personality survived.

By virtue of location, wealth, and seniority, the Boston metropolitan area has become the cultural economic centre of New England. This sovereignty is shared to some degree, however, with two other old centres, the lower Connecticut Valley and the Narragansett Bay region of Rhode Island.

The early westward demographic and ideological expansion of New England was so influential that it is justifiable to call New York, northern New Jersey, northern Pennsylvania, and much of the Upper Midwest “New England Extended.” Further, the energetic endeavours of New England whalers, merchants, and missionaries had a considerable impact on the cultures of Hawaii, various other Pacific isles, and several points in the Caribbean. New Englanders also were active in the Americanization of early Oregon and Washington, with results that are still visible. Later, the overland diffusion of New England natives and practices meant a recognizable New England character not only for the Upper Midwest, from Ohio to the Dakotas, but also in the Pacific Northwest in general, though to a lesser degree.

The South

The Upper South. [Credit: Encyclopædia Britannica, Inc.]The Upper South. [Credit: Encyclopædia Britannica, Inc.]

The Deep South. [Credit: Encyclopædia Britannica, Inc.]The Deep South. [Credit: Encyclopædia Britannica, Inc.]

By far the largest of the three original Anglo-American culture areas, the South is also the most idiosyncratic with respect to national norms—or slowest to accept them. The South was once so distinct from the non-South in almost every observable or quantifiable feature and so fiercely proud of its peculiarities that for some years the question of whether it could maintain political and social unity with the non-South was in serious doubt. These differences are still observable in almost every realm of human activity, including rural economy, dialect, diet, costume, folklore, politics, architecture, social customs, and recreation. Only during the 20th century can an argument be made that it has achieved a decisive convergence with the rest of the nation, at least in terms of economic behaviour and material culture.

A persistent deviation from the national mainstream probably began in the first years of settlement. The first settlers of the South were almost purely British, not outwardly different from those who flocked to New England or the Midland, but almost certainly distinct in terms of motives and social values and more conservative in retaining the rurality and the family and social structure of premodern Europe. The vast importation of African slaves was also a major factor, as was a degree of contact with the Indians that was less pronounced farther north. In addition, the unusual pattern of economy (much different from that of northwestern Europe), settlement, and social organization, which were in part an adaptation to a starkly unfamiliar physical habitat, accentuated the South's deviation from other culture areas.

In both origin and spatial structure, the South has been characterized by diffuseness. In the search for a single cultural hearth, the most plausible choice is the Chesapeake Bay area and the northeastern corner of North Carolina, the earliest area of recognizably Southern character. Early components of Southern population and culture also arrived from other sources. A narrow coastal strip from North Carolina to the Georgia–Florida border and including the Sea Islands is decidedly Southern in character, yet it stands apart self-consciously from other parts of the South. Though colonized directly from Great Britain, it had also significant connections with the West Indies, in which relation the African cultural contribution was strongest and purest. Charleston and Savannah, which nurtured their own distinctive civilizations, dominated this subregion. Similarly, French Louisiana received elements of culture and population—to be stirred into the special Creole mixture—not only, putatively, from the Chesapeake Bay hearth area but also indirectly from France, French Nova Scotia, the French West Indies, and Africa. In south central Texas, the Germanic and Hispanic influx was so heavy that a special subregion can be designated.

It would seem, then, that the Southern culture area may be an example of convergent, or parallel, evolution of a variety of elements arriving along several paths but subject to some single general process that could mold one larger regional consciousness and way of life.

Because of its slowness in joining the national technological mainstream, the South can be subdivided into a much greater number of subregions than is possible for any of the other older traditional regions. Those described above are of lesser order than the two principal Souths, variously called Upper and Lower (or Deep) South, Upland and Lowland South, or Yeoman and Plantation South.

The Upland South, which comprises the southern Appalachians, the upper Appalachian Piedmont, the Cumberland and other low interior plateaus, and the Ozarks and Ouachitas, was colonized culturally and demographically from the Chesapeake Bay hearth area and the Midland; it is most emphatically white Anglo-Saxon Protestant (WASP) in character. The latter area, which contains a large black population, includes the greater part of the South Atlantic and Gulf coastal plains and the lower Appalachian Piedmont. Its early major influences came from the Chesapeake Bay area, with only minor elements from the coastal Carolina–Georgia belt, Louisiana, and elsewhere. The division between the two subregions remains distinct from Virginia to Texas, but each region can be further subdivided. Within the Upland South, the Ozark region might legitimately be detached from the Appalachian; and, within the latter, the proud and prosperous Kentucky Bluegrass, with its emphasis on tobacco and Thoroughbreds, certainly merits special recognition.

Toward the margins of the South, the difficulties in delimiting subregions become greater. The outer limits themselves are a topic of special interest. There seems to be more than an accidental relation between these limits and various climatic factors. The fuzzy northern boundary, definitely not associated with the conventional Mason and Dixon Line or the Ohio River, seems most closely associated with length of frost-free season or with temperature during the winter. As the Southern cultural complex was carried to the West, it not only retained its strength but became more intense, in contrast to the influence of New England and the Midland. But the South finally fades away as one approaches the 100th meridian, with its critical decline in annual precipitation. The apparent correlation between the cultural South and a humid subtropical climatic regime is in many ways valid.

The Texas subregion is so large, distinctive, vigorous, and self-assertive that it presents some vexing classificatory questions. Is Texas simply a subregion of the Greater South, or has it acquired so strong and divergent an identity that it can be regarded as a major region in its own right? It is likely that a major region has been born in a frontier zone in which several distinct cultural communities confront one another and in which the mixture has bred the vigorous, extroverted, aggressive Texas personality so widely celebrated in song and story. Similarly, peninsular Florida may be considered either within or juxtaposed to the South but not necessarily part of it. In the case of Florida, an almost empty territory began to receive significant settlement only after about 1890, and if, like Texas, most of it came from the older South, there were also vigorous infusions from elsewhere.

The Midland

The Middle Atlantic region. [Credit: Encyclopædia Britannica, Inc.]The Middle Atlantic region. [Credit: Encyclopædia Britannica, Inc.]

The significance of this region has not been less than that of New England or the South, but its characteristics are the least conspicuous to outsiders as well as to its own residents—reflecting, perhaps, its centrality in the course of U.S. development. The Midland (a term not to be confused with Midwest) comprises portions of Middle Atlantic and Upper Southern states: Pennsylvania, New Jersey, Delaware, and Maryland. Serious European settlement of the Midland began a generation or more after that of the other major cultural centres and after several earlier, relatively ineffectual trials by the Dutch, Swedes, Finns, and British. But once begun late in the 17th century by William Penn and his associates, the colonization of the area was a success. Within southeastern Pennsylvania this culture area first assumed its distinctive character: a prosperous, sober, industrious agricultural society that quickly became a mixed economy as mercantile and later industrial functions came to the fore. By the mid-18th century much of the region had acquired a markedly urban character, resembling in many ways the more advanced portions of the North Sea countries. In this respect, at least, the Midland was well ahead of neighbouring areas to the north and south.

It differed also in its polyglot ethnicity. From almost the beginning, the various ethnic and religious groups of the British Isles were joined by immigrants from the European mainland. This diversity has grown and is likely to continue. The mosaic of colonial ethnic groups has persisted in much of Pennsylvania, New York, New Jersey, and Maryland, as has the remarkable variety of nationalities and churches in coalfields, company towns, cities, and many rural areas. Much of the same ethnic heterogeneity can be seen in New England, the Midwest, and a few other areas, but the Midland stands out as perhaps the most polyglot region of the nation. The Germanic element has always been notably strong, if irregularly distributed, in the Midland, accounting for more than 70 percent of the population of many towns. Had the Anglo-American culture not triumphed, the area might well have been designated Pennsylvania German.

Physiography and migration carried the Midland culture area into the Maryland Piedmont. Although its width tapers quickly below the Potomac, it reaches into parts of Virginia and West Virginia, with traces legible far down the Appalachian zone and into the South.

The northern half of the greater Midland region (the New York subregion, or New England Extended) cannot be assigned unequivocally to either New England or this Midland. Essentially it is a hybrid formed mainly from two regional strains of almost equal strength: New England and the post-1660 British element moving up the Hudson valley and beyond. There has also been a persistent, if slight, residue of early Dutch culture and some subtle filtering northward of Pennsylvanian influences. Apparently within the New York subregion occurred the first major fusion of American regional cultures, especially within the early 19th-century “Burned-Over District,” around the Finger Lakes and Genesee areas of central and western New York. This locality, the seedbed for a number of important social innovations, was a major staging area for westward migration and possibly a major source for the people and notions that were to build the Midwestern culture area.

Toward the west the Midland retains its integrity for only a short distance—certainly no further than eastern Ohio—as it becomes submerged within the Midwest. Still, its significance in the genesis of the Midwest and the national culture should not be minimized. Its success in projecting its image upon so much of the country may have drawn attention away from the source area. As both name and location suggest, the Midland is intermediate in character in many respects, lying between New England and the South. Its residents are much less concerned with, or conscious of, a strong regional identity (excepting the Pennsylvania Dutch caricatures) than is true for the other regions, and, in addition, the Midland lacks their strong political and literary traditions, though it is unmistakable in its distinctive townscapes and farmsteads.

The newer culture areas

The Midwest

The Midwest. [Credit: Encyclopædia Britannica, Inc.]The Midwest. [Credit: Encyclopædia Britannica, Inc.]

There is no such self-effacement in the Midwest, that large triangular region justly regarded as the most nearly representative of the national average. Everyone within or outside of the Midwest knows of its existence, but no one is certain where it begins or ends. The older apex of the eastward-pointing triangle appears to rest around Pittsburgh, while the two western corners melt away somewhere in the Great Plains, possibly in southern Manitoba in the north and southern Kansas in the south. The eastern terminus and the southern and western borders are broad, indistinct transitional zones.

Serious study of the historical geography of the Midwest began only in the 20th century, but it seems likely that this culture region was the combination of all three colonial regions and that this combination first took place in the upper Ohio valley. The early routes of travel—the Ohio and its tributaries, the Great Lakes, and the low, level corridor along the Mohawk and the coastal plains of Lake Ontario and Lake Erie—converge upon Ohio. There, the people and cultural traits from New England, the Midland, and the South were first funneled together. There seems to have been a fanlike widening of the new hybrid area into the West as settlers worked their way frontierward.

Two major subregions are readily discerned, the Upper and Lower Midwest. They are separated by a line, roughly approximating the 41st parallel, that persists as far west as Colorado in terms of speech patterns and indicates differences in regional provenance in ethnic and religious terms as well. Much of the Upper Midwest retains a faint New England character, although Midland influences are probably as important. A rich mixture of German, Scandinavian, Slavic, and other non-WASP elements has greatly diversified a stock in which the British element usually remains dominant and the range of church denominations is great. The Lower Midwest, except for the relative scarcity of blacks, tends to resemble the South in its predominantly Protestant and British makeup. There are some areas with sizable Roman Catholic and non-WASP populations, but on the whole the subregion tends to be more WASP in inclination than most other parts of the nation.

The problem of “the West

The foregoing culture areas account for roughly the eastern half of the coterminous United States. There is a dilemma in classifying the remaining half. The concept of the American West, strong in the popular imagination, is reinforced constantly by romanticized cinematic and television images of the cowboy. It is facile to accept the widespread Western livestock complex as epitomizing the full gamut of Western life, because although the cattle industry may have once accounted for more than one-half of the active Western domain as measured in acres, it employed only a relatively small fraction of the total population. As a single subculture, it cannot represent the total regional culture.

It is not clear whether there is a genuine, single, grand Western culture region. Unlike the East, where virtually all the land is developed and culture areas and subregions abut and overlap in splendid confusion, the eight major and many lesser nodes of population in the western United States resemble oases, separated from one another by wide expanses of nearly unpopulated mountain or arid desert. The only obvious properties these isolated clusters have in common are, first, the intermixture of several strains of culture, primarily from the East but with additions from Europe, Mexico, and East Asia, and, second, except for one subregion, a general modernity, having been settled in a serious way no earlier than the 1840s. Some areas may be viewed as inchoate, or partially formed, cultural entities; the others have acquired definite personalities but are difficult to classify as first-order or lesser order culture areas.

There are several major tracts in the western United States that reveal a genuine cultural identity: the Upper Rio Grande region, the Mormon region, southern California, and, by some accounts, northern California. To this group one might add the anomalous Texan and Oklahoman subregions, which have elements of both the West and the South.

The Southwest. [Credit: Encyclopædia Britannica, Inc.]The Southwest. [Credit: Encyclopædia Britannica, Inc.]

The term Upper Rio Grande region was coined to denote the oldest and strongest of the three sectors of Hispanic-American activity in the Southwest, the others being southern California and portions of Texas. Although covering the valley of the upper Rio Grande, the region also embraces segments of Arizona and Colorado as well as other parts of New Mexico. European communities and culture have been present there, with only one interruption, since the late 16th century. The initial sources were Spain and Mexico, but after 1848 at least three distinct strains of Anglo-American culture were increasingly well represented—the Southern, Mormon, and a general undifferentiated Northeastern culture—plus a distinct Texan subcategory. For once this has occurred without obliterating the Indians, whose culture endures in various stages of dilution, from the strongly Americanized or Hispanicized to the almost undisturbed.

The general mosaic is a fabric of Indian, Anglo, and Hispanic elements, and all three major groups, furthermore, are complex in character. The Indian component is made up of Navajo, Pueblo, and several smaller groups, each of which is quite distinct from the others. The Hispanic element is also diverse—modally Mexican mestizo, but ranging from pure Spanish to nearly pure pre-Spanish aboriginal.

The northern Mountain region. [Credit: Encyclopædia Britannica, Inc.]The northern Mountain region. [Credit: Encyclopædia Britannica, Inc.]

The southern Mountain region. [Credit: Encyclopædia Britannica, Inc.]The southern Mountain region. [Credit: Encyclopædia Britannica, Inc.]

The Mormon region is expansive in the religious and demographic realms, though it has ceased to expand territorially as it did in the decades after the first settlement in the Salt Lake valley in 1847. Despite its Great Basin location and an exemplary adaptation to environmental constraints, this cultural complex appears somewhat non-Western in spirit: the Mormons may be in the West, but they are not entirely of it. Their historical derivation from the Midwest and from ultimate sources in New York and New England is still apparent, along with the generous admixture of European converts to their religion.

As in New England, the power of the human will and an intensely cherished abstract design have triumphed over an unfriendly habitat. The Mormon way of life is expressed in the settlement landscape and economic activities within a region more homogeneous internally than any other U.S. culture area.

California. [Credit: Encyclopædia Britannica, Inc.]California. [Credit: Encyclopædia Britannica, Inc.]

In contrast, northern California has yet to gain its own strong cultural coloration. From the beginning of the great 1849 gold rush the area drew a diverse population from Europe and Asia as well as the older portions of the United States. Whether the greater part of northern California has produced a culture amounting to more than the sum of the contributions brought by immigrants is questionable. San Francisco, the regional metropolis, may have crossed the qualitative threshold. An unusually cosmopolitan outlook that includes an awareness of the Orient stronger than that of any other U.S. city, a fierce self-esteem, and a unique townscape may be symptomatic of a genuinely new, emergent local culture.

Southern California is the most spectacular of the Western regions, not only in terms of economic and population growth but also for the luxuriance, regional particularism, and general avant-garde character of its swiftly evolving cultural pattern. Until the coming of a direct transcontinental rail connection in 1885, the region was remote, rural, and largely inconsequential. Since then, the invasion by persons from virtually every corner of North America and by the world has been massive, but since the 1960s in-migration has slackened perceptibly, and many residents have begun to question the doctrine of unlimited growth. In any event, a loosely articulated series of urban and suburban developments continue to encroach upon what little is left of arable or habitable land in the Coast Ranges and valleys from Santa Barbara to the Mexican border.

Although every major ethnic and racial group and every other U.S. culture area is amply represented in southern California, there is reason to suspect that a process of selection for certain types of people, attitudes, and personality traits may have been at work at both source and destination. The region is distinct from, or perhaps in the vanguard of, the remainder of the nation. One might view southern California as the super-American region or the outpost of a postindustrial future, but its cultural distinctiveness is very evident in landscape and social behaviour. Southern California in no way approaches being a “traditional region,” or even the smudged facsimile of such, but rather the largest, boldest experiment in creating a “voluntary region,” one built through the self-selection of immigrants and their subsequent interaction.

The northern Pacific Coast. [Credit: Encyclopædia Britannica, Inc.]The northern Pacific Coast. [Credit: Encyclopædia Britannica, Inc.]

The remaining identifiable Western regions—the Willamette valley of Oregon, the Puget Sound region, the Inland Empire of eastern Washington and adjacent tracts of Idaho and Oregon, central Arizona, and the Colorado Piedmont—can be treated jointly as potential, or emergent, culture areas, still too close to the national mean to display any cultural distinctiveness. In all of these regions is evident the arrival of a cross section of the national population and the growth of regional life around one or more major metropolises. A New England element is noteworthy in the Willamette valley and Puget Sound regions, while a Hispanic-American component appears in the Colorado Piedmont and central Arizona. Only time and further study will reveal whether any of these regions, so distant from the historic sources of U.S. population and culture, have the capacity to become an independent cultural area.

Wilbur Zelinsky

The people

Spectators are showered with confetti during the Macy's Thanksgiving Day Parade in New York City. [Credit: Joseph Sohm—ChromoSoh Inc./Corbis]Spectators are showered with confetti during the Macy's Thanksgiving Day Parade in New York City. [Credit: Joseph Sohm—ChromoSoh Inc./Corbis]

A nation for little more than 225 years, the United States is a relatively new member of the global community, but its rapid growth since the 18th century is unparalleled. The early promise of the New World as a refuge and land of opportunity was realized dramatically in the 20th century with the emergence of the United States as a world power. With a total population exceeded only by those of China and India, the United States is also characterized by an extraordinary diversity in ethnic and racial ancestry. A steady stream of immigration, notably from the 1830s onward, formed a pool of foreign-born persons unmatched by any other nation; 60 million people immigrated to U.S. shores in the 18th and 19th centuries. Many were driven, seeking escape from political or economic hardship, while others were drawn, by a demand for workers, abundant natural resources, and expansive cheap land. Most arrived hoping to remake themselves in the New World.

Americans also have migrated internally with great vigour, exhibiting a restlessness that thrived in the open lands and on the frontier. Initially, migratory patterns ran east to west and from rural areas to cities, then, in the 20th century, from the South to the Northeast and Midwest. Since the 1950s, though, movement has been primarily from the cities to outlying suburbs, and from aging northern metropolises to the growing urban agglomerations of the South, Southwest, and West.

At the dawn of the 21st century, the majority of the U.S. population had achieved a high level of material comfort, prosperity, and security. Nonetheless, Americans struggled with the unexpected problems of relative affluence, as well as the persistence of residual poverty. Crime, drug abuse, affordable energy sources, urban sprawl, voter apathy, pollution, high divorce rates, AIDS, and excessive litigation remained continuing subjects of concern, as were inequities and inadequacies in education and managed health care. Among the public policies widely debated were abortion, gun ownership, welfare reforms, and the death penalty.

Many Americans perceive social tension as the product of their society's failure to extend the traditional dream of equality of opportunity to all people. Ideally, social, political, economic, and religious freedom would assure the like treatment of everyone, so that all could achieve goals in accord with their individual talents, if only they worked hard enough. This strongly held belief has united Americans throughout the centuries. The fact that some groups have not achieved full equality troubles citizens and policy-makers alike.

Ethnic distribution

After decades of immigration and acculturation, many U.S. citizens can trace no discernible ethnic identity, describing themselves generically only as "American," while others claim mixed identities. The 2000 U.S. census introduced a new category for those who identified themselves as a member of more than one race; of 281.4 million counted, 2.4 percent chose this multiracial classification.

Ethnic European-Americans

Although the term "ethnic" is frequently confined to the descendants of the newest immigrants, its broader meaning applies to all groups unified by their cultural heritage and experience in the New World. In the 19th century, Yankees formed one such group, marked by common religion and by habits shaped by the original Puritan settlers. From New England, the Yankees spread westward through New York, northern Ohio, Indiana, Illinois, Iowa, and Kansas. Tightly knit communities, firm religious values, and a belief in the value of education resulted in prominent positions for Yankees in business, in literature and law, and in cultural and philanthropic institutions. They long identified with the Republican Party. Southern whites and their descendants, by contrast, remained preponderantly rural as migration took them westward across Tennessee and Kentucky to Arkansas, Missouri, Oklahoma, and Texas. These people inhabited small towns until the industrialization of the South in the 20th century, and they preserved affiliations with the Democratic Party until the 1960s.

The colonial population also contained other elements that long sustained their group identities. The Pennsylvania Germans, held together by religion and language, still pursue their own way of life after three centuries, as exemplified by the Amish. The great 19th-century German migrations, however, were made up of families who dispersed in the cities as well as in the agricultural areas to the West; to the extent that ethnic ties have survived they are largely sentimental. That is also true of the Scots, Scotch-Irish, Welsh, and Dutch, whose colonial nuclei received some reinforcement after 1800 but who gradually adapted to the ways of the larger surrounding groups.

Distinctive language and religion preserved some coherence among the descendants of the Scandinavian newcomers of the 19th century. Where these people clustered in sizeable settlements, as in Minnesota, they transmitted a sense of identity beyond the second generation; and emotional attachments to the lands of origin lingered.

Religion was a powerful force for cohesion among the Roman Catholic Irish and the Jews, both tiny groups before 1840, both reinforced by mass migration thereafter. Both have now become strikingly heterogeneous, displaying a wide variety of economic and social conditions, as well as a degree of conformity to the styles of life of other Americans. But the pull of external concerns—in the one case, unification of Ireland; in the other, Israel's security—have helped to preserve group loyalty.

Indeed, by the 1970s "ethnic" (in its narrow connotation) had come to be used to describe the Americans of Polish, Italian, Lithuanian, Czech, and Ukrainian extraction, along with those of other eastern and southern European ancestry. Tending to be Roman Catholic and middle-class, most settled in the North and Midwest. The city neighbourhoods in which many of them lived initially had their roots in the "Little Italys" and "Polish Hills" established by the immigrants. By the 1980s and '90s a significant number had left these enclaves for nearby suburbs. The only European ethnic group to arrive in large numbers at the end of the 20th century were Russians, especially Russian Jews, benefiting from perestroika.

In general, a pattern of immigration, self-support, and then assimilation was typical. Recently established ethnic groups often preserve greater visibility and greater cohesion. Their group identity is based not only upon a common cultural heritage but also on the common interests, needs, and problems they face in the present-day United States. As the immigrants and their descendants, most have been taught to believe that the road to success in the United States is achieved through individual effort. They tend to believe in equality of opportunity and self-improvement and attribute poverty to the failing of the individual and not to inequities in society. As the composition of the U.S. population changed, it was projected that sometime in the 21st century, Americans of European descent would be outnumbered by those from non-European ethnic groups.

African-Americans

From colonial times, African-Americans arrived in large numbers as slaves and lived primarily on plantations in the South. In 1790 slave and free blacks together comprised about one-fifth of the U.S. population. As the nation split between southern slave and northern free states prior to the American Civil War, the Underground Railroad spirited thousands of escaped slaves from South to North. In the century following abolition, this migration pattern became more pronounced as 6.5 million blacks moved from rural areas of the South to northern cities between 1910 and 1970. On the heels of this massive internal shift came new immigrants from West Africa and the black Caribbean, principally Haiti, Jamaica, and the Dominican Republic.

The Civil Rights movement in the 1950s and '60s awakened the nation's conscience to the plight of African-Americans, who had long been denied first-class citizenship. The movement used nonviolence and passive resistance to change discriminatory laws and practices, primarily in the South. As a result, increases in median income and college enrollment among the black population were dramatic in the late 20th century. Widening access to professional and business opportunities included noteworthy political victories. By the early 1980s black mayors in Chicago, Los Angeles, Cleveland, Baltimore, Atlanta, and Washington, D.C., had gained election with white support. In 1984 and 1988 Jesse Jackson ran for U.S. president; he was the first African-American to contend seriously for a major party nomination. However, despite an expanding black middle-class and equal-opportunity laws in education, housing, and employment, African-Americans continue to face staunch social and political challenges, especially those living in the inner cities, where some of American society's most difficult problems (such as crime and drug trafficking) are acute.

The Hispanics

Like African-Americans, Hispanics (Latinos) make up about one-eighth of the U.S. population. Although they generally share Spanish as a second (and sometimes first) language, Hispanics are hardly a monolithic group. The majority, nearly three-fifths, are of Mexican origin—some descended from settlers in portions of the United States that were once part of Mexico (Texas, Arizona, New Mexico, and California), others legal and illegal migrants from across the loosely guarded Mexico–U.S. border. The greater opportunities and higher living standards in the United States have long attracted immigrants from Mexico and Central America.

The Puerto Rican experience in the United States is markedly different from that of Mexican Americans. Most importantly, Puerto Ricans are American citizens by virtue of the island commonwealth's association with the United States. As a result, migration between Puerto Rico and the United States has been fairly fluid, mirroring the continuous process by which Americans have always moved to where chances seem best. While most of that migration traditionally has been toward the mainland, by the end of the 20th century in- and out-migration between the island and the United States equalized. Puerto Ricans now make up about one-tenth of the U.S. Latino population.

Quite different, though also Spanish-speaking, are the Cubans who fled Fidel Castro's communist revolution of 1959 and their descendants. While representatives of every social group are among them, the initial wave of Cubans was distinctive because of the large number of professional and middle-class people who migrated. Their social and political attitudes differ significantly from those of Mexican Americans and Puerto Ricans, though this distinction was lessened by an influx of 120,000 Cuban refugees in the 1980s, known as the Mariel immigrants.

After 1960 easy air travel and political and economic instability stimulated a significant migration from the Caribbean, Central America, and South America. The arrivals from Latin America in earlier years were often political refugees, more recently they usually have been economic refugees. Constituting about one-fourth of the Hispanic diaspora, this group comprises largely Central Americans, Colombians, and Dominicans, the last of whom have acted as a bridge between the black and Latino communities. Latinos have come together for better health, housing, and municipal services, for bilingual school programs, and for improved educational and economic opportunities.

Asian-Americans

Asian-Americans as a group have confounded earlier expectations that they would form an indigestible mass in American society. The Chinese, earliest to arrive (in large numbers from the mid-19th century, principally as labourers, notably on the transcontinental railroad), and the Japanese were long victims of racial discrimination. In 1924 the law barred further entries; those already in the United States had been ineligible for citizenship since the previous year. In 1942 thousands of Japanese, many born in the United States and therefore American citizens, were interned in relocation camps because their loyalty was suspect after the United States engaged Japan in World War II. Subsequently, anti-Asian prejudice largely dissolved, and Chinese and Japanese, along with others such as the Vietnamese and Taiwanese, have adjusted and advanced. Among generally more recent arrivals, many Koreans, Filipinos, and Asian Indians have quickly enjoyed economic success. Though enumerated separately by the U.S. census, Pacific Islanders, such as native Hawaiians, constitute a small minority but contribute to making Hawaii and California the states with the largest percentages of Asian-Americans.

Middle Easterners

Among the trends of Arab immigration in the 20th century were the arrival of Lebanese Christians in the first half of the century and Palestinian Muslims in the second half. Initially Arabs inhabited the East Coast, but by the end of the century there was a large settlement of Arabs in the greater Detroit area. Armenians, also from southwest Asia, arrived in large numbers in the early 20th century, eventually congregating largely in California, where, later in the century, Iranians were also concentrated. Some recent arrivals from the Middle East maintain national customs such as traditional dress.

Native Americans

Native Americans form an ethnic group only in a very general sense. In the East, centuries of coexistence with whites has led to some degree of intermarriage and assimilation and to various patterns of stable adjustment. In the West the hasty expansion of agricultural settlement crowded the Native Americans into reservations, where federal policy has vacillated between efforts at assimilation and the desire to preserve tribal cultural identity, with unhappy consequences. The Native American population has risen from its low point of 235,000 in 1900 to 2.5 million at the turn of the 21st century.

The reservations are often enclaves of deep poverty and social distress, although the many casinos operated on their land have created great wealth in some instances. The physical and social isolation of the reservation prompted many Native Americans to migrate to large cities, but, by the end of the 20th century, a modest repopulation occurred in rural counties of the Great Plains. In census numerations Native Americans are categorized with Alaskan natives, notably Aleuts and Eskimos. In the latter half of the 20th century, intertribal organizations were founded to give Native Americans a unified, national presence.

Religious groups

The U.S. government has never supported an established church, and the diversity of the population has discouraged any tendency toward uniformity in worship. As a result of this individualism, thousands of religious denominations thrive within the country. Only about one-sixth of religious adherents are not Christian, and although Roman Catholicism is the largest single denomination (about one-fifth of the U.S. population), the many churches of Protestantism constitute the majority. Some are the products of native development—among them the Disciples of Christ (founded in the early 19th century), Church of Jesus Christ of Latter-day Saints (Mormons; 1830), Seventh-day Adventists (officially established 1863), Jehovah's Witnesses (1872), Christian Scientists (1879), and the various Pentecostal churches (late 19th century).

Other denominations had their origins in the Old World, but even these have taken distinctive American forms. Affiliated Roman Catholics look to Rome for guidance, although there are variations in practice from diocese to diocese. More than 5.5 million Jews are affiliated with three national organizations (Orthodox, Conservative, and Reform), as well as with many smaller sects. Most Protestant denominations also have European roots, the largest being the Baptists, Pentecostals, and Methodists. Among other groups are Lutherans, Presbyterians, Episcopalians, various Eastern churches (including Orthodox), Congregationalists, Reformed, Mennonites and Amish, various Brethren, Unitarians, and the Friends (Quakers). By 2000 substantial numbers of recent immigrants had increased the Muslim, Buddhist, and Hindu presence to about 4 million, 2.5 million, and 1 million believers, respectively.

Immigration

For many immigrants to the United States, the first glimpses of the country were of the Statue of &elipsis; [Credit: Tom Sobolik/Black Star]For many immigrants to the United States, the first glimpses of the country were of the Statue of &elipsis; [Credit: Tom Sobolik/Black Star]

Immigration legislation began in earnest in the late 19th century, but it was not until after World War I that the era of mass immigration came to an abrupt end. The Immigration Act of 1924 established an annual quota (fixed in 1929 at 150,000) and established the national-origins system, which was to characterize immigration policy for the next 40 years. Under it, quotas were established for each country based on the number of persons of that national origin who were living in the United States in 1920. The quotas reduced drastically the flow of immigrants from southeastern Europe in favour of the countries of northwestern Europe. The quota system was abolished in 1965 in favour of a predominantly first-come, first-served policy. An annual ceiling of immigrant visas was established for nations outside the Western Hemisphere (170,000, with 20,000 allowed to any one nation) and for all persons from the Western Hemisphere (120,000).

The new policy radically changed the pattern of immigration. For the first time, non-Europeans formed the dominant immigrant group, with new arrivals from Asia, Latin America, the Caribbean, and the Middle East. In the 1980s and '90s immigration was further liberalized by granting amnesty to illegal aliens, raising admission limits, and creating a system for validating refugees. The plurality of immigrants, both legal and illegal, recently hail from Mexico and elsewhere in Latin America, though Asians form a significant percentage.

Ed.

John Naisbitt

Thea K. Flaum

Oscar Handlin

Economy

Workers assemble a new-generation Boeing 737 aircraft in one of the Boeing Company's production &elipsis; [Credit: AP]Workers assemble a new-generation Boeing 737 aircraft in one of the Boeing Company's production &elipsis; [Credit: AP]

The United States is the world's greatest economic power in terms of gross domestic product (GDP) and is among the greatest powers in terms of GDP per capita. With less than 5 percent of the world's population, the United States produces about one-fifth of the world's economic output.

The sheer size of the U.S. economy makes it the most important single factor in global trade. Its exports represent more than one-tenth of the world total. The United States also influences the economies of the rest of the world because it is a significant source of investment capital. Just as direct investment, primarily by the British, was a major factor in 19th-century U.S. economic growth, so direct investment abroad by U.S. firms is a major factor in the economic well-being of Canada, Mexico, China, and many countries in Latin America, Europe, and Asia.

Strengths and weaknesses

The U.S. economy is marked by resilience, flexibility, and innovation. In the first decade of the 21st century, the economy was able to withstand a number of costly setbacks. These included the collapse of stock markets following an untenable run-up in technology shares, losses from corporate scandals, the September 11 attacks in 2001, wars in Afghanistan and Iraq, and a devastating hurricane along the Gulf Coast near New Orleans in 2005.

For the most part, the U.S. government plays only a small direct role in running the nation's economic enterprises. Businesses are free to hire or fire employees and open or close operations. Unlike the situation in many other countries, new products and innovative practices can be introduced with minimal bureaucratic delays. The government does, however, regulate various aspects of all U.S. industries. Federal agencies oversee worker safety and work conditions, air and water pollution, food and prescription drug safety, transportation safety, and automotive fuel economy—to name just a few examples. Moreover, the Social Security Administration operates the country's pension system, which is funded through payroll taxes. The government also operates public health programs such as Medicaid (for the poor) and Medicare (for the elderly).

In an economy dominated by privately owned businesses, there are still some government-owned companies. These include the U.S. Postal Service, the Nuclear Regulatory Commission, the National Railroad Passenger Corporation (Amtrak), and the Tennessee Valley Authority.

The federal government also influences economic activity in other ways. As a purchaser of goods, it exerts considerable leverage on certain sectors of the economy—most notably in the defense and aerospace industries. It also implements antitrust laws to prevent companies from colluding on prices or monopolizing market shares.

Despite its ability to weather economic shocks, in the earliest years of the 21st century, the U.S. economy developed many weaknesses that pointed to future risks. The country faces a chronic trade deficit; imports greatly outweigh the value of U.S. goods and services exported to other countries. For many citizens, household incomes have effectively stagnated since the 1970s, while indebtedness reached record levels. Rising energy prices made it more costly to run businesses, heat homes, and transport goods and people. The country's aging population placed new burdens on public health spending and pension programs (including Social Security). At the same time, the burgeoning federal budget deficit limited the amount of funding available for social programs.

Taxation

Nearly all of the federal government's revenues come from taxes, with total income from federal taxes representing about one-fifth of GDP. The most important source of tax revenue is the personal income tax (accounting for roughly half of federal revenue). Gross receipts from corporate income taxes yield a far smaller fraction (about one-eighth) of total federal receipts. Excise duties yield yet another small portion (less than one-tenth) of total federal revenue; however, individual states levy their own excise and sales taxes. Federal excises rest heavily on alcohol, gasoline, and tobacco. Other sources of revenue include Medicare and Social Security payroll taxes (which account for almost two-fifths of federal revenue) and estate and gift taxes (yielding only about 1 percent of the total).

Labour force

With an unemployment rate of roughly 5 percent per year, the U.S. labour market is in line with those of other developed countries. The service sector accounts for more than three-fourths of the country's jobs, whereas industrial and manufacturing trades employ less than one-fifth of the labour market.

After peaking in the 1950s, when 36 percent of American workers were enrolled in unions, union membership at the beginning of the 21st century had fallen to less than 15 percent of U.S. workers, nearly half of them government employees. The transformation in the late 20th century to a service-based economy changed the nature of labour unions. Organizational efforts, once aimed primarily at manufacturing industries, are now focused on service industries. The country's largest union, the National Education Association (NEA), represents teachers. In 2005 three large labour unions broke their affiliation with the American Federation of Labor–Congress of Industrial Organizations (AFL-CIO), the nationwide federation of unions, and formed a new federation, the Change to Win coalition, with the goal of reviving union influence in the labour market. Although the freedom to strike is qualified with provisions requiring cooling-off periods and in some cases compulsory arbitration, major unions are able and sometimes willing to embark on long strikes.

Agriculture, forestry, and fishing

Harvesting corn on a farm near Alden, north-central Iowa. [Credit: Thomas Hovland/Grant Heilman Photography]Harvesting corn on a farm near Alden, north-central Iowa. [Credit: Thomas Hovland/Grant Heilman Photography]

Despite the enormous productivity of U.S. agriculture, the combined outputs of agriculture, forestry, and fishing contribute to only a small percentage of GDP. Advances in farm productivity (stemming from mechanization and organizational changes in commercial farming) have enabled a smaller labour force to produce greater quantities than ever before. Improvements in yields have also resulted from the increased use of fertilizers, pesticides, and herbicides and from changes in agricultural techniques (such as irrigation). Among the most important crops are corn (maize), soybeans, wheat, cotton, grapes, and potatoes.

The United States is the world's major producer of timber. More than four-fifths of the trees harvested are softwoods such as Douglas fir and southern pine. The major hardwood is oak.

The United States also ranks among the world's largest producers of edible and nonedible fish products. Fish for human consumption accounts for more than half of the tonnage landed. Shellfish account for less than one-fifth of the annual catch but for nearly half the total value.

Less than one-fiftieth of the GDP comes from mining and quarrying, yet the United States is a leading producer of coal, petroleum, and some metals.

Resources and power

The United States is one of the world's leading producers of energy. It is also the world's biggest consumer of energy. It therefore relies on other countries for many energy sources—petroleum products in particular. The country is notable for its efficient use of natural resources, and it excels in transforming its resources into usable products.

Minerals

With major producing fields in Alaska, California, the Gulf of Mexico, Louisiana, and Oklahoma, the United States is one of the world's leading producers of refined petroleum and has important reserves of natural gas. It is also among the world's coal exporters. Recoverable coal deposits are concentrated largely in the Appalachian Mountains and in Wyoming. Nearly half the bituminous coal is mined in West Virginia and Kentucky, while Pennsylvania produces the country's only anthracite. Illinois, Indiana, and Ohio also produce coal.

Iron ore is mined predominantly in Minnesota and Michigan. The United States also has important reserves of copper, magnesium, lead, and zinc. Copper production is concentrated in the mountainous western states of Arizona, Utah, Montana, Nevada, and New Mexico. Zinc is mined in Tennessee, Missouri, Idaho, and New York. Lead mining is concentrated in Missouri. Other metals mined in the United States are gold, silver, molybdenum, manganese, tungsten, bauxite, uranium, vanadium, and nickel. Important nonmetallic minerals produced are phosphates, potash, sulfur, stone, and clays.

Biological resources

More than two-fifths of the total land area of the United States is devoted to farming (including pasture and range). Tobacco is produced in the Southeast and in Kentucky and cotton in the South and Southwest; California is noted for its vineyards, citrus groves, and truck gardens; the Midwest is the centre of corn and wheat farming, while dairy herds are concentrated in the Northern states. The Southwestern and Rocky Mountain states support large herds of livestock.

Most of the U.S. forestland is located in the West (including Alaska), but significant forests also grow elsewhere. Almost half of the country's hardwood forests are located in Appalachia. Of total commercial forestland, more than two-thirds is privately owned. About one-fifth is owned or controlled by the federal government, the remainder being controlled by state and local governments.

Power

Hydroelectric resources are heavily concentrated in the Pacific and Mountain regions. Hydroelectricity, however, contributes less than one-tenth of the country's electricity supply. Coal-burning plants provide more than half of the country's power; nuclear generators contribute about one-fifth.

Manufacturing

Since the mid-20th century, services (such as health care, entertainment, and finance) have grown faster than any other sector of the economy. Nevertheless, while manufacturing jobs have declined since the 1960s, advances in productivity have caused manufacturing output, including construction, to remain relatively constant, at about one-fifth of GDP.

Significant economic productivity occurs in a wide range of industries. The manufacture of transportation equipment (including motor vehicles, aircraft, and space equipment) represents a leading sector. Computer and telecommunications firms (including software and hardware) remain strong, despite a downturn in the early 21st century. Other important sectors include drug manufacturing and biotechnology, health services, food products, chemicals, electrical and nonelectrical machinery, energy, and insurance.

Finance

Under the Federal Reserve System, which regulates bank credit and influences the money supply, central banking functions are exercised by 12 regional Federal Reserve banks. The Board of Governors, appointed by the U.S. president, supervises these banks. Based in Washington, D.C., the board does not necessarily act in accord with the administration's views on economic policy. The U.S. Treasury also influences the working of the monetary system through its management of the national debt (which can affect interest rates) and by changing its own deposits with the Federal Reserve banks (which can affect the volume of credit). While only about two-fifths of all commercial banks belong to the Federal Reserve System, these banks hold almost three-fourths of all commercial bank deposits. Banks incorporated under national charter must be members of the system, while banks incorporated under state charters may become members. Member banks must maintain minimum legal reserves and must deposit a percentage of their savings and checking accounts with a Federal Reserve bank. There are also thousands of nonbank credit agencies such as personal credit institutions and savings and loan associations (S&Ls).

Although banks supply less than half of the funds used for corporate finance, bank loans represent the country's largest source of capital for business borrowing. A liberalizing trend in state banking laws in the 1970s and '80s encouraged both intra- and interstate expansion of bank facilities and bank holding companies. Succeeding mergers among the country's largest banks led to the formation of large regional and national banking and financial services corporations. In serving both individual and commercial customers, these institutions accept deposits, provide checking accounts, underwrite securities, originate loans, offer mortgages, manage investments, and sponsor credit cards.

Financial services are also provided by insurance companies and security brokerages. The federal government sponsors credit agencies in the areas of housing (home mortgages), farming (agricultural loans), and higher education (student loans). New York City has three organized stock exchanges—the New York Stock Exchange (NYSE), the American Stock Exchange (AMEX), and the National Association of Securities Dealers Automated Quotations (NASDAQ) Stock Market—which account for the bulk of all stock sales in the United States. The country's leading markets for commodities, futures, and options are the Chicago Board of Trade (CBOT), the Chicago Mercantile Exchange (CME), and the Chicago Board Options Exchange (CBOE). The Chicago Climate Exchange (CCX) specializes in futures contracts for greenhouse gas emissions (carbon credits). Smaller exchanges operate in a number of American cities.

Foreign trade

International trade is crucial to the national economy, with the combined value of imports and exports equivalent to about one-sixth of the gross national product. Canada, Mexico, Japan, China, and the United Kingdom are the principal trading partners. Leading exports include electrical and office machinery, chemical products, motor vehicles, airplanes and aviation parts, and scientific equipment. Major imports include manufactured goods, petroleum and fuel products, and machinery and transportation equipment.

E.I.U.

Ed.

Transportation

The economic and social complexion of life in the United States mirrors the nation's extraordinary mobility. A pervasive transportation network has helped transform the vast geographic expanse into a surprisingly homogeneous and close-knit social and economic environment. Another aspect of mobility is flexibility, and this freedom to move is often seen as a major factor in the dynamism of the U.S. economy. Mobility has also had destructive effects: it has accelerated the deterioration of older urban areas, multiplied traffic congestion, intensified pollution of the environment, and diminished support for public transportation systems.

Roads and railroads

Central to the U.S. transportation network is the 45,000-mile Interstate System, now known as the Dwight D. Eisenhower System of Interstate and Defense Highways. The system connects about nine-tenths of all cities of at least 50,000 population. Begun in the 1950s, the highway system carries about one-fifth of the country's motor traffic. Nearly nine-tenths of all households own at least one automobile or truck. At the end of the 20th century, these added up to more than 100 million privately owned vehicles. While most trips in metropolitan areas are made by automobile, the public transit and rail commuter lines play an important role in the most populous cities, with the majority of home-to-work commuters traveling by public carriers in such cities as New York City, Chicago, Philadelphia, and Boston. Although railroads once dominated both freight and passenger traffic in the United States, government regulation and increased competition from trucking reduced their role in transportation. Railroads move about one-third of the nation's intercity freight traffic. The most important items carried are coal, grain, chemicals, and motor vehicles. Many rail companies had given up passenger service by 1970, when Congress created the National Railroad Passenger Corporation (known as Amtrak), a government corporation, to take over passenger service. Amtrak operates a 21,000-mile system serving more than 500 stations across the country.

Water and air transport

A grain barge traveling on the Mississippi River along Missouri's border. [Credit: Kevin Horan—Stone/Getty Images]A grain barge traveling on the Mississippi River along Missouri's border. [Credit: Kevin Horan—Stone/Getty Images]

Navigable waterways are extensive and centre upon the Mississippi River system in the country's interior, the Great Lakes–St. Lawrence Seaway system in the north, and the Gulf Coast waterways along the Gulf of Mexico. Barges carry more than two-thirds of domestic waterborne traffic, transporting petroleum products, coal and coke, and grain. The country's largest ports in tonnage handled are the Port of South Louisiana; the Port of Houston, Texas; the Port of New York/New Jersey; and the Port of New Orleans, La.

Air traffic has experienced spectacular growth in the United States since the mid-20th century. From 1970 to 1999, passenger traffic on certified air carriers increased 373 percent. Much of this growth occurred after airline deregulation, which began in 1978. There are more than 14,000 public and private airports, the busiest being in Atlanta, Ga., and Chicago for passenger traffic. Airports in Memphis, Tenn. (the hub of package-delivery company Federal Express), and Los Angeles handle the most freight cargo.

Wilfred Owen

Ed.

Government and society

Constitutional framework

The Mall, looking east toward the Capitol, Washington, D.C. [Credit: © Peter Gridley/FPG International]The Mall, looking east toward the Capitol, Washington, D.C. [Credit: © Peter Gridley/FPG International]

The Constitution of the United States, written to redress the deficiencies of the country's first constitution, the Articles of Confederation (1781–89), defines a federal system of government in which certain powers are delegated to the national government and others are reserved to the states. The national government consists of executive, legislative, and judicial branches that are designed to ensure, through separation of powers and through checks and balances, that no one branch of government is able to subordinate the other two branches. All three branches are interrelated, each with overlapping yet quite distinct authority.

The U.S. Constitution (&see; original text), the world's oldest written national constitution still in effect, was officially ratified on June 21, 1788 (when New Hampshire became the ninth state to ratify the document), and formally entered into force on March 4, 1789, when George Washington was sworn in as the country's first president. Although the Constitution contains several specific provisions (such as age and residency requirements for holders of federal offices and powers granted to Congress), it is vague in many areas and could not have comprehensively addressed the complex myriad of issues (e.g., historical, technological, etc.) that have arisen in the centuries since its ratification. Thus, the Constitution is considered a living document, its meaning changing over time as a result of new interpretations of its provisions. In addition, the framers allowed for changes to the document, outlining in Article V the procedures required to amend the Constitution. Amending the Constitution requires a proposal by a two-thirds vote of each house of Congress or by a national convention called for at the request of the legislatures of two-thirds of the states, followed by ratification by three-fourths of the state legislatures or by conventions in as many states.

In the more than two centuries since the Constitution's ratification, there have been 27 amendments. All successful amendments have been proposed by Congress, and all but one—the Twenty-first Amendment (1933), which repealed Prohibition—have been ratified by state legislatures. The first 10 amendments, proposed by Congress in September 1789 and adopted in 1791, are known collectively as the Bill of Rights, which places limits on the federal government's power to curtail individual freedoms. The First Amendment, for example, provides that “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” Though the First Amendment's language appears absolute, it has been interpreted to mean that the federal government (and later the state governments) cannot place undue restrictions on individual liberties but can regulate speech, religion, and other rights. The Second and Third amendments, which, respectively, guarantee the people's right to bear arms and limit the quartering of soldiers in private houses, reflect the hostility of the framers to standing armies. The Fourth through Eighth amendments establish the rights of the criminally accused, including safeguards against unreasonable searches and seizures, protection from double jeopardy (being tried twice for the same offense), the right to refuse to testify against oneself, and the right to a trial by jury. The Ninth and Tenth amendments underscore the general rights of the people. The Ninth Amendment protects the unenumerated residual rights of the people (i.e., those not explicitly granted in the Constitution), and the Tenth Amendment reserves to the states or to the people those powers not delegated to the United States nor denied to the states.

The guarantees of the Bill of Rights are steeped in controversy, and debate continues over the limits that the federal government may appropriately place on individuals. One source of conflict has been the ambiguity in the wording of many of the Constitution's provisions—such as the Second Amendment's right “to keep and bear arms” and the Eighth Amendment's prohibition of “cruel and unusual punishments.” Also problematic is the Tenth Amendment's apparent contradiction of the body of the Constitution; Article I, Section 8, enumerates the powers of Congress but also allows that it may make all laws “which shall be necessary and proper,” while the Tenth Amendment stipulates that “powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.” The distinction between what powers should be left to the states or to the people and what is a necessary and proper law for Congress to pass has not always been clear.

Between the ratification of the Bill of Rights and the American Civil War (1861–65), only two amendments were passed, and both were technical in nature. The Eleventh Amendment (1795) forbade suits against the states in federal courts, and the Twelfth Amendment (1804) corrected a constitutional error that came to light in the presidential election of 1800, when Democratic-Republicans Thomas Jefferson and Aaron Burr each won 73 electors because electors were unable to cast separate ballots for president and vice president. The Thirteenth, Fourteenth, and Fifteenth amendments were passed in the aftermath of the Civil War. The Thirteenth (1865) abolished slavery, while the Fifteenth (1870) forbade denial of the right to vote to former male slaves. The Fourteenth Amendment, which granted citizenship rights to former slaves and guaranteed to every citizen due process and equal protection of the laws, was regarded for a while by the courts as limiting itself to the protection of freed slaves, but it has since been used to extend protections to all citizens. Initially, the Bill of Rights applied solely to the federal government and not to the states. In the 20th century, however, many (though not all) of the provisions of the Bill of Rights were extended by the Supreme Court through the Fourteenth Amendment to protect individuals from encroachments by the states. Notable amendments since the Civil War include the Sixteenth (1913), which enabled the imposition of a federal income tax; the Seventeenth (1913), which provided for the direct election of U.S. senators; the Nineteenth (1920), which established woman suffrage; the Twenty-fifth (1967), which established succession to the presidency and vice presidency; and the Twenty-sixth (1971), which extended voting rights to all citizens 18 years of age or older.

The executive branch

The executive branch is headed by the president, who must be a natural-born citizen of the United States, at least 35 years old, and a resident of the country for at least 14 years. A president is elected indirectly by the people through an electoral college system to a four-year term and is limited to two elected terms of office by the Twenty-second Amendment (1951). The president's official residence and office is the White House, located at 1600 Pennsylvania Avenue N.W. in Washington, D.C. The formal constitutional responsibilities vested in the presidency of the United States include serving as commander in chief of the armed forces; negotiating treaties; appointing federal judges, ambassadors, and cabinet officials; and acting as head of state. In practice, presidential powers have expanded to include drafting legislation, formulating foreign policy, conducting personal diplomacy, and leading the president's political party.

The members of the president's cabinet—the attorney general and the secretaries of State, Treasury, Defense, Homeland Security, Interior, Agriculture, Commerce, Labor, Health and Human Services, Housing and Urban Development, Transportation, Education, Energy, and Veterans Affairs—are appointed by the president with the approval of the Senate; although they are described in the Twenty-fifth Amendment as “the principal officers of the executive departments,” significant power has flowed to non-cabinet-level presidential aides, such as those serving in the Office of Management and Budget (OMB), the Council of Economic Advisers, the National Security Council (NSC), and the office of the White House Chief of Staff; cabinet-level rank may be conferred to the heads of such institutions at the discretion of the president. Members of the cabinet and presidential aides serve at the pleasure of the president and may be dismissed by him at any time.

The executive branch also includes independent regulatory agencies such as the Federal Reserve System and the Securities and Exchange Commission. Governed by commissions appointed by the president and confirmed by the Senate (commissioners may not be removed by the president), these agencies protect the public interest by enforcing rules and resolving disputes over federal regulations. Also part of the executive branch are government corporations (e.g., the Tennessee Valley Authority, the National Railroad Passenger Corporation [Amtrak], and the U.S. Postal Service), which supply services to consumers that could be provided by private corporations, and independent executive agencies (e.g., the Central Intelligence Agency, the National Science Foundation, and the National Aeronautics and Space Administration), which comprise the remainder of the federal government.

The legislative branch

The U.S. Congress, the legislative branch of the federal government, consists of two houses: the Senate and the House of Representatives. Powers granted to Congress under the Constitution include the power to levy taxes, borrow money, regulate interstate commerce, impeach and convict the president, declare war, discipline its own membership, and determine its rules of procedure.

With the exception of revenue bills, which must originate in the House of Representatives, legislative bills may be introduced in and amended by either house, and a bill—with its amendments—must pass both houses in identical form and be signed by the president before it becomes law. The president may veto a bill, but a veto can be overridden by a two-thirds vote of both houses. The House of Representatives may impeach a president or another public official by a majority vote; trials of impeached officials are conducted by the Senate, and a two-thirds majority is necessary to convict and remove the individual from office. Congress is assisted in its duties by the General Accounting Office (GAO), which examines all federal receipts and expenditures by auditing federal programs and assessing the fiscal impact of proposed legislation, and by the Congressional Budget Office (CBO), a legislative counterpart to the OMB, which assesses budget data, analyzes the fiscal impact of alternative policies, and makes economic forecasts.

The House of Representatives is chosen by the direct vote of the electorate in single-member districts in each state. The number of representatives allotted to each state is based on its population as determined by a decennial census; states sometimes gain or lose seats, depending on population shifts. The overall membership of the House has been 435 since the 1910s, though it was temporarily expanded to 437 after Hawaii and Alaska were admitted as states in 1959. Members must be at least 25 years old, residents of the states from which they are elected, and previously citizens of the United States for at least seven years. It has become a practical imperative—though not a constitutional requirement—that a member be an inhabitant of the district that elects him. Members serve two-year terms, and there is no limit on the number of terms they may serve. The speaker of the House, who is chosen by the majority party, presides over debate, appoints members of select and conference committees, and performs other important duties; he is second in the line of presidential succession (following the vice president). The parliamentary leaders of the two main parties are the majority floor leader and the minority floor leader. The floor leaders are assisted by party whips, who are responsible for maintaining contact between the leadership and the members of the House. Bills introduced by members in the House of Representatives are received by standing committees, which can amend, expedite, delay, or kill legislation. Each committee is chaired by a member of the majority party, who traditionally attained this position on the basis of seniority, though the importance of seniority has eroded somewhat since the 1970s. Among the most important committees are those on Appropriations, Ways and Means, and Rules. The Rules Committee, for example, has significant power to determine which bills will be brought to the floor of the House for consideration and whether amendments will be allowed on a bill when it is debated by the entire House.

Each state elects two senators at large. Senators must be at least 30 years old, residents of the state from which they are elected, and previously citizens of the United States for at least nine years. They serve six-year terms, which are arranged so that one-third of the Senate is elected every two years. Senators also are not subject to term limits. The vice president serves as president of the Senate, casting a vote only in the case of a tie, and in his absence the Senate is chaired by a president pro tempore, who is elected by the Senate and is third in the line of succession to the presidency. Among the Senate's most prominent standing committees are those on Foreign Relations, Finance, Appropriations, and Governmental Affairs. Debate is almost unlimited and may be used to delay a vote on a bill indefinitely. Such a delay, known as a filibuster, can be ended by three-fifths of the Senate through a procedure called cloture. Treaties negotiated by the president with other governments must be ratified by a two-thirds vote of the Senate. The Senate also has the power to confirm or reject presidentially appointed federal judges, ambassadors, and cabinet officials.

The judicial branch

The judicial branch is headed by the Supreme Court of the United States, which interprets the Constitution and federal legislation. The Supreme Court consists of nine justices (including a chief justice) appointed to life terms by the president with the consent of the Senate. It has appellate jurisdiction over the lower federal courts and over state courts if a federal question is involved. It also has original jurisdiction (i.e., it serves as a trial court) in cases involving foreign ambassadors, ministers, and consuls and in cases to which a U.S. state is a party.

Most cases reach the Supreme Court through its appellate jurisdiction. The Judiciary Act of 1925 provided the justices with the sole discretion to determine their caseload. In order to issue a writ of certiorari, which grants a court hearing to a case, at least four justices must agree (the “Rule of Four”). Three types of cases commonly reach the Supreme Court: cases involving litigants of different states, cases involving the interpretation of federal law, and cases involving the interpretation of the Constitution. The court can take official action with as few as six judges joining in deliberation, and a majority vote of the entire court is decisive; a tie vote sustains a lower-court decision. The official decision of the court is often supplemented by concurring opinions from justices who support the majority decision and dissenting opinions from justices who oppose it.

Because the Constitution is vague and ambiguous in many places, it is often possible for critics to fault the Supreme Court for misinterpreting it. In the 1930s, for example, the Republican-dominated court was criticized for overturning much of the New Deal legislation of Democratic President Franklin D. Roosevelt. In the area of civil rights, the court has received criticism from various groups at different times. Its 1954 ruling in Brown v. Board of Education of Topeka, which declared school segregation unconstitutional, was harshly attacked by Southern political leaders, who were later joined by Northern conservatives. A number of decisions involving the pretrial rights of prisoners, including the granting of Miranda rights and the adoption of the exclusionary rule, also came under attack on the ground that the court had made it difficult to convict criminals. On divisive issues such as abortion, affirmative action, school prayer, and flag burning, the court's decisions have aroused considerable opposition and controversy, with opponents sometimes seeking constitutional amendments to overturn the court's decisions.

At the lowest level of the federal court system are district courts (&see; United States District Court). Each state has at least one federal district court and at least one federal judge. District judges are appointed to life terms by the president with the consent of the Senate. Appeals from district-court decisions are carried to the U.S. courts of appeals (&see; United States Court of Appeals). Losing parties at this level may appeal for a hearing from the Supreme Court. Special courts handle property and contract damage suits against the United States (United States Court of Federal Claims), review customs rulings (United States Court of International Trade), hear complaints by individual taxpayers (United States Tax Court) or veterans (United States Court of Appeals for Veteran Claims), and apply the Uniform Code of Military Justice (United States Court of Appeals for the Armed Forces).

State and local government

Because the U.S. Constitution establishes a federal system, the state governments enjoy extensive authority. The Constitution outlines the specific powers granted to the national government and reserves the remainder to the states. However, because of ambiguity in the Constitution and disparate historical interpretations by the federal courts, the powers actually exercised by the states have waxed and waned over time. Beginning in the last decades of the 20th century, for example, decisions by conservative-leaning federal courts, along with a general trend favouring the decentralization of government, increased the power of the states relative to the federal government. In some areas, the authority of the federal and state governments overlap; for example, the state and federal governments both have the power to tax, establish courts, and make and enforce laws. In other areas, such as the regulation of commerce within a state, the establishment of local governments, and action on public health, safety, and morals, the state governments have considerable discretion. The Constitution also denies to the states certain powers; for example, the Constitution forbids states to enter into treaties, to tax imports or exports, or to coin money. States also may not adopt laws that contradict the U.S. Constitution.

The governments of the 50 states have structures closely paralleling those of the federal government. Each state has a governor, a legislature, and a judiciary. Each state also has its own constitution.

Mirroring the U.S. Congress, all state legislatures are bicameral except Nebraska's, which is unicameral. Most state judicial systems are based upon elected justices of the peace (although in many states this term is not used), above whom are major trial courts, often called district courts, and appellate courts. Each state has its own supreme court. In addition, there are probate courts concerned with wills, estates, and guardianships. Most state judges are elected, though some states use an appointment process similar to the federal courts and some use a nonpartisan selection process known as the Missouri Plan.

State governors are directly elected and serve varying terms (generally ranging from two to four years); in some states, the number of terms a governor may serve is limited. The powers of governors also vary, with some state constitutions ceding substantial authority to the chief executive (such as appointment and budgetary powers and the authority to veto legislation). In a few states, however, governors have highly circumscribed authority, with the constitution denying them the power to veto legislative bills.

Most states have a lieutenant governor, who is often elected independently of the governor and is sometimes not a member of the governor's party. Lieutenant governors generally serve as the presiding officer of the state Senate. Other elected officials commonly include a secretary of state, state treasurer, state auditor, attorney general, and superintendent of public instruction.

State governments have a wide array of functions, encompassing conservation, highway and motor vehicle supervision, public safety and corrections, professional licensing, regulation of agriculture and of intrastate business and industry, and certain aspects of education, public health, and welfare. The administrative departments that oversee these activities are headed by the governor.

Each state may establish local governments to assist it in carrying out its constitutional powers. Local governments exercise only those powers that are granted to them by the states, and a state may redefine the role and authority of local government as it deems appropriate. The country has a long tradition of local democracy (e.g., the town meeting), and even some of the smallest areas have their own governments. There are some 85,000 local government units in the United States. The largest local government unit is the county (called a parish in Louisiana or a borough in Alaska). Counties range in population from as few as 100 people to millions (e.g., Los Angeles county). They often provide local services in rural areas and are responsible for law enforcement and keeping vital records. Smaller units include townships, villages, school districts, and special districts (e.g., housing authorities, conservation districts, and water authorities).

Municipal, or city, governments are responsible for delivering most local services, particularly in urban areas. At the beginning of the 21st century there were some 20,000 municipal governments in the United States. They are more diverse in structure than state governments. There are three basic types: mayor-council, commission, and council-manager governments. The mayor-council form, which is used in Boston, New York City, Philadelphia, Chicago, and thousands of smaller cities, consists of an elected mayor and council. The power of mayors and councils vary from city to city; in most cities the mayor has limited powers and serves largely as a ceremonial leader, but in some cities (particularly large urban areas) the council is nominally responsible for formulating city ordinances, which the mayor enforces, but the mayor often controls the actions of the council. In the commission type, used less frequently now than it was in the early 20th century, voters elect a number of commissioners, each of whom serves as head of a city department; the presiding commissioner is generally the mayor. In the council-manager type, used in large cities such as Charlotte (North Carolina), Dallas (Texas), Phoenix (Arizona), and San Diego (California), an elected council hires a city manager to administer the city departments. The mayor, elected by the council, simply chairs the council and officiates at important functions.

As society has become increasingly urban, politics and government have become more complex. Many problems of the cities, including transportation, housing, education, health, and welfare, can no longer be handled entirely on the local level. Because even the states do not have the necessary resources, cities have often turned to the federal government for assistance, though proponents of local control have urged that the federal government provide block-grant aid to state and local governments without federal restrictions.

Political process

The framers of the U.S. Constitution focused their efforts primarily on the role, power, and function of the state and national governments, only briefly addressing the political and electoral process. Indeed, three of the Constitution's four references to the election of public officials left the details to be determined by Congress or the states. The fourth reference, in Article II, Section 1, prescribed the role of the electoral college in choosing the president, but this section was soon amended (in 1804 by the Twelfth Amendment) to remedy the technical defects that had arisen in 1800, when all Democratic-Republican Party electors cast their votes for Thomas Jefferson and Aaron Burr, thereby creating a tie because electors were unable to differentiate between their presidential and vice presidential choices. (The election of 1800 was finally settled by Congress, which selected Jefferson president following 36 ballots.)

In establishing the electoral college, the framers stipulated that “Congress may determine the Time of chusing [sic] the Electors, and the Day on which they shall give their votes; which Day shall be the same throughout the United States.” In 1845 Congress established that presidential electors would be appointed on the first Tuesday after the first Monday in November; the electors cast their ballots on the Monday following the second Wednesday in December. Article I, establishing Congress, merely provides (Section 2) that representatives are to be “chosen every second Year by the People of the several States” and that voting qualifications are to be the same for Congress as for the “most numerous Branch of the State Legislature.” Initially, senators were chosen by their respective state legislatures (Section 3), though this was changed to popular election by the Seventeenth Amendment in 1913. Section 4 leaves to the states the prescription of the “Times, Places and Manner of holding Elections for Senators and Representatives” but gives Congress the power “at any time by Law [to] make or alter such Regulations, except as to the Places of chusing Senators.” In 1875 Congress designated the first Tuesday after the first Monday in November in even years as federal election day.

Suffrage

All citizens at least 18 years of age are eligible to vote. (Prisoners, ex-felons, and individuals on probation or parole are prohibited, sometimes permanently, from voting in some states.) The history of voting rights in the United States has been one of gradual extension of the franchise. Religion, property ownership, race, and gender have disappeared one by one as legal barriers to voting. In 1870, through the Fifteenth Amendment, former slaves were granted the right to vote, though African Americans were subsequently still denied the franchise (particularly in the South) through devices such as literacy tests, poll taxes, and grandfather clauses. Only in the 1960s, through the Twenty-fourth Amendment (barring poll taxes) and the Voting Rights Act, were the full voting rights of African Americans guaranteed. Though universal manhood suffrage had theoretically been achieved following the American Civil War, woman suffrage was not fully guaranteed until 1920 with the enactment of the Nineteenth Amendment (several states, particularly in the West, had begun granting women the right to vote and to run for political office beginning in the late 19th century). Suffrage was also extended by the Twenty-sixth Amendment (1971), which lowered the minimum voting age to 18.

Voting and elections

Voters go to the polls in the United States not only to elect members of Congress and presidential electors but also to cast ballots for state and local officials, including governors, mayors, and judges, and on ballot initiatives and referendums that may range from local bond issues to state constitutional amendments (&see; referendum and initiative). The 435 members of the House of Representatives are chosen by the direct vote of the electorate in single-member districts in each state. State legislatures (sometimes with input from the courts) draw congressional district boundaries, often for partisan advantage (&see; gerrymandering); incumbents have always enjoyed an electoral advantage over challengers, but, as computer technology has made redistricting more sophisticated and easier to manipulate, elections to the House of Representatives have become even less competitive, with more than 90 percent of incumbents who choose to run for reelection regularly winning—often by significant margins. By contrast, Senate elections are generally more competitive.

Voters indirectly elect the president and vice president through the electoral college. Instead of choosing a candidate, voters actually choose electors committed to support a particular candidate. Each state is allotted one electoral vote for each of its senators and representatives in Congress; the Twenty-third Amendment (1961) granted electoral votes to the District of Columbia, which does not have congressional representation. A candidate must win a majority (270) of the 538 electoral votes to be elected president. If no candidate wins a majority, the House of Representatives selects the president, with each state delegation receiving one vote; the Senate elects the vice president if no vice presidential candidate secures an electoral college majority. A candidate may lose the popular vote but be elected president by winning a majority of the electoral vote (as George W. Bush did in 2000), though such inversions are rare. Presidential elections are costly and generate much media and public attention—sometimes years before the actual date of the general election. Indeed, some presidential aspirants have declared their candidacies years in advance of the first primaries and caucuses, and some White House hopefuls drop out of the grueling process long before the first votes are cast.

Voting in the United States is not compulsory, and, in contrast to most other Western countries, voter turnout is quite low. In the late 20th and the early 21st century, about 50 percent of Americans cast ballots in presidential elections; turnout was even lower for congressional and state and local elections, with participation dropping under 40 percent for most congressional midterm elections (held midway through a president's four-year term). Indeed, in some local elections (such as school board elections or bond issues) and primaries or caucuses, turnout has sometimes fallen below 10 percent. High abstention rates led to efforts to encourage voter participation by making voting easier. For example, in 1993 Congress passed the National Voter Registration Act (the so-called “motor-voter law”), which required states to allow citizens to register to vote when they received their driver's licenses, and in 1998 voters in Oregon approved a referendum that established a mail-in voting system. In addition, some states now allow residents to register to vote on election day, polls are opened on multiple days and in multiple locations in some states, and Internet voting has even been introduced on a limited basis for some elections.

Money and campaigns

Campaigns for all levels of office are expensive in the United States compared with those in most other democratic countries. In an attempt to reduce the influence of money in the political process, reforms were instituted in the 1970s that required public disclosure of contributions and limited the amounts of contributions to candidates for federal office. Individuals were allowed to contribute directly to a candidate no more than $1,000 in so-called “hard money” (i.e., money regulated by federal election law) per candidate per election. The law, however, allowed labour unions, corporations, political advocacy groups, and political parties to raise and spend unregulated “soft money,” so long as funds were not spent specifically to support a candidate for federal office (in practice, this distinction was often blurry). Because there were no limits on such soft money, individuals or groups could contribute to political parties any sum at their disposal or spend limitlessly to advocate policy positions (often to the benefit or detriment of particular candidates). In the 2000 election cycle, it is estimated that more than $1 billion was spent by the Democratic and Republican parties and candidates for office, with more than two-fifths of this total coming from soft money contributions.

Concerns about campaign financing led to the passage of the Bipartisan Campaign Reform Act of 2002 (popularly called the “McCain-Feingold law” for its two chief sponsors in the Senate, Republican John McCain and Democrat Russell Feingold), which banned national political parties from raising soft money. The law also increased the amount individuals could contribute to candidates (indexing the amount for inflation) and prevented interest groups from broadcasting advertisements that specifically referred to a candidate within 30 days of a primary election and 60 days of a general election.

There are no federal limits on how much an individual may spend on his or her own candidacy. In 1992, for example, Ross Perot spent more than $60 million of his fortune on his unsuccessful bid to become president of the United States, and Michael Bloomberg was elected mayor of New York City in 2001 after spending nearly $70 million of his own funds. The campaign finance law of 2002 allowed candidates for federal office to raise amounts greater than the normal limit on individual hard money contributions when running against wealthy, largely self-financed opponents.

Political parties

The United States has two major national political parties, the Democratic Party and the Republican Party. Although the parties contest presidential elections every four years and have national party organizations, between elections they are often little more than loose alliances of state and local party organizations. Other parties have occasionally challenged the Democrats and Republicans. Since the Republican Party's rise to major party status in the 1850s, however, minor parties have had only limited electoral success, generally restricted either to influencing the platforms of the major parties or to siphoning off enough votes from a major party to deprive that party of victory in a presidential election. In the 1912 election, for example, former Republican president Theodore Roosevelt challenged Republican President William Howard Taft, splitting the votes of Republicans and allowing Democrat Woodrow Wilson to win the presidency with only 42 percent of the vote, and the 2.7 percent of the vote won by Green Party nominee Ralph Nader in 2000 may have tipped the presidency toward Republican George W. Bush by attracting votes that otherwise would have been cast for Democrat Al Gore.

There are several reasons for the failure of minor parties and the resilience of America's two-party system. In order to win a national election, a party must appeal to a broad base of voters and a wide spectrum of interests. The two major parties have tended to adopt centrist political programs, and sometimes there are only minor differences between them on major issues, especially those related to foreign affairs. Each party has both conservative and liberal wings, and on some issues (e.g., affirmative action) conservative Democrats have more in common with conservative Republicans than with liberal Democrats. The country's “winner-take-all” plurality system, in contrast to the proportional representation used in many other countries (whereby a party, for example, that won 5 percent of the vote would be entitled to roughly 5 percent of the seats in the legislature), has penalized minor parties by requiring them to win a plurality of the vote in individual districts in order to gain representation. The Democratic and Republican Party candidates are automatically placed on the general election ballot, while minor parties often have to expend considerable resources collecting enough signatures from registered voters to secure a position on the ballot. Finally, the cost of campaigns, particularly presidential campaigns, often discourages minor parties. Since the 1970s, presidential campaigns (primaries and caucuses, national conventions, and general elections) have been publicly funded through a tax checkoff system, whereby taxpayers can designate whether a portion of their federal taxes (in the early 21st century, $3 for an individual and $6 for a married couple) should be allocated to the presidential campaign fund. Whereas the Democratic and Republican presidential candidates receive full federal financing (nearly $75 million in 2004) for the general election, a minor party is eligible for a portion of the federal funds only if its candidate surpassed 5 percent in the prior presidential election (all parties with at least 25 percent of the national vote in the prior presidential election are entitled to equal funds). A new party contesting the presidential election is entitled to federal funds after the election if it received at least 5 percent of the national vote.

Both the Democratic and Republican parties have undergone significant ideological transformations throughout their histories. The modern Democratic Party traditionally supports organized labour, minorities, and progressive reforms. Nationally, it generally espouses a liberal political philosophy, supporting greater governmental intervention in the economy and less governmental regulation of the private lives of citizens. It also generally supports higher taxes (particularly on the wealthy) to finance social welfare benefits that provide assistance to the elderly, the poor, the unemployed, and children. By contrast, the national Republican Party supports limited government regulation of the economy, lower taxes, and more conservative (traditional) social policies.

At the state level, political parties reflect the diversity of the population. Democrats in the Southern states are generally more conservative than Democrats in New England or the Pacific Coast states; likewise, Republicans in New England or the mid-Atlantic states also generally adopt more liberal positions than Republicans in the South or the mountain states of the West. Large urban centres are more likely to support the Democratic Party, whereas rural areas, small cities, and suburban areas tend more often to vote Republican. Some states have traditionally given majorities to one particular party. For example, because of the legacy of the Civil War and its aftermath, the Democratic Party dominated the 11 Southern states of the former Confederacy until the mid-20th century. Since the 1960s, however, the South and the mountain states of the West have heavily favoured the Republican Party; in other areas, such as New England, the mid-Atlantic, and the Pacific Coast, support for the Democratic Party is strong. &Compare;, for example, the

Results of the American presidential election, 1960&elipsis; [Credit: Encyclopædia Britannica, Inc.]Results of the American presidential election, 1960&elipsis; [Credit: Encyclopædia Britannica, Inc.]

and
Results of the American presidential election, 2000&elipsis; [Credit: Encyclopædia Britannica, Inc.]Results of the American presidential election, 2000&elipsis; [Credit: Encyclopædia Britannica, Inc.]

presidential elections.

Both the Democratic and Republican parties select their candidates for office through primary elections. Traditionally, individuals worked their way up through the party organization, belonging to a neighbourhood party club, helping to raise funds, getting out the vote, watching the polls, and gradually rising to become a candidate for local, state, and—depending on chance, talent, political expediency, and a host of other factors—higher office. Because American elections are now more heavily candidate-centred rather than party-centred and are less susceptible to control by party bosses, wealthy candidates have often been able to circumvent the traditional party organization to win their party's nomination.

Security

National security

The September 11 attacks of 2001 precipitated the creation of the Department of Homeland Security, which is charged with protecting the United States against terrorist attacks. The legislation establishing the department—the largest government reorganization in 50 years—consolidated much of the country's security infrastructure, integrating the functions of more than 20 agencies under Homeland Security. The department's substantive responsibilities are divided into four directorates: border and transportation security, emergency preparedness, information analysis and infrastructure protection, and science and technology. The Secret Service, which protects the president, vice president, and other designated individuals, is also under the department's jurisdiction.

The country's military forces consist of the U.S. Army, Navy (including the Marine Corps), and Air Force, under the umbrella of the Department of Defense, which is headquartered in the Pentagon building in Arlington county, Virginia. (A related force, the Coast Guard, is under the jurisdiction of the Department of Homeland Security.) Conscription was ended in 1973, and since that time the United States has maintained a wholly volunteer military force; since 1980, however, all male citizens (as well as immigrant alien males) between 18 and 25 years of age have been required to register for selective service in case a draft is necessary during a crisis. The armed services also maintain reserve forces that may be called upon in time of war. Each state has a National Guard consisting of reserve groups subject to call at any time by the governor of the state.

Because a large portion of the military budget, which generally constitutes about 15 to 20 percent of government expenditures, is spent on matériel and research and development, military programs have considerable economic and political impact. The influence of the military also extends to other countries through a variety of multilateral and bilateral treaties and organizations (e.g., the North Atlantic Treaty Organization) for mutual defense and military assistance. The United States has military bases in Africa, Asia, Europe, and Latin America.

The National Security Act of 1947 created a coordinated command for security and intelligence-gathering activities. The act established the National Security Council (NSC) and the Central Intelligence Agency (CIA), the latter under the authority of the NSC and responsible for foreign intelligence. The National Security Agency, an agency of the Department of Defense, is responsible for cryptographic and communications intelligence. The Department of Homeland Security analyzes information gathered by the CIA and its domestic counterpart, the Federal Bureau of Investigation (FBI), to assess threat levels against the United States.

Domestic law enforcement

Traditionally, law enforcement in the United States has been concentrated in the hands of local police officials, though the number of federal law-enforcement officers began to increase in the late 20th century. The bulk of the work is performed by police and detectives in the cities and by sheriffs and constables in rural areas. Many state governments also have law-enforcement agencies, and all of them have highway-patrol systems for enforcing traffic law.

The investigation of crimes that come under federal jurisdiction (e.g., those committed in more than one state) is the responsibility of the FBI, which also provides assistance with fingerprint identification and technical laboratory services to state and local law-enforcement agencies. In addition, certain federal agencies—such as the Drug Enforcement Administration of the Department of Justice and the Bureau of Alcohol, Tobacco, and Firearms of the Department of the Treasury—are empowered to enforce specific federal laws.

Health and welfare

Despite the country's enormous wealth, poverty remains a reality for many people in the United States, though programs such as Social Security and Medicare have significantly reduced the poverty rate among senior citizens. In the early 21st century, more than one-tenth of the general population—and about one-sixth of children under 18 years of age—lived in poverty. About half the poor live in homes in which the head of the household is a full- or part-time wage earner. Of the others living in poverty, many are too old to work or are disabled, and a large percentage are mothers of young children. The states provide assistance to the poor in varying amounts, and the United States Department of Agriculture subsidizes the distribution of low-cost food and food stamps to the poor through the state and local governments. Unemployment assistance, provided for by the 1935 Social Security Act, is funded through worker and employer contributions.

Increasing public concern with poverty and welfare led to new federal legislation beginning in the 1960s, especially the Great Society programs of the presidential administration of Lyndon B. Johnson. Work, training, and rehabilitation programs were established in 1964 for welfare recipients. Between 1964 and 1969 the Office of Economic Opportunity began a number of programs, including the Head Start program for preschool children, the Neighborhood Youth Corps, and the Teacher Corps. Responding to allegations of abuse in the country's welfare system and charges that it encouraged dependency, the federal government introduced reforms in 1996, including limiting long-term benefits, requiring recipients to find work, and devolving much of the decision making to the states.

Persons who have been employed are eligible for retirement pensions under the Social Security program, and their surviving spouses and dependent children are generally eligible for survivor benefits. Many employers provide additional retirement benefits, usually funded by worker and employer contributions. In addition, millions of Americans maintain individual retirement accounts, such as the popular 401(k) plan, which is organized by employers and allows workers (sometimes with matching funds from their employer) to contribute part of their earnings on a tax-deferred basis to individual investment accounts.

With total health-care spending significantly exceeding $1 trillion annually, the provision of medical and health care is one of the largest industries in the United States. There are, nevertheless, many inadequacies in medical services, particularly in rural and poor areas. Some two-thirds of the population is covered by employer-based health-insurance plans, and about one-sixth of the population, including members of the armed forces and their families, receives medical care paid for or subsidized by the federal government, with that for the poor provided by Medicaid. Approximately one-sixth of the population is not covered by any form of health insurance. Though the United States spends a larger proportion of its gross domestic product (GDP) on health care than any other major industrialized country, it is the only such country that does not guarantee health-care coverage for all its citizens. During the late 20th and the early 21st century, rising health-care and prescription drug costs were major concerns for both workers and employers.

The federal Department of Health and Human Services, through its National Institutes of Health, supports much of the biomedical research in the United States. Grants are also made to researchers in clinics and medical schools.

Housing

About three-fifths of the housing units in the United States are detached single-family homes, and about two-thirds are owner-occupied. Most houses are constructed of wood, and many are covered with shingles or brick veneer. The housing stock is relatively modern; nearly one-third of all units have been constructed since 1980, while about one-fifth of units were built prior to 1940. The average home is relatively large, with more than two-thirds of homes consisting of five or more rooms.

Housing has long been considered a private rather than a public concern. The growth of urban slums, however, led many municipal governments to enact stricter building codes and sanitary regulations. In 1934 the Federal Housing Administration was established to make loans to institutions that would build low-rent dwellings. However, efforts to reduce slums in large cities by developing low-cost housing in other areas were frequently resisted by local residents who feared a subsequent decline in property values. For many years the restrictive covenant, by which property owners pledged not to sell to certain racial or religious groups, served to bar those groups from many communities. In 1948 the Supreme Court declared such covenants unenforceable, and in 1962 President John F. Kennedy issued an executive order prohibiting discrimination in housing built with federal aid. Since that time many states and cities have adopted fair-housing laws and set up fair-housing commissions. Nevertheless, there are considerable racial disparities in home ownership; about three-fourths of whites but only about half of Hispanics and African Americans own their housing units.

During the 1950s and '60s large high-rise public housing units were built for low-income families in many large U.S. cities, but these often became centres of crime and unemployment, and minority groups and the poor continued to live in segregated urban ghettos. During the 1990s and the early 21st century, efforts were made to demolish many of the housing projects and to replace them with joint public-private housing communities that would include varying income levels.

Education

The interplay of local, state, and national programs and policies is particularly evident in education. Historically, education has been considered the province of the state and local governments. Of the approximately 4,000 colleges and universities (including branch campuses), the academies of the armed services are among the few federal institutions. (The federal government also administers, among others, the University of the Virgin Islands.) However, since 1862—when public lands were granted to the states to sell to fund the establishment of colleges of agricultural and mechanical arts, called land-grant colleges—the federal government has been involved in education at all levels. Additionally, the federal government supports school lunch programs, administers American Indian education, makes research grants to universities, underwrites loans to college students, and finances education for veterans. It has been widely debated whether the government should also give assistance to private and parochial (religious) schools or tax deductions to parents choosing to send their children to such schools. Although the Supreme Court has ruled that direct assistance to parochial schools is barred by the Constitution's First Amendment—which states that “Congress shall make no law respecting an establishment of religion”—it has allowed the provision of textbooks and so-called supplementary educational centres on the grounds that their primary purpose is educative rather than religious.

Public secondary and elementary education is free and provided primarily by local government. Education is compulsory, generally from age 7 through 16, though the age requirements vary somewhat among the states. The literacy rate exceeds 95 percent. In order to address the educational needs of a complex society, governments at all levels have pursued diverse strategies, including preschool programs, classes in the community, summer and night schools, additional facilities for exceptional children, and programs aimed at culturally deprived and disaffected students.

Although primary responsibility for elementary education rests with local government, it is increasingly affected by state and national policies. The Civil Rights Act of 1964, for example, required federal agencies to discontinue financial aid to school districts that were not racially integrated, and in Swann v. Charlotte-Mecklenburg County (North Carolina) Board of Education (1971) the Supreme Court mandated busing to achieve racially integrated schools, a remedy that often required long commutes for African American children living in largely segregated enclaves. In the late 20th and the early 21st century, busing remained a controversial political issue, and many localities (including Charlotte) ended their busing programs or had them terminated by federal judges. In addition, the No Child Left Behind Act, enacted in 2002, increased the federal role in elementary and secondary education by requiring states to implement standards of accountability for public elementary and secondary schools.

James T. Harris

Ed.

Cultural life

The great art historian Sir Ernst Hans Josef Gombrich once wrote that there is really no such thing as “art”; there are only artists. This is a useful reminder to anyone studying, much less setting out to try to define, anything as big and varied as the culture of the United States. For the culture that endures in any country is made not by vast impersonal forces or by unfolding historical necessities but by uniquely talented men and women, one-of-a-kind people doing one thing at a time—doing what they can, or must. In the United States, particularly, where there is no more a truly “established” art than an established religion—no real academies, no real official art—culture is where one finds it, and many of the most gifted artists have chosen to make their art far from the parades and rallies of worldly life.

<i>Daydreaming</i>, watercolours, pencil, pen, and black ink on paper by &elipsis; [Credit: In a private collection]Daydreaming, watercolours, pencil, pen, and black ink on paper by &elipsis; [Credit: In a private collection]

Some of the keenest students of the American arts have even come to dislike the word culture as a catchall for the plastic and literary arts, since it is a term borrowed from anthropology, with its implication that there is any kind of seamless unity to the things that writers and poets and painters have made. The art of some of the greatest American artists and writers, after all, has been made in deliberate seclusion and has taken as its material the interior life of the mind and heart that shapes and precedes shared “national” experience. It is American art before it is the culture of the United States. Even if it is true that these habits of retreat are, in turn, themselves in part traditions, and culturally shaped, it is also true that the least illuminating way to approach the poems of Emily Dickinson or the paintings of Winslow Homer, to take only two imposing instances, is as the consequence of large-scale mass sociological phenomenon.

Still, many, perhaps even most, American culture-makers have not only found themselves, as all Americans do, caught in the common life of their country—they have chosen to make the common catch their common subject. Their involvement with the problems they share with their neighbours, near and far, has given their art a common shape and often a common substance. And if one quarrel has absorbed American artists and thinkers more than any other, it has been that one between the values of a mass, democratic, popular culture and those of a refined elite culture accessible only to the few—the quarrel between “low” and “high.” From the very beginnings of American art, the “top down” model of all European civilization, with a fine art made for an elite class of patrons by a specialized class of artists, was in doubt, in part because many Americans did not want that kind of art, in part because, even if they wanted it, the social institutions—a court or a cathedral—just were not there to produce and welcome it. What came in its place was a commercial culture, a marketplace of the arts, which sometimes degraded art into mere commerce and at other times raised the common voice of the people to the level of high art.

In the 20th century, this was, in some part, a problem that science left on the doorstep of the arts. Beginning at the turn of the century, the growth of the technology of mass communications—the movies, the phonograph, radio, and eventually television—created a potential audience for stories and music and theatre larger than anyone could previously have dreamed that made it possible for music and drama and pictures to reach more people than had ever been possible. People in San Francisco could look at the latest pictures or hear the latest music from New York months, or even moments, after they were made; a great performance demanded a pilgrimage no longer than the path to a corner movie theatre. High culture had come to the American living room.

Mark Twain, lithograph from <i>Puck</i>, 1885. [Credit: Library of Congress, Washington, D.C. LC-USZC4-4294]Mark Twain, lithograph from Puck, 1885. [Credit: Library of Congress, Washington, D.C. LC-USZC4-4294]

But, though interest in a “democratic” culture that could compete with traditional high culture has grown in recent times, it is hardly a new preoccupation. One has only to read such 19th-century classics as Mark Twain's The Innocents Abroad (1869) to be reminded of just how long, and just how keenly, Americans have asked themselves if all the stained glass and sacred music of European culture is all it is cracked up to be, and if the tall tales and Cigar-Store Indians did not have more juice and life in them for a new people in a new land. Twain's whole example, after all, was to show that American speech as it was actually spoken was closer to Homer than imported finery was.

In this way, the new machines of mass reproduction and diffusion that fill modern times, from the daguerreotype to the World Wide Web, came not simply as a new or threatening force but also as the fulfillment of a standing American dream. Mass culture seemed to promise a democratic culture: a cultural life directed not to an aristocracy but to all men and women. It was not that the new machines produced new ideals but that the new machines made the old dreams seem suddenly a practical possibility.

<i>Canyons</i>, oil on canvas by Charles Sheeler, c. 1951; in a private collection. [Credit: © Art Resource, New York]Canyons, oil on canvas by Charles Sheeler, c. 1951; in a private collection. [Credit: © Art Resource, New York]

The practical appearance of this dream began in a spirit of hope. Much American art at the turn of the 20th century and through the 1920s, from the paintings of Charles Sheeler to the poetry of Hart Crane, hymned the power of the new technology and the dream of a common culture. By the middle of the century, however, many people recoiled in dismay at what had happened to the American arts, high and low, and thought that these old dreams of a common, unifying culture had been irrevocably crushed. The new technology of mass communications, for the most part, seemed to have achieved not a generous democratization but a bland homogenization of culture. Many people thought that the control of culture had passed into the hands of advertisers, people who used the means of a common culture just to make a buck. It was not only that most of the new music and drama that had been made for movies and radio, and later for television, seemed shallow; it was also that the high or serious culture that had become available through the means of mass reproduction seemed to have been reduced to a string of popularized hits, which concealed the real complexity of art. Culture, made democratic, had become too easy.

Piet Mondrian, photograph by Arnold Newman, 1942. [Credit: c. Arnold Newman]Piet Mondrian, photograph by Arnold Newman, 1942. [Credit: c. Arnold Newman]

As a consequence, many intellectuals and artists around the end of World War II began to try to construct new kinds of elite “high” culture, art that would be deliberately difficult—and to many people it seemed that this new work was merely difficult. Much of the new art and dance seemed puzzling and deliberately obscure. Difficult art happened, above all, in New York City. During World War II, New York had seen an influx of avant-garde artists escaping Adolf Hitler's Europe, including the painters Max Ernst, Piet Mondrian, and Joan Miró, as well as the composer Igor Stravinsky. They imported many of the ideals of the European avant-garde, particularly the belief that art should always be difficult and “ahead of its time.” (It is a paradox that the avant-garde movement in Europe had begun, in the late 19th century, in rebellion against what its advocates thought were the oppressive and stifling standards of high, official culture in Europe and that it had often looked to American mass culture for inspiration.) In the United States, however, the practice of avant-garde art became a way for artists and intellectuals to isolate themselves from what they thought was the cheapening of standards.

And yet this counterculture had, by the 1960s, become in large American cities an official culture of its own. For many intellectuals around 1960, this gloomy situation seemed to be all too permanent. One could choose between an undemanding low culture and an austere but isolated high culture. For much of the century, scholars of culture saw these two worlds—the public world of popular culture and the private world of modern art—as irreconcilable antagonists and thought that American culture was defined by the abyss between them.

<i>Soap Bubble Set</i>, mixed media by Joseph Cornell, 1948; in the Art &elipsis; [Credit: Courtesy of The Art Institute of Chicago, All Rights Reserved, the Lindy and Edwin Bergman Joseph Cornell Collection, 1982.1861]Soap Bubble Set, mixed media by Joseph Cornell, 1948; in the Art &elipsis; [Credit: Courtesy of The Art Institute of Chicago, All Rights Reserved, the Lindy and Edwin Bergman Joseph Cornell Collection, 1982.1861]

As the century and its obsessions closed, however, more and more scholars came to see in the most enduring inventions of American culture patterns of cyclical renewal between high and low. And as scholars have studied particular cases instead of abstract ideas, it has become apparent that the contrast between high and low has often been overdrawn. Instead of a simple opposition between popular culture and elite culture, it is possible to recognize in the prolix and varied forms of popular culture innovations and inspirations that have enlivened the most original high American culture—and to then see how the inventions of high culture circulate back into the street, in a spiraling, creative flow. In the astonishing achievements of the American jazz musicians, who took the popular songs of Tin Pan Alley and the Broadway musical and inflected them with their own improvisational genius; in the works of great choreographers like Paul Taylor and George Balanchine, who found in tap dances and marches and ballroom bebop new kinds of movement that they then incorporated into the language of high dance; in the “dream boxes” of the American avant-garde artist Joseph Cornell, who took for his material the mundane goods of Woolworth's and the department store and used them as private symbols in surreal dioramas: in the work of all of these artists, and so many more, we see the same kind of inspiring dialogue between the austere discipline of avant-garde art and the enlivening touch of the vernacular.

This argument has been so widely resolved, in fact, that, in the decades bracketing the turn of the 21st century, the old central and shaping American debate between high and low has been in part replaced by a new and, for the moment, still more clamorous argument. It might be said that if the old debate was between high and low, this one is between the “centre” and the “margins.” The argument between high and low was what gave the modern era its special savour. A new generation of critics and artists, defining themselves as “postmodern,” have argued passionately that the real central issue of culture is the “construction” of cultural values, whether high or low, and that these values reflect less enduring truth and beauty, or even authentic popular taste, than the prejudices of professors. Since culture has mostly been made by white males praising dead white males to other white males in classrooms, they argue, the resulting view of American culture has been made unduly pale, masculine, and lifeless. It is not only the art of African Americans and other minorities that has been unfairly excluded from the canon of what is read, seen, and taught, these scholars argue, often with more passion than evidence; it is also the work of anonymous artists, particularly women, that has been “marginalized” or treated as trivial. This argument can conclude with a rational, undeniable demand that more attention be paid to obscure and neglected writers and artists, or it can take the strong and often irrational form that all aesthetic values are merely prejudices enforced by power. If the old debate between high and low asked if real values could rise from humble beginnings, the new debate about American culture asks if true value, as opposed to mere power, exists at all.

Literature

Because the most articulate artists are, by definition, writers, most of the arguments about what culture is and ought to do have been about what literature is and ought to do—and this can skew our perception of American culture a little, because the most memorable American art has not always appeared in books and novels and stories and plays. In part, perhaps, this is because writing was the first art form to undergo a revolution of mass technology; books were being printed in thousands of copies, while one still had to make a pilgrimage to hear a symphony or see a painting. The basic dispute between mass experience and individual experience has been therefore perhaps less keenly felt as an everyday fact in writing in the 20th and 21st centuries than it has been in other art forms. Still, writers have seen and recorded this quarrel as a feature of the world around them, and the evolution of American writing in the past 50 years has shown some of the same basic patterns that can be found in painting and dance and the theatre.

In the United States after World War II, many writers, in opposition to what they perceived as the bland flattening out of cultural life, made their subject all the things that set Americans apart from one another. Although for many Americans, ethnic and even religious differences had become increasingly less important as the century moved on—holiday rather than everyday material—many writers after World War II seized on these differences to achieve a detached point of view on American life. Beginning in the 1940s and '50s, three groups in particular seemed to be “outsider-insiders” who could bring a special vision to fiction: Southerners, Jews, and African Americans.

Each group had a sense of uncertainty, mixed emotions, and stifled aspirations that lent a questioning counterpoint to the general chorus of affirmation in American life. The Southerners—William Faulkner, Eudora Welty, and Flannery O'Connor most particularly—thought that a noble tradition of defeat and failure had been part of the fabric of Southern life since the Civil War. At a time when “official” American culture often insisted that the American story was one of endless triumphs and optimism, they told stories of tragic fate. Jewish writers—most prominently Chicago novelist Saul Bellow, who won the Nobel Prize for Literature in l976, Bernard Malamud, and Philip Roth—found in the “golden exile” of Jews in the United States a juxtaposition of surface affluence with deeper unease and perplexity that seemed to many of their fellow Americans to offer a common predicament in a heightened form.

For African Americans, of course, the promise of American life had in many respects never been fulfilled. “What happens to a dream deferred,” the poet Langston Hughes asked, and many African American writers attempted to answer that question, variously, through stories that mingled pride, perplexity, and rage. African American literature achieved one of the few unquestioned masterpieces of late 20th-century American fiction writing in Ralph Ellison's Invisible Man (l952). More recently, the rise of feminism as a political movement has given many women a sense that their experience too is richly and importantly outside the mainstream; since at least the 1960s, there has been an explosion of women's fiction, including the much-admired work of Toni Morrison, the first African American female to win the Nobel Prize for Literature (1993); Anne Tyler; and Ann Beattie.

Perhaps precisely because so many novelists sought to make their fiction from experiences that were deliberately imagined as marginal, set aside from the general condition of American life, many other writers had the sense that fiction, and particularly the novel, might not any longer be the best way to try to record American life. For many writers the novel seemed to have become above all a form of private, interior expression and could no longer keep up with the extravagant oddities of the United States. Many gifted writers took up journalism with some of the passion for perfection of style that had once been reserved for fiction. The exemplars of this form of poetic journalism included the masters of The New Yorker magazine, most notably A.J. Liebling, whose books included The Earl of Louisiana (1961), a study of an election in Louisiana, as well as Joseph Mitchell, who in his books The Bottom of the Harbour (1944) and Joe Gould's Secret (1942) offered dark and perplexing accounts of the life of the American metropolis. The dream of combining real facts and lyrical fire also achieved a masterpiece in the poet James Agee's Let Us Now Praise Famous Men (l941; with photographs by Walker Evans), an account of sharecropper life in the South that is a landmark in the struggle for fact writing that would have the beauty and permanence of poetry.

As the century continued, this genre of imaginative nonfiction (sometimes called the documentary novel or the nonfiction novel) continued to evolve and took on many different forms. In the writing of Calvin Trillin, John McPhee, Neil Sheehan, and Truman Capote, all among Liebling's and Mitchell's successors at The New Yorker, this new form continued to seek a tone of subdued and even amused understatement. Tom Wolfe, whose influential books included The Right Stuff (1979), an account of the early days of the American space program, and Norman Mailer, whose books included Miami and the Siege of Chicago (1968), a ruminative piece about the Republican and Democratic national conventions in l968, deliberately took on huge public subjects and subjected them to the insights (and, many people thought, the idiosyncratic whims) of a personal sensibility.

As the nonfiction novel often pursued extremes of grandiosity and hyperbole, the American short story assumed a previously unexpected importance in the life of American writing; the short story became the voice of private vision and private lives. The short story, with its natural insistence on the unique moment and the infrangible glimpse of something private and fragile, had a new prominence. The rise of the American short story is bracketed by two remarkable books: J.D. Salinger's Nine Stories (1953) and Raymond Carver's collection What We Talk About When We Talk About Love (1981). Salinger inspired a generation by imagining that the serious search for a spiritual life could be reconciled with an art of gaiety and charm; Carver confirmed in the next generation their sense of a loss of spirituality in an art of taciturn reserve and cloaked emotions.

Since Carver's death in 1988, the great novelist and man of letters John Updike has remained perhaps the last undisputed master of literature in the high American sense that emerged with Ernest Hemingway and Faulkner. Yet in no area of the American arts, perhaps, have the claims of the marginal to take their place at the centre of the table been so fruitful, subtle, or varied as in literature. Perhaps because writing is inescapably personal, the trap of turning art into mere ideology has been most deftly avoided in its realm. This can be seen in the dramatically expanded horizons of the feminist and minority writers whose work first appeared in the 1970s and '80s, including the Chinese American Amy Tan. A new freedom to write about human erotic experience previously considered strange or even deviant shaped much new writing, from the comic obsessive novels of Nicholson Baker through the work of those short-story writers and novelists, including Edmund White and David Leavitt, who have made art out of previously repressed and unnarrated areas of homoerotic experience. Literature is above all the narrative medium of the arts, the one that still best relates What Happened to Me, and American literature, at least, has only been enriched by new “mes” and new narratives. (&Seealso; American literature.)

The visual arts and postmodernism

Abstract painting by Willem de Kooning, 1949. [Credit: G. Dagli Orto/DeAgostini Picture Library]Abstract painting by Willem de Kooning, 1949. [Credit: G. Dagli Orto/DeAgostini Picture Library]

Perhaps the greatest, and certainly the loudest, event in American cultural life since World War II was what the critic Irving Sandler has called “The Triumph of American Painting”—the emergence of a new form of art that allowed American painting to dominate the world. This dominance lasted for at least 40 years, from the birth of the so-called New York school, or Abstract Expressionism, around l945 until at least the mid-1980s, and it took in many different kinds of art and artists. In its first flowering, in the epic-scaled abstractions of Jackson Pollock, Mark Rothko, Willem de Kooning, and the other members of the New York school, this new painting seemed abstract, rarefied, and constructed from a series of negations, from saying “no!” to everything except the purest elements of painting. Abstract Expressionism seemed to stand at the farthest possible remove from the common life of American culture and particularly from the life of American popular culture. Even this painting, however, later came under a new and perhaps less-austere scrutiny; and the art historian Robert Rosenblum has persuasively argued that many of the elements of Abstract Expressionism, for all their apparent hermetic distance from common experience, are inspired by the scale and light of the American landscape and American 19th-century landscape painting—by elements that run deep and centrally in Americans' sense of themselves and their country.

“Monogram,” combine painting (mixed media) by Robert Rauschenberg, 1959; in the Moderna &elipsis; [Credit: Moderna Museet, Stockholm/Photograph: Statens Konstmuseer]“Monogram,” combine painting (mixed media) by Robert Rauschenberg, 1959; in the Moderna &elipsis; [Credit: Moderna Museet, Stockholm/Photograph: Statens Konstmuseer]

It is certainly true that the next generation of painters, who throughout the 1950s continued the unparalleled dominance of American influence in the visual arts, made their art aggressively and unmistakably of the dialogue between the studio and the street. Jasper Johns, for instance, took as his subject the most common and even banal of American symbols—maps of the 48 continental states, the flag itself—and depicted the quickly read and immediately identifiable common icons with a slow, meditative, painterly scrutiny. His contemporary and occasional partner Robert Rauschenberg took up the same dialogue in a different form; his art consisted of dreamlike collages of images silk-screened from the mass media, combined with personal artifacts and personal symbols, all brought together in a mélange of jokes and deliberately perverse associations. In a remarkably similar spirit, the eccentric surrealist Joseph Cornell made little shoe-box-like dioramas in which images taken from popular culture were made into a dreamlike language of nostalgia and poetic reverie. Although Cornell, like William Blake, whom he in many ways resembled, worked largely in isolation, his sense of the poetry that lurks unseen in even the most absurd everyday objects had a profound effect on other artists.

<i>Spoonbridge and Cherry</i>, sculpture by Claes Oldenburg and Coosje van &elipsis; [Credit: Andre Jenny—Focus Group/PictureQuest]Spoonbridge and Cherry, sculpture by Claes Oldenburg and Coosje van &elipsis; [Credit: Andre Jenny—Focus Group/PictureQuest]

By the early 1960s, with the explosion of the new art form called Pop art, the engagement of painting and drawing with popular culture seemed so explicit as to be almost overwhelming and, at times, risked losing any sense of private life and personal inflection at all—it risked becoming all street and no studio. Artists such as Andy Warhol, Roy Lichtenstein, and Claes Oldenburg took the styles and objects of popular culture—everything from comic books to lipstick tubes—and treated them with the absorption and grave seriousness previously reserved for religious icons. But this art too had its secrets, as well as its strong individual voices and visions. In his series of drawings called Proposals for Monumental Buildings, 1965–69, Oldenburg drew ordinary things—fire hydrants, ice-cream bars, bananas—as though they were as big as skyscrapers. His pictures combined a virtuoso's gift for drawing with a vision, at once celebratory and satirical, of the P.T. Barnum spirit of American life. Warhol silk-screened images of popular movie stars and Campbell's soup cans; in replicating them, he suggested that their reiteration by mass production had emptied them of their humanity but also given them a kind of hieratic immortality. Lichtenstein used the techniques of comic-book illustration to paraphrase some of the monuments of modern painting, making a coolly witty art in which Henri Matisse danced with Captain Marvel.

But these artists who self-consciously chose to make their art out of popular materials and images were not the only ones who had something to say about the traffic between mass and elite culture. The so-called minimalists, who made abstract art out of simple and usually hard-edged geometric forms, from one point of view carried on the tradition of austere abstraction. But it was also the minimalists, as art historians have pointed out, who carried over the vocabulary of the new International Style of unornamented architecture into the world of the fine arts; minimalism imagined the dialogue between street and studio in terms of hard edges and simple forms rather than in terms of imagery, but it took part in the same dialogue. In some cases, the play between high and low has been carried out as a dialogue between Pop and minimalist styles themselves. Frank Stella, thought by many to be the preeminent American painter of the late 20th century, began as a minimalist, making extremely simple paintings of black chevrons from which everything was banished except the barest minimum of painterly cues. Yet in his subsequent work he became almost extravagantly “maximalist” and, as he began to make bas-reliefs, added to the stark elegance of his early paintings wild, Pop-art elements of outthrusting spirals and Day-Glo colors—even sequins and glitter—that deliberately suggested the invigorating vulgarity of the Las Vegas Strip. Stella's flamboyant reliefs combine the spare elegance of abstraction with the greedy vitality of the American street.

In the 1980s and '90s, it was in the visual arts, however, that the debates over postmodern marginality and the construction of a fixed canon became, perhaps, most fierce—yet, oddly, were at the same time least eloquent, or least fully realized in emotionally potent works of art. Pictures and objects do not “argue” particularly well, so the tone of much contemporary American art became debased, with the cryptic languages of high abstraction and conceptual art put in the service of narrow ideological arguments. It became a standard practice in American avant-garde art of the 1980s and '90s to experience an installation in which an inarguable social message—for instance, that there should be fewer homeless people in the streets—was encoded in a highly oblique, Surrealist manner, with the duty of the viewer then reduced to decoding the manner back into the message. The long journey of American art in the 20th century away from socially “responsible” art that lacked intense artistic originality seemed to have been short-circuited, without necessarily producing much of a gain in clarity or accessibility.

No subject or idea has been as powerful, or as controversial, in American arts and letters at the end of the 20th century and into the new millennium as the idea of the ‘‘postmodern,'' and in no sphere has the argument been as lively as in that of the plastic arts. The idea of the postmodern has been powerful in the United States exactly because the idea of the modern was so powerful; where Europe has struggled with the idea of modernity, in the United States it has been largely triumphant, thus leaving the question of ‘‘what comes next''all the more problematic. Since the 1960s, the ascendance of postmodern culture has been argued—now it is even sometimes said that a ‘‘post-postmodern'' epoch has begun, but what exactly that means is remarkably vague.

In some media, what is meant by postmodern is clear and easy enough to point to: it is the rejection of the utopian aspects of modernism, and particularly of the attempt to express that utopianism in ideal or absolute form—the kind experienced in Bauhaus architecture or in minimalist painting. Postmodernism is an attempt to muddy lines drawn falsely clear. In American architecture, for instance, the meaning of postmodern is reasonably plain. Beginning with the work of Robert Venturi, Denise Scott-Brown, and Peter Eisenman, postmodern architects deliberately rejected the pure forms and ‘‘truth to materials'' of the modern architect and put in their place irony, ornament, historical reference, and deliberate paradox. Some American postmodern architecture has been ornamental and cheerfully cosmetic, as in the later work of Philip Johnson and the mid-1980s work of Michael Graves. Some has been demanding and deliberately challenging even to conventional ideas of spatial lucidity, as in Eisenman's Wexner Center in Columbus, Ohio. But one can see the difference just by looking.

In painting and sculpture, on the other hand, it is often harder to know where exactly to draw the line—and why the line is drawn. In the paintings of the American artist David Salle or the photographs of Cindy Sherman, for instance, one sees apparently postmodern elements of pastiche, borrowed imagery, and deliberately ‘‘impure'' collage. But all of these devices are also components of modernism and part of the heritage of Surrealism, though the formal devices of a Rauschenberg or Johns were used in a different emotional key. The true common element among the postmodern perhaps lies in a note of extreme pessimism and melancholy about the possibility of escaping from borrowed imagery into ‘‘authentic'' experience. It is this emotional tone that gives postmodernism its peculiar register and, one might almost say, its authenticity.

In literature, the postmodern is, once again, hard to separate from the modern, since many of its keynotes—for instance, a love of complicated artifice and obviously literary devices, along with the mixing of realistic and frankly fantastic or magical devices—are at least as old as James Joyce's founding modernist fictions. But certainly the expansion of possible sources, the liberation from the narrowly white male view of the world, and a broadening of testimony given and testimony taken are part of what postmodern literature has in common with other kinds of postmodern culture. It has been part of the postmodern transformation in American fiction as well to place authors previously marginalized as genre writers at the centre of attention. The African American crime writer Chester Himes, for example, has been given serious critical attention, while the strange visionary science-fiction writer Philip K. Dick was ushered, in 2007, from his long exile in paperback into the Library of America.

What is at stake in the debates over modern and postmodern is finally the American idea of the individual. Where modernism in the United States placed its emphasis on the autonomous individual, the heroic artist, postmodernism places its emphasis on the ‘‘de-centred'' subject, the artist as a prisoner, rueful or miserable, of culture. Art is seen as a social event rather than as communication between persons. If in modernism an individual artist made something that in turn created a community of observers, in the postmodern epoch the opposite is true: the social circumstance, the chain of connections that make seeming opposites unite, key off the artist and make him what he is. In the work of the artist Jeff Koons, for instance—who makes nothing but has things, from kitsch figurines to giant puppies composed of flowers, made for him—this postmodern rejection of the handmade or authentic is given a weirdly comic tone, at once eccentric and humorous. It is the impurities of culture, rather than the purity of the artist's vision, that haunts contemporary art.

Nonetheless, if the push and charge that had been so unlooked-for in American art since the 1940s seemed diminished, the turn of the 21st century was a rich time for second and even third acts. Richard Serra, John Baldessari, Elizabeth Murray, and Chuck Close were all American artists who continued to produce arresting, original work—most often balanced on that fine knife edge between the blankly literal and the disturbingly metaphoric—without worrying overmuch about theoretical fashions or fashionable theory.

As recently as the 1980s, most surveys of American culture might not have thought photography of much importance. But at the turn of the century, photography began to lay a new claim to attention as a serious art form. For the bulk of the first part of the 20th century, the most remarkable American photographers had, on the whole, tried to make photography into a “fine art” by divorcing it from its ubiquitous presence as a recorder of moments and by splicing it onto older, painterly traditions. A clutch of gifted photographers, however, have, since the end of World War II, been able to transcend the distinction between media image and aesthetic object—between art and photojournalism—to make from a single, pregnant moment a complete and enduring image. Walker Evans, Margaret Bourke-White, and Robert Frank (the latter, like so many artists of the postwar period, an emigrant), for instance, rather than trying to make of photography something as calculated and considered as the traditional fine arts, found in the instantaneous vision of the camera something at once personal and permanent. Frank's book The Americans (l956), the record of a tour of the United States that combined the sense of accident of a family slide show with a sense of the ominous worthy of the Italian painter Giorgio de Chirico, was the masterpiece of this vision; and no work of the postwar era was more influential in all fields of visual expression. Robert Mapplethorpe, Diane Arbus, and, above all, Richard Avedon and Irving Penn, who together dominated both fashion and portrait photography for almost half a century and straddled the lines between museum and magazine, high portraiture and low commercials, all came to seem, in their oscillations between glamour and gloom, exemplary of the predicaments facing the American artist.

The theatre

Brian Dennehy (centre) as Willy Loman, flanked by Ron Eldard (left) and Ted Koch as his sons in a &elipsis; [Credit: Joan Marcus—Showtime/The Kobal Collection]Brian Dennehy (centre) as Willy Loman, flanked by Ron Eldard (left) and Ted Koch as his sons in a &elipsis; [Credit: Joan Marcus—Showtime/The Kobal Collection]

Perhaps more than any other art form, the American theatre suffered from the invention of the new technologies of mass reproduction. Where painting and writing could choose their distance from (or intimacy with) the new mass culture, many of the age-old materials of the theatre had by the 1980s been subsumed by movies and television. What the theatre could do that could not be done elsewhere was not always clear. As a consequence, the Broadway theatre—which in the 1920s had still seemed a vital area of American culture and, in the high period of the playwright Eugene O'Neill, a place of cultural renaissance—had by the end of the 1980s become very nearly defunct. A brief and largely false spring had taken place in the period just after World War II. Tennessee Williams and Arthur Miller, in particular, both wrote movingly and even courageously about the lives of the “left-out” Americans, demanding attention for the outcasts of a relentlessly commercial society. Viewing them from the 21st century, however, both seem more traditional and less profoundly innovative than their contemporaries in the other arts, more profoundly tied to the conventions of European naturalist theatre and less inclined or able to renew and rejuvenate the language of their form.

Playwright August Wilson [Credit: AP]Playwright August Wilson [Credit: AP]

Also much influenced by European models, though in his case by the absurdist theatre of Eugène Ionesco and Samuel Beckett, was Edward Albee, the most prominent American playwright of the 1960s. As Broadway's dominance of the American stage waned in the 1970s, regional theatre took on new importance, and cities such as Chicago, San Francisco, and Louisville, Ky., provided significant proving grounds for a new generation of playwrights. On those smaller but still potent stages, theatre continues to speak powerfully. An African American renaissance in the theatre has taken place, with its most notable figure being August Wilson, whose 1985 play Fences won the Pulitzer Prize. And, for the renewal and preservation of the American language, there is still nothing to equal the stage: David Mamet, in his plays, among them Glengarry, Glen Ross (1983) and Speed the Plow (1987), both caught and created an American vernacular—verbose, repetitive, obscene, and eloquent—that combined the local colour of Damon Runyon and the bleak truthfulness of Harold Pinter. The one completely original American contribution to the stage, the musical theatre, blossomed in the 1940s and '50s in the works of Frank Loesser (especially Guys and Dolls, which the critic Kenneth Tynan regarded as one of the greatest of American plays) but became heavy-handed and exists at the beginning of the 21st century largely as a revival art and in the brave “holdout” work of composer and lyricist Stephen Sondheim (Company, Sweeney Todd, and Into the Woods).

Motion pictures

(From left) Lauren Bacall, Marcel Dalio, and Humphrey Bogart in <i>To Have and Have </i>&elipsis; [Credit: © 1945 Warner Brothers, Inc.; photograph from a private collection](From left) Lauren Bacall, Marcel Dalio, and Humphrey Bogart in To Have and Have &elipsis; [Credit: © 1945 Warner Brothers, Inc.; photograph from a private collection]

In some respects the motion picture is the American art form par excellence, and no area of art has undergone a more dramatic revision in critical appraisal in the recent past. Throughout most of the 1940s and '50s, serious critics, with a few honourable exceptions (notably, James Agee and Manny Farber), even those who took the cinema seriously as a potential artistic medium, took it for granted that (excepting the work of D.W. Griffith and Orson Welles), the commercial Hollywood movie was, judged as art, hopelessly compromised by commerce. In the 1950s in France, however, a generation of critics associated with the magazine Cahiers du cinéma (many of whom later would become well-known filmmakers themselves, including François Truffaut and Claude Lelouch) argued that the American commercial film, precisely because its need to please a mass audience had helped it break out of the limiting gentility of the European cinema, had a vitality and, even more surprisingly, a set of master-makers (auteurs) without equal in the world. New studies and appreciations of such Hollywood filmmakers as John Ford, Howard Hawks, and William Wyler resulted, and, eventually, this new evaluation worked its way back into the United States itself: another demonstration that one country's low art can become another country's high art. Imported back into the United States, this reevaluation changed and amended preconceptions that had hardened into prejudices.

Robert Duvall (centre) in <i>Apocalypse Now</i> (1979). [Credit: © 1979 Omni Zoetrope; photograph from a private collection]Robert Duvall (centre) in Apocalypse Now (1979). [Credit: © 1979 Omni Zoetrope; photograph from a private collection]

The new appreciation of the individual vision of the Hollywood film was to inspire a whole generation of young American filmmakers, including Francis Ford Coppola, Martin Scorsese, and George Lucas, to attempt to use the commercial film as at once a form of personal expression and a means of empire building, with predictably mixed results. By the end of the century, another new wave of filmmakers (notably Spike Lee and Stephen Soderbergh), like the previous generation mostly trained in film schools, had graduated from independent filmmaking to the mainstream, and the American tradition of film comedy stretching from Buster Keaton and Charlie Chaplin to Billy Wilder, Preston Sturges, and Woody Allen had come to include the quirky sensibilities of Joel and Ethan Coen and Wes Anderson. In mixing a kind of eccentric, off-focus comedy with a private, screw-loose vision, they came close to defining another kind of postmodernism, one that was as antiheroic as the more academic sort but cheerfully self-possessed in tone. As the gap between big studio-made entertainment—produced for vast international audiences—and the small ‘‘art'' or independent film widened, the best of the independents came to have the tone and idiosyncratic charm of good small novels: Nicole Holofcener's Lovely & Amazing (2001) or Kenneth Lonergan's You Can Count on Me (2000) reached audiences that felt bereft by the steady run of Batmans and Lethal Weapons. But with that achievement came a sense too that the audience for such serious work as Francis Ford Coppola's Godfather films and Chinatown (1974), which had been intact as late as the 1970s, had fragmented beyond recomposition.

Television

U.S. serviceman watching television with his family, 1954. [Credit: AP]U.S. serviceman watching television with his family, 1954. [Credit: AP]

If the Martian visitor beloved of anthropological storytelling were to visit the United States at the beginning of the 21st century, all of the art forms listed and enumerated here—painting and sculpture and literature, perhaps even motion pictures and popular music—would seem like tiny minority activities compared with the great gaping eye of American life: “the box,” television. Since the mid-1950s, television has been more than just the common language of American culture; it has been a common atmosphere. For many Americans television is not the chief manner of interpreting reality but a substitute for it, a wraparound simulated experience that has come to be more real than reality itself. Indeed, beginning in the 1990s, American television was inundated with a spate of “reality” programs, a wildly popular format that employed documentary techniques to examine ‘‘ordinary'' people placed in unlikely situations, from the game-show structure of Survivor (marooned contestants struggling for supremacy) to legal dramas such as The People's Court and Cops, to American Idol, the often caustically judged talent show that made instant stars of some of its contestants. Certainly, no medium—not even motion pictures at the height of their popular appeal in the 1930s—has created so much hostility, fear, and disdain in some “right-thinking” people. Television is chewing gum for the eyes, famously characterized as a vast wasteland in 1961 by Newton Minow, then chairman of the Federal Communications Commission. When someone in the movies is meant to be shown living a life of meaningless alienation, he is usually shown watching television.

Yet television itself is, of course, no one thing, nor, despite the many efforts since the time of the Canadian philosopher Marshall Mcluhan to define its essence, has it been shown to have a single nature that deforms the things it shows. Television can be everything from Monday Night Football to the Persian Gulf War's Operation Desert Storm to Who Wants to Be a Millionaire? The curious thing, perhaps, is that, unlike motion pictures, where unquestioned masters and undoubted masterpieces and a language of criticism had already emerged, television still waits for a way to be appreciated. Television is the dominant contemporary cultural reality, but it is still in many ways the poor relation. (It is not unusual for magazines and newspapers that keep on hand three art critics to have but one part-time television reviewer—in part because the art critic is in large part a cultural broker, a “cultural explainer,” and few think that television needs to be explained.)

When television first appeared in the late 1940s, it threatened to be a “ghastly gelatinous nirvana,” in James Agee's memorable phrase. Yet the 1950s, the first full decade of television's impact on American life, was called then, and is still sometimes called, a “Golden Age.” Serious drama, inspired comedy, and high culture all found a place in prime-time programming. From Sid Caesar to Lucille Ball, the performers of this period retain a special place in American affections. Yet in some ways these good things were derivative of other, older media, adaptations of the manner and styles of theatre and radio. It was perhaps only in the 1960s that television came into its own, not just as a way of showing things in a new way but as a way of seeing things in a new way. Events as widely varied in tone and feeling as the broadcast of the Olympic Games and the assassination and burial of Pres. John F. Kennedy—extended events that took place in real time—brought the country together around a set of shared, collective images and narratives that often had neither an “author” nor an intended point or moral. The Vietnam War became known as the “living room war” because images (though still made on film) were broadcast every night into American homes; later conflicts, such as the Persian Gulf War and the Iraq War, were actually brought live and on direct video feed from the site of the battles into American homes. Lesser but still compelling live events, from the marriage of Charles, prince of Wales, and Lady Diana Spencer to the pursuit of then murder suspect O.J. Simpson in his white Bronco by the Los Angeles police in 1994, came to have the urgency and shared common currency that had once belonged exclusively to high art. From ordinary television viewers to professors of the new field of cultural studies, many Americans sought in live televised events the kind of meaning and significance that they had once thought it possible to find only in highly wrought and artful myth. Beginning in the late 1960s with CBS's 60 minutes, this epic quality also informed the TV newsmagazine; presented with an in-depth approach that emphasized narrative drama, the personality of the presenters as well as the subjects, and muckraking and malfeasance, it became one of television's most popular and enduring formats.

Even in the countless fictional programs that filled American evening television, a sense of spontaneity and immediacy seemed to be sought and found. Though television produced many stars and celebrities, they lacked the aura of distance and glamour that had once attached to the great performers of the Hollywood era. Yet if this implied a certain diminishment in splendour, it also meant that, particularly as American film became more and more dominated by the demands of sheer spectacle, a space opened on television for a more modest and convincing kind of realism. Television series, comedy and drama alike, now play the role that movies played in the earlier part of the century or that novels played in the 19th century: they are the modest mirror of their time, where Americans see, in forms stylized or natural, the best image of their own manners. The most acclaimed of these series—whether produced for broadcast television and its diminishing market share (thirtysomething, NYPD Blue, and Seinfeld) or the creations of cable providers (The Sopranos and Six Feet Under)—seem as likely to endure as popular storytelling as any literature made in the late 20th and early 21st centuries.

Popular music

Every epoch since the Renaissance has had an art form that seems to become a kind of universal language, one dominant artistic form and language that sweeps the world and becomes the common property of an entire civilization, from one country to another. Italian painting in the 15th century, German music in the 18th century, or French painting in the 19th and early 20th centuries—all of these forms seem to transcend their local sources and become the one essential soundscape or image of their time. Johann Sebastian Bach and Georg Frideric Handel, like Claude Monet and Édouard Manet, are local and more.

At the beginning of the 21st century, and seen from a worldwide perspective, it is the American popular music that had its origins among African Americans at the end of the 19th century that, in all its many forms—ragtime, jazz, swing, jazz-influenced popular song, blues, rock and roll and its art legacy as rock and later hip-hop—has become America's greatest contribution to the world's culture, the one indispensable and unavoidable art form of the 20th century.

The recognition of this fact was a long time coming and has had to battle prejudice and misunderstanding that continues today. Indeed, jazz-inspired American popular music has not always been well served by its own defenders, who have tended to romanticize rather than explain and describe. In broad outlines, the history of American popular music involves the adulteration of a “pure” form of folk music, largely inspired by the work and spiritual and protest music of African Americans. But it involves less the adulteration of those pure forms by commercial motives and commercial sounds than the constant, fruitful hybridization of folk forms by other sounds, other musics—art and avant-garde and purely commercial, Bach and Broadway meeting at Birdland. Most of the watershed years turn out to be permeable; as the man who is by now recognized by many as the greatest of all American musicians, Louis Armstrong, once said, “There ain't but two kinds of music in this world. Good music and bad music, and good music you tap your toe to.”

King Oliver (standing, trumpet) and his Creole Jazz Band, Chicago, 1923. [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]King Oliver (standing, trumpet) and his Creole Jazz Band, Chicago, 1923. [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]

Armstrong's own career is a good model of the nature and evolution of American popular music at its best. Beginning in impossibly hard circumstances, he took up the trumpet at a time when it was the military instrument, filled with the marching sounds of another American original, John Phillip Sousa. On the riverboats and in the brothels of New Orleans, as the protégé of King Oliver, Armstrong learned to play a new kind of syncopated ensemble music, decorated with solos. By the time he traveled to Chicago in the mid-1920s, his jazz had become a full-fledged art music, “full of a melancholy and majesty that were new to American music,” as Whitney Balliett has written. The duets he played with the renowned pianist Earl Hines, such as the 1928 version of “Weather Bird,” have never been equaled in surprise and authority. This art music in turn became a kind of commercial or popular music, commercialized by the swing bands that dominated American popular music in the 1930s, one of which Armstrong fronted himself, becoming a popular vocalist, who in turn influenced such white pop vocalists as Bing Crosby. The decline of the big bands led Armstrong back to a revival of his own earlier style, and, at the end, when he was no longer able to play the trumpet, he became, ironically, a still more celebrated straight “pop” performer, making hits out of Broadway tunes, among them the German-born Kurt Weill's “Mack the Knife” and Jerry Herman's “Hello, Dolly.” Throughout his career, Armstrong engaged in a constant cycling of creative crossbreeding—Sousa and the blues and Broadway each adding its own element to the mix.

John (Aaron) Lewis with the Modern Jazz Quartet. [Credit: Frank Driggs Collection]John (Aaron) Lewis with the Modern Jazz Quartet. [Credit: Frank Driggs Collection]

By the 1940s, the craze for jazz as a popular music had begun to recede, and it began to become an art music. Duke Ellington, considered by many as the greatest American composer, assembled a matchless band to play his ambitious and inimitable compositions, and by the 1950s jazz had become dominated by such formidable and uncompromising creators as Miles Davis and John Lewis of the Modern Jazz Quartet.

Doris Day. [Credit: Archive Photos]Doris Day. [Credit: Archive Photos]

Beginning in the 1940s, it was the singers whom jazz had helped spawn—those who used microphones in place of pure lung power and who adapted the Viennese operetta-inspired songs of the great Broadway composers (who had, in turn, already been changed by jazz)—who became the bearers of the next dominant American style. Simply to list their names is to evoke a social history of the United States since World War II: Frank Sinatra, Nat King Cole, Mel Tormé, Ella Fitzgerald, Billie Holiday, Doris Day, Sarah Vaughan, Peggy Lee, Joe Williams, Judy Garland, Patsy Cline, Willie Nelson, Tony Bennett, and many others. More than any other single form or sound, it was their voices that created a national soundtrack of longing, fulfillment, and forever-renewed hope that sounded like America to Americans, and then sounded like America to the world.

Sun Records label. [Credit: Encyclopædia Britannica, Inc.]Sun Records label. [Credit: Encyclopædia Britannica, Inc.]

Elvis Presley. [Credit: Michael Ochs Archives, Venice, California]Elvis Presley. [Credit: Michael Ochs Archives, Venice, California]

September 1954 is generally credited as the next watershed in the evolution of American popular music, when a recent high-school graduate and truck driver named Elvis Presley went into the Memphis Recording Service and recorded a series of songs for a small label called Sun Records. An easy, swinging mixture of country music, rhythm and blues, and pop ballad singing, these were, if not the first, then the seminal recordings of a new music that, it is hardly an exaggeration to say, would make all other kinds of music in the world a minority taste: rock and roll. What is impressive in retrospect is that, like Armstrong's leap a quarter century before, this was less the sudden shout of a new generation coming into being than, once again, the self-consciously eclectic manufacture of a hybrid thing. According to Presley's biographer Peter Guralnick, Presley and Sam Phillips, Sun's owner, knew exactly what they were doing when they blended country style, white pop singing, and African American rhythm and blues. What was new was the mixture, not the act of mixing.

Poster for a Chuck Berry and Louis Jordan concert, August 24, 1957. [Credit: Collection of Chuck Berry]Poster for a Chuck Berry and Louis Jordan concert, August 24, 1957. [Credit: Collection of Chuck Berry]

The subsequent evolution of this music into the single musical language of the last quarter of the 20th century hardly needs be told—like jazz, it showed an even more accelerated evolution from folk to pop to art music, though, unlike jazz, this was an evolution that depended on new machines and technologies for the DNA of its growth. Where even the best-selling recording artists of the earlier generations had learned their craft in live performance, Presley was a recording artist before he was a performing one, and the British musicians who would feed on his innovations knew him first and best through records (and, in the case of the Beatles particularly, made their own innovations in the privacy of the recording studio). Yet once again, the lines between the new music and the old—between rock and roll and the pop and jazz that came before it—can be, and often are, much too strongly drawn. Instead, the evolution of American popular music has been an ongoing dialogue between past and present—between the African-derived banjo and bluegrass, Beat poets and bebop—that brought together the most heartfelt interests of poor black and white Americans in ways that Reconstruction could not, its common cause replaced for working-class whites by supremacist diversions. It became, to use Greil Marcus's phrase, an Invisible Republic, not only where Presley chose to sing Arthur (‘‘Big Boy'') Crudup's song (“That's All Right Mama”) but where Chuck Berry, a brown-eyed handsome man (his own segregation-era euphemism), revved up Louis Jordan's jump blues to turn “Ida Red,” a country-and-western ditty, into “Maybelline,” along the way inventing a telegraphic poetry that finally coupled adolescent love and lust. It was a crossroads where Delta bluesman Robert Johnson, more often channeled as a guitarist and singer, wrote songs that were as much a part of the musical education of Bob Dylan as were those of Woody Guthrie and Weill.

Al Green. [Credit: © David Redfern—Redferns/Retna Ltd.]Al Green. [Credit: © David Redfern—Redferns/Retna Ltd.]

Coined in the 1960s to describe a new form of African American rhythm and blues, a strikingly American single descriptive term encompasses this extraordinary flowering of creativity—soul music. All good American popular music, from Armstrong forward, can fairly be called soul music, not only in the sense of emotional directness but with the stronger sense that great emotion can be created within simple forms and limited time, that the crucial contribution of soul is, perhaps, a willingness to surrender to feeling rather than calculating it, to appear effortless even at the risk of seeming simpleminded—to surrender to plain form, direct emotion, unabashed sentiment, and even what in more austere precincts of art would be called sentimentality. What American soul music, in this broad, inclusive sense, has, and what makes it matter so much in the world, is the ability to generate emotion without seeming to engineer emotion—to sing without seeming to sweat too much. The test of the truth of this new soulfulness is, however, its universality. Revered and catalogued in France and imitated in England, this American soul music is adored throughout the world.

It is, perhaps, necessary for an American to live abroad to grasp how entirely American soul music had become the model and template for a universal language of emotion by the 20th century. And for an American abroad, perhaps what is most surprising is how, for all the national reputation for energy, vim, and future-focused forgetfulness, the best of all this music—from that mournful majesty of Armstrong to the heartaching quiver of Presley—has a small-scale plangency and plaintive emotion that belies the national reputation for the overblown and hyperbolic. In every sense, American culture has given the world the gift of the blues.

Dance

Martha Graham dances in <i>Appalachian Spring</i> in New York City in 1944. [Credit: © Jerry Cooke/Corbis]Martha Graham dances in Appalachian Spring in New York City in 1944. [Credit: © Jerry Cooke/Corbis]

Serious dance hardly existed in the United States in the first half of the 20th century. One remarkable American, Isadora Duncan, had played as large a role at the turn of the century and after as anyone in the emancipation of dance from the rigid rules of classical ballet into a form of intense and improvisatory personal expression. But most of Duncan's work was done and her life spent in Europe, and she bequeathed to the American imagination a shining, influential image rather than a set of steps. Ruth St. Denis and Ted Shawn, throughout the 1920s, kept dance in America alive; but it was in the work of the choreographer Martha Graham that the tradition of modern dance in the United States that Duncan had invented found its first and most influential master. Graham's work, like that of her contemporaries among the Abstract Expressionist painters, sought a basic, timeless vocabulary of primal expression; but even after her own work seemed to belong only to a period, in the most direct sense she founded a tradition: a Graham dancer, Paul Taylor, became the most influential modern dance master of the next generation, and a Taylor dancer, Twyla Tharp, in turn the most influential choreographer of the generation after that. Where Graham had deliberately turned her back on popular culture, however, both Taylor and Tharp, typical of their generations, viewed it quizzically, admiringly, and hungrily. Whether the low inspiration comes from music—as in Tharp's Sinatra Songs, choreographed to recordings by Frank Sinatra and employing and transforming the language of the ballroom dance—or comes directly off the street—as in a famous section of Taylor's dance Cloven Kingdom, in which the dancer's movement is inspired by the way Americans walk and strut and fight—both Taylor and Tharp continue to feed upon popular culture without being consumed by it. Perhaps for this reason, their art continues to seem of increasing stature around the world; they are intensely local yet greatly prized elsewhere.

Gregory Hines (left) and Savion Glover facing off at the American Tap Dance Foundation's New York &elipsis; [Credit: Mario Tama/Getty Images]Gregory Hines (left) and Savion Glover facing off at the American Tap Dance Foundation's New York &elipsis; [Credit: Mario Tama/Getty Images]

A similar arc can be traced from the contributions of African American dance pioneers Katherine Dunham, beginning in the 1930s, and Alvin Ailey, who formed his own company in 1958, to Savion Glover, whose pounding style of tap dancing, know as ‘‘hitting,'' was the rage of Broadway in the mid-1990s with Bring in 'Da Noise, Bring in 'Da Funk.

George Balanchine, the choreographer who dominated the greatest of American ballet troupes, the New York City Ballet, from its founding in l946 as the Ballet Society until his death in l983, might be considered outside the bounds of purely “American” culture. Yet this only serves to remind us of how limited and provisional such national groupings must always be. For, though Mr. B., as he was always known, was born and educated in Russia and took his inspiration from a language of dance codified in France in the 19th century, no one has imagined the gestures of American life with more verve, love, or originality. His was an art made with every window in the soul open: to popular music (he choreographed major classical ballets to Sousa marches and George Gershwin songs) as well as to austere and demanding American classical music (as in Ivesiana, his works choreographed to the music of Charles Ives). He created new standards of beauty for both men and women dancers (and, not incidentally, helped spread those new standards of athletic beauty into the culture at large) and invented an audience for dance in the United States where none had existed before. By the end of his life, this Russian-born choreographer, who spoke all his life with a heavy accent, was perhaps the greatest and certainly among the most American of all artists.

Sports

In many countries, the inclusion of sports, and particularly spectator sports, as part of “culture,” as opposed to the inclusion of recreation or medicine, would seem strange, even dubious. But no one can make sense of the culture of the United States without recognizing that Americans are crazy about games—playing them, watching them, and thinking about them. In no country have sports, especially commercialized, professional spectator sports, played so central a role as they have in the United States. Italy and England have their football (soccer) fanatics; the World Cups of rugby and cricket attract endless interest from the West Indies to Australia; but only in the United States do spectator sports, from “amateur” college (gridiron) football and basketball to the four major professional leagues—hockey, basketball, football, and baseball—play such a large role as a source of diversion, commerce, and, above all, shared common myth. In watching men (and sometimes women) play ball and comparing it with the way other men have played ball before, Americans have found their "proto-myth," a shared common romantic culture that unites them in ways that merely procedural laws cannot.

Sports are central to American culture in two ways. First, they are themselves a part of the culture, binding, unifying theatrical events that bring together cities, classes, and regions not only in a common cause, however cynically conceived, but in shared experience. They have also provided essential material for culture, the means for writing and movies and poetry. If there is a “Matter of America” in the way that the King Arthur stories were the “Matter of Britain” and La Chanson de Roland the “Matter of France,” then it lies in the lore of professional sports and, perhaps, above all in the lore of baseball.

Major League Baseball game between the New York Yankees and the New York Mets at Yankee Stadium in &elipsis; [Credit: © Bill Kostroun—AP/Wide World Photos]Major League Baseball game between the New York Yankees and the New York Mets at Yankee Stadium in &elipsis; [Credit: © Bill Kostroun—AP/Wide World Photos]

Baseball, more than any other sport played in the United States, remains the central national pastime and seems to attract mythmakers as Troy attracted poets. Some of the mythmaking has been naive or fatuous—onetime Major League Baseball commissioner Bartlett Giamatti wrote a book called Take Time for Paradise, finding in baseball a powerful metaphor for the time before the Fall. But the myths of baseball remain powerful even when they are not aided, or adulterated, by too-self-conscious appeals to poetry. The rhythm and variety of the game, the way in which its meanings and achievements depend crucially on a context, a learned history—the way that every swing of Hank Aaron was bound by the ghost of every swing by Babe Ruth—have served generations of Americans as their first contact with the nature of aesthetic experience, which, too, always depends on context and a sense of history, on what things mean in relation to other things that have come before. It may not be necessary to understand baseball to understand the United States, as someone once wrote, but it may be that many Americans get their first ideas about the power of the performing arts by seeing the art with which baseball players perform.

Magic Johnson of the Los Angeles Lakers rising above two defenders for a shot during the &elipsis; [Credit: © Mike Powell—Allsport/Getty Images]Magic Johnson of the Los Angeles Lakers rising above two defenders for a shot during the &elipsis; [Credit: © Mike Powell—Allsport/Getty Images]

Although baseball, with the declining and violent sport of boxing, remains by far the most literary of all American games, in recent decades it has been basketball—a sport invented as a small-town recreation more than a century ago and turned on American city playgrounds into the most spectacular and acrobatic of all team sports—that has attracted the most eager followers and passionate students. If baseball has provided generations of Americans with their first glimpse of the power of aesthetic context to make meaning—of the way that what happened before makes sense out of what happens next—then a new generation of spectators has often gotten its first essential glimpse of the poetry implicit in dance and sculpture, the unlimitable expressive power of the human body in motion, by watching such inimitable performers as Julius Erving, Magic Johnson, and Michael Jordan, a performer who, at the end of the 20th century, seemed to transcend not merely the boundaries between sport and art but even those between reality and myth, as larger-than-life as Paul Bunyan and as iconic as Bugs Bunny, with whom he even shared the motion picture screen (Space Jam [1996]).

By the beginning of the 21st century, the Super Bowl, professional football's championship game, American sports' gold standard of hype and commercial synergy, and the august ‘‘October classic,'' Major League Baseball's World Series, had been surpassed for many as a shared event by college basketball's national championship. Mirroring a similar phenomenon on the high-school and state level, known popularly as March Madness, this single-elimination tournament whose early rounds feature David versus Goliath matchups and television coverage that shifts between a bevy of regional venues not only has been statistically proved to reduce the productivity of the American workers who monitor the progress of their brackets (predictions of winners and pairings on the way to the Final Four) but for a festive month both reminds the United States of its vanishing regional diversity and transforms the country into one gigantic community. In a similar way, the growth of fantasy baseball and football leagues—in which the participants ‘‘draft'' real players—has created small communities while offering an escape, at least in fantasy, from the increasingly cynical world of commercial sports.

Audiences

Art is made by artists, but it is possible only with audiences; and perhaps the most worrying trait of American culture in the past half century, with high and low dancing their sometimes happy, sometimes challenging dance, has been the threatened disappearance of a broad middlebrow audience for the arts. Many magazines that had helped sustain a sense of community and debate among educated readers—Collier's, The Saturday Evening Post, Look—had all stopped publishing by the late 20th century or continued only as a newspaper insert (Life). Others, including Harper's and the Atlantic Monthly, continue principally as philanthropies.

As the elephantine growth and devouring appetite of television has reduced the middle audience, there has also been a concurrent growth in the support of the arts in the university. The public support of higher education in the United States, although its ostensible purposes were often merely pragmatic and intended simply to produce skilled scientific workers for industry, has had the perhaps unintended effect of making the universities into cathedrals of culture. The positive side of this development should never be overlooked; things that began as scholarly pursuits—for instance, the enthusiasm for authentic performances of early music—have, after their incubation in the academy, given pleasure to increasingly larger audiences. The growth of the universities has also, for good or ill, helped decentralize culture; the Guthrie Theaterin Minnesota, for instance, or the regional opera companies of St. Louis, Mo., and Santa Fe, N.M., are difficult to imagine without the support and involvement of local universities. But many people believe that the “academicization” of the arts has also had the negative effect of encouraging art made by college professors for other college professors. In literature, some people believe, for instance, this has led to the development of a literature that is valued less for its engagement with the world than for its engagement with other kinds of writing.

The New York City Ballet performing <i>The Nutcracker</i> at Lincoln Center, New York City. [Credit: Kelly-Mooney Photography—Corbis]The New York City Ballet performing The Nutcracker at Lincoln Center, New York City. [Credit: Kelly-Mooney Photography—Corbis]

Yet a broad, middle-class audience for the arts, if it is endangered, continues to flourish too. The establishment of the Lincoln Center for the Performing Arts in the early 1960s provided a model for subsequent centres across the country, including the John F. Kennedy Center for the Performing Arts in Washington, D.C., which opened in l971. It is sometimes said, sourly, that the audiences who attend concerts and recitals at these centres are mere “consumers” of culture, rather than people engaged passionately in the ongoing life of the arts. But it seems probable that the motives that lead Americans to the concert hall or opera house are just as mixed as they have been in every other historical period: a desire for prestige, a sense of duty, and real love of the form all commingled together.

The deeper problem that has led to one financial crisis after another for theatre companies and dance troupes and museums (the Twyla Tharp dance company, despite its worldwide reputation, for instance, and a popular orientation that included several successful seasons on Broadway, was compelled to survive only by being absorbed into America Ballet Theater) rests on hard and fixed facts about the economics of the arts, and about the economics of the performing arts in particular. Ballet, opera, symphony, and drama are labour-intensive industries in an era of labour-saving devices. Other industries have remained competitive by substituting automated labour for human labour; but, for all that new stage devices can help cut costs, the basic demands of the old art forms are hard to alter. The corps of a ballet cannot be mechanized or stored on software; voices belong to singers, and singers cannot be replicated. Many Americans, accustomed to the simple connection between popularity and financial success, have had a hard time grasping this fact; perhaps this is one of the reasons for the uniquely impoverished condition of government funding for the arts in the United States.

First the movies, then broadcast television, then cable television, and now the Internet—again and again, some new technology promises to revolutionize the delivery systems of culture and therefore change culture with it. Promising at once a larger audience than ever before (a truly global village) and a smaller one (e.g., tiny groups interested only in Gershwin having their choice today of 50 Gershwin Web sites), the Internet is only the latest of these candidates. Cable television, the most trumpeted of the more recent mass technologies, has so far failed sadly to multiply the opportunities for new experience of the arts open to Americans. The problem of the “lowest common denominator” is not that it is low but that it is common. It is not that there is no audience for music and dance and jazz. It is that a much larger group is interested in sex and violent images and action, and therefore the common interest is so easy to please.

Yet the growing anxiety about the future of the arts reflects, in part, the extraordinary demands Americans have come to make on them. No country has ever before, for good or ill, invested so much in the ideal of a common culture; the arts for most Americans are imagined as therapy, as education, as a common inheritance, as, in some sense, the definition of life itself and the summum bonum. Americans have increasingly asked art to play the role that religious ritual played in older cultures.

The problem of American culture in the end is inseparable from the triumph of liberalism and of the free-market, largely libertarian social model that, at least for a while at the end of the 20th century, seemed entirely ascendant and which much of the world, despite understandable fits and starts, emulated. On the one hand, liberal societies create liberty and prosperity and abundance, and the United States, as the liberal society par excellence, has not only given freedom to its own artists but allowed artists from elsewhere, from John James Audubon to Marcel Duchamp, to exercise their freedom: artists, however marginalized, are free in the United States to create weird forms, new dance steps, strange rhythms, free verse, and inverted novels.

At the same time, however, liberal societies break down the consensus, the commonality, and the shared viewpoint that is part of what is meant by traditional culture, and what is left that is held in common is often common in the wrong way. The division between mass product and art made for small and specific audiences has perhaps never seemed so vast as it does at the dawn of the new millennium, and the odds of leaping past the divisions into common language or even merely a decent commonplace civilization have never seemed greater. Even those who are generally enthusiastic about the democratization of culture in American history are bound to find a catch in their throat of protest or self-doubt as they watch bad television reality shows become still worse or bad comic-book movies become still more dominant. The appeal of the lowest common denominator, after all, does not mean that all the people who are watching something have no other or better interests; it just means that the one thing they can all be interested in at once is this kind of thing.

Liberal societies create freedoms and end commonalities, and that is why they are both praised for their fertility and condemned for their pervasive alienation of audiences from artists, and of art from people. The history of the accompanying longing for authentic community may be a dubious and even comic one, but anyone who has spent a night in front of a screen watching the cynicism and proliferation of gratuitous violence and sexuality at the root of much of what passes for entertainment for most Americans cannot help but feel a little soul-deadened. In this way, as the 21st century began, the cultural paradoxes of American society—the constant oscillation between energy and cynicism, the capacity to make new things and the incapacity to protect the best of tradition—seemed likely not only to become still more evident but also to become the ground for the worldwide debate about the United States itself. Still, if there were not causes of triumph, there were grounds for hope.

It is in the creative life of Americans that all the disparate parts of American culture can, for the length of a story or play or ballet, at least, come together. What is wonderful, and perhaps special, in the culture of the United States is that the marginal and central, like the high and the low, are not in permanent battle but instead always changing places. The sideshow becomes the centre ring of the circus, the thing repressed the thing admired. The world of American culture, at its best, is a circle, not a ladder. High and low link hands.

Adam Gopnik

History

The territory represented by the continental United States had, of course, been discovered, perhaps several times, before the voyages of Columbus. When Columbus came, he found the New World inhabited by peoples who in all likelihood had originally come from the continent of Asia. Probably these first inhabitants had arrived 20,000 to 35,000 years before in a series of migrations from Asia to North America by way of the Bering Strait. By the time the first Europeans appeared, the aborigines (commonly referred to as Indians) had spread and occupied all portions of the New World.

The foods and other resources available in each physiographic region largely determined the type of culture prevailing there. Fish and sea mammals, for example, contributed the bulk of the food supply of coastal tribes, although the acorn was a staple for California Indians; plant life and wild game (especially the American bison, or buffalo) were sources for the Plains Indians; small-game hunting and fishing (depending again on local resources) provided for Midwestern and Eastern tribes. These foods were supplemented by corn, which was a staple food for the Indians of the Southwest. The procurement of these foods called for the employment of fishing, hunting, plant and berry gathering, and farming techniques, the application of which depended, in turn, upon the food resources utilized in given areas.

Foods and other raw materials likewise conditioned the material culture of the respective regional groups. All Indians transported goods by human carrier; the use of dogs to pull sleds or travois was widespread; and rafts, boats, and canoes were used where water facilities were available. The horse, imported by the Spanish in the early 16th century, was quickly adopted by the Indians once it had made its appearance. The horse came to be used widely by the buffalo-hunting Indians of the Great Plains.

Indian culture groups were distinguished among other ways by house types. The dome-shaped ice houses were developed by the Eskimos; rectangular plank houses were produced by the Northwestern Indians; earth and skin lodges and tepees by plains and prairie tribes; flat-roofed and often multistoried houses by some of the Pueblo Indians of the Southwest; barrel houses by the natives in the Northeast. Clothing, or the lack of it, likewise varied with native groups, as did crafts, weapons, and tribal economic, social, and religious customs.

At the time of Columbus' arrival there were probably roughly 1,500,000 Indians in what is now the continental United States, although estimates vary greatly. In order to assess the role and the impact of the American Indian upon the subsequent history of the United States in any meaningful way, one must understand the differentiating factors, such as those mentioned above. Generally speaking it may be said, however, that the American Indians as a whole exercised an important influence upon the white civilization transplanted from Europe to the New World. Indian foods and herbs, articles of manufacture, methods of raising some crops, war techniques, words, a rich folklore, and racial infusions are among the more obvious general contributions of the Indians to their European conquerors. The protracted and brutal westward-moving conflict caused by white expansionism and Indian resistance constitutes one of the most tragic chapters in the history of the United States.

Oscar O. Winther

Ed.

Colonial America to 1763

The European background

The English colonization of North America was but one chapter in the larger story of European expansion throughout the globe. The Portuguese, beginning with a voyage to Porto Santo off the coast of West Africa in 1418, were the first Europeans to promote overseas exploration and colonization. By 1487 the Portuguese had traveled all the way to the southern tip of Africa, establishing trading stations at Arguin, Sierra Leone, and El Mina. In 1497 Vasco da Gama rounded the Cape of Good Hope and sailed up the eastern coast of Africa, laying the groundwork for Portugal's later commercial control of India. By 1500, when Pedro Álvares Cabral stumbled across the coast of Brazil en route to India, Portuguese influence had expanded to the New World as well.

Though initially lagging behind the Portuguese in the arts of navigation and exploration, the Spanish quickly closed that gap in the decades following Columbus' voyages to America (see Columbus, Christopher). First in the Caribbean and then in spectacular conquests of New Spain and Peru, they captured the imagination, and the envy, of the European world.

France, occupied with wars in Europe to preserve its own territorial integrity, was not able to devote as much time or effort to overseas expansion as did Spain and Portugal. Beginning in the early 16th century, however, French fishermen established an outpost in Newfoundland, and in 1534 Jacques Cartier began exploring the Gulf of St. Lawrence. By 1543 the French had ceased their efforts to colonize the northeast portion of the New World. In the last half of the 16th century, France attempted to found colonies in Florida and Brazil; but each of these efforts failed, and by the end of the century Spain and Portugal remained the only two European nations to have established successful colonies in America.

The English, although anxious to duplicate the Spanish and Portuguese successes, nevertheless lagged far behind in their colonization efforts. The English possessed a theoretical claim to the North American mainland by dint of the 1497 voyage of John Cabot off the coast of Nova Scotia, but in fact they had neither the means nor the desire to back up that claim during the 16th century. Thus it was that England relied instead on private trading companies, which were interested principally in commercial rather than territorial expansion, to defend its interests in the expanding European world. The first of these commercial ventures began with the formation of the Muscovy Company in 1554. In 1576–78 the English mariner Martin Frobisher undertook three voyages in search of a Northwest Passage to the Far East. In 1577 Sir Francis Drake made his famous voyage around the world, plundering the western coast of South America en route. A year later Sir Humphrey Gilbert, one of the most dedicated of Elizabethan imperialists, began a series of ventures aimed at establishing permanent colonies in North America. All of his efforts met with what was, at best, limited success. Finally, in September 1583, Gilbert, with five vessels and 260 men, disappeared in the North Atlantic. With the failure of Gilbert's voyage, the English turned to a new man, Sir Walter Raleigh, and a new strategy—a southern rather than a northern route to North America—to advance England's fortunes in the New World. Raleigh's efforts to found a permanent colony off the coast of Virginia, although they did finally fail with the mysterious destruction of the Roanoke Island colony in 1587, awakened popular interest in a permanent colonizing venture.

During the years separating the failure of the Roanoke colony and the establishment in 1607 of the English settlement in Jamestown, English propagandists worked hard to convince the public that a colony in America would yield instant and easily exploitable wealth. Even men like the English geographer Richard Hakluyt were not certain that the Spanish colonization experience could or should be imitated but hoped nevertheless that the English colonies in the New World would prove to be a source of immediate commercial gain. There were, of course, other motives for colonization. Some hoped to discover the much-sought-after route to the Orient in North America. English imperialists thought it necessary to settle in the New World in order to limit Spanish expansion. Once it was proven that America was a suitable place for settlement, some Englishmen would travel to those particular colonies that promised to free them from religious persecution. There were also Englishmen, primarily of lower- and middle-class origin, who hoped the New World would provide them with increased economic opportunity in the form of free or inexpensive land. These last two motives, while they have been given considerable attention by historians, appear not to have been so much original motives for English colonization as they were shifts of attitude once colonization had begun.

Settlement

Virginia

English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]

The leaders of the Virginia Company of London, a joint-stock company in charge of the Jamestown enterprise, were for the most part wealthy and wellborn commercial and military adventurers eager to find new outlets for investment. During the first two years of its existence, the Virginia colony, under the charter of 1607, proved an extraordinarily bad investment. This was principally due to the unwillingness of the early colonizers to do the necessary work of providing for themselves and to the chronic shortage of capital for supply of the venture.

A new charter in 1609 significantly broadened membership in the Virginia Company, thereby increasing temporarily the supply of capital at the disposal of its directors; but most of the settlers continued to act as though they expected the Indians to provide for their existence, a notion that the Indians fiercely rejected. As a result, the enterprise still failed to yield any profits, and the number of investors again declined.

The crown issued a third charter in 1612, authorizing the company to institute a lottery to raise more capital for the floundering enterprise. In that same year John Rolfe harvested the first crop of a high-grade and therefore potentially profitable strain of tobacco. At about the same time, with the arrival of Sir Thomas Dale in the colony as governor in 1611, the settlers gradually began to practice the discipline necessary for their survival, though at an enormous personal cost.

Dale carried with him the “Laws Divine, Morall and Martial,” which were intended to supervise nearly every aspect of the settlers' lives. Each person in Virginia, including women and children, was given a military rank, with duties spelled out in minute detail. Penalties imposed for violating these rules were severe: those who failed to obey the work regulations were to be forced to lie with neck and heels together all night for the first offense, whipped for the second, and sent to a year's service in English galleys (convict ships) for the third. The settlers could hardly protest the harshness of the code, for that might be deemed slander against the company—an offense punishable by service in the galleys or by death.

Dale's code brought order to the Virginia experiment, but it hardly served to attract new settlers. To increase incentive the company, beginning in 1618, offered 50 acres of land to those settlers who could pay their transportation to Virginia and a promise of 50 acres after seven years of service to those who could not pay their passage. Concurrently, the new governor of Virginia, Sir George Yeardley, issued a call for the election of representatives to a House of Burgesses, which was to convene in Jamestown in July 1619. In its original form, the House of Burgesses was little more than an agency of the governing board of the Virginia Company, but it would later expand its powers and prerogatives and become an important force for colonial self-government.

Despite the introduction of these reforms, the years from 1619 to 1624 proved fatal to the future of the Virginia Company. Epidemics, constant warfare with the Indians, and internal disputes took a heavy toll on the colony. In 1624 the crown finally revoked the charter of the company and placed the colony under royal control. The introduction of royal government into Virginia, while it was to have important long-range consequences, did not produce an immediate change in the character of the colony. The economic and political life of the colony continued as it had in the past. The House of Burgesses, though its future under the royal commission of 1624 was uncertain, continued to meet on an informal basis; by 1629 it was officially reestablished. The crown also grudgingly acquiesced to the decision of the Virginia settlers to continue to direct most of their energies to the growth and exportation of tobacco. By 1630 the Virginia colony, while not prosperous, at least showed signs that it was capable of surviving without royal subsidy.

Maryland

Maryland, Virginia's neighbour to the north, was the first English colony to be controlled by a single proprietor rather than by a joint-stock company. George Calvert (Lord Baltimore) had been an investor in a number of colonizing schemes before being given a grant of land from the crown in 1632. Baltimore was given a sizable grant of power to go along with his grant of land; he had control over the trade and political system of the colony so long as he did nothing to deviate from the laws of England. Baltimore's son Cecilius Calvert took over the project at his father's death and promoted a settlement at St. Mary's on the Potomac. Supplied in part by Virginia, the Maryland colonists managed to sustain their settlement in modest fashion from the beginning. As in Virginia, however, the early 17th-century settlement in Maryland was often unstable and unrefined; composed overwhelmingly of young, single males—many of them indentured servants—it lacked the stabilizing force of a strong family structure to temper the rigours of life in the wilderness.

The colony was intended to serve at least two purposes. Baltimore, a Roman Catholic, was anxious to found a colony where Catholics could live in peace, but he was also eager to see his colony yield him as large a profit as possible. From the outset Protestants outnumbered Catholics, although a few prominent Catholics tended to own an inordinate share of the land in the colony. Despite this favouritism in the area of land policy, Baltimore was for the most part a good and fair administrator.

Following the accession of William and Mary to the English throne, however, control of the colony was taken away from the Calvert family and entrusted to the royal government. Shortly thereafter the crown decreed that Anglicanism would be the established religion of the colony. In 1715, after the Calvert family had renounced Catholicism and embraced Anglicanism, the colony reverted back to a proprietary form of government.

The New England colonies

Although lacking a charter, the founders of Plymouth in Massachusetts were, like their counterparts in Virginia, dependent upon private investments from profit-minded backers to finance their colony. The nucleus of that settlement was drawn from an enclave of English émigrés in Leyden, Holland. These religious Separatists believed that the true church was a voluntary company of the faithful under the “guidance” of a pastor and tended to be exceedingly individualistic in matters of church doctrine. Unlike the settlers of Massachusetts Bay, the Pilgrims chose to “separate” from the Church of England rather than to reform it from within.

In 1620, the first year of settlement, nearly half the settlers died of disease. From that time forward, however, and despite decreasing support from English investors, the health and the economic position of the colonists improved. The Pilgrims soon secured peace treaties with most of the Indians around them, enabling them to devote their time to building a strong, stable economic base rather than diverting their efforts toward costly and time-consuming problems of defending the colony from attack. Although none of their principal economic pursuits—farming, fishing, and trading—promised them lavish wealth, the Pilgrims in America were, after only five years, self-sufficient.

Although the Pilgrims were always a minority in Plymouth, they nevertheless controlled the entire governmental structure of their colony during the first four decades of settlement. Before disembarking from the Mayflower in 1620, the Pilgrim founders, led by William Bradford, demanded that all the adult males aboard who were able to do so sign a compact promising obedience to the laws and ordinances drafted by the leaders of the enterprise. Although the Mayflower Compact has been interpreted as an important step in the evolution of democratic government in America, it is a fact that the compact represented a one-sided arrangement, with the settlers promising obedience and the Pilgrim founders promising very little. Although nearly all the male inhabitants were permitted to vote for deputies to a provincial assembly and for a governor, the colony, for at least the first 40 years of its existence, remained in the tight control of a few men. After 1660 the people of Plymouth gradually gained a greater voice in both their church and civic affairs, and by 1691, when Plymouth colony was annexed to Massachusetts Bay, the Plymouth settlers had distinguished themselves by their quiet, orderly ways.

The Puritans of Massachusetts Bay, like the Pilgrims, sailed to America principally to free themselves from religious restraints. Unlike the Pilgrims, the Puritans did not desire to “separate” themselves from the Church of England but, rather, hoped by their example to reform it. Nonetheless, one of the recurring problems facing the leaders of the Massachusetts Bay colony was to be the tendency of some, in their desire to free themselves from the alleged corruption of the Church of England, to espouse Separatist doctrine. When these tendencies or any other hinting of deviation from orthodox Puritan doctrine developed, those holding them were either quickly corrected or expelled from the colony. The leaders of the Massachusetts Bay enterprise never intended their colony to be an outpost of toleration in the New World; rather, they intended it to be a “Zion in the wilderness,” a model of purity and orthodoxy, with all backsliders subject to immediate correction.

The civil government of the colony was guided by a similar authoritarian spirit. Men like John Winthrop, the first governor of Massachusetts Bay, believed that it was not the duty of the governors of society to act as the direct representatives of their constituents but rather to decide, independently, what measures were in the best interests of the total society. The original charter of 1629 gave all power in the colony to a General Court composed of only a small number of shareholders in the company. On arriving in Massachusetts, many disfranchised settlers immediately protested against this provision and caused the franchise to be widened to include all church members. These “freemen” were given the right to vote in the General Court once each year for a governor and a Council of Assistants. Although the charter of 1629 technically gave the General Court the power to decide on all matters affecting the colony, the members of the ruling elite initially refused to allow the freemen in the General Court to take part in the lawmaking process on the grounds that their numbers would render the court inefficient.

In 1634 the General Court adopted a new plan of representation whereby the freemen of each town would be permitted to select two or three delegates and assistants, elected separately but sitting together in the General Court, who would be responsible for all legislation. There was always tension existing between the smaller, more prestigious group of assistants and the larger group of deputies. In 1644, as a result of this continuing tension, the two groups were officially lodged in separate houses of the General Court, with each house reserving a veto power over the other.

Despite the authoritarian tendencies of the Massachusetts Bay colony, a spirit of community developed there as perhaps in no other colony. The same spirit that caused the residents of Massachusetts to report on their neighbours for deviation from the true principles of Puritan morality also prompted them to be extraordinarily solicitous about their neighbours' needs. Although life in Massachusetts was made difficult for those who dissented from the prevailing orthodoxy, it was marked by a feeling of attachment and community for those who lived within the enforced consensus of the society.

Many New Englanders, however, refused to live within the orthodoxy imposed by the ruling elite of Massachusetts, and both Connecticut and Rhode Island were founded as a by-product of their discontent. The Reverend Thomas Hooker, who had arrived in Massachusetts Bay in 1633, soon found himself in opposition to the colony's restrictive policy regarding the admission of church members and to the oligarchic power of the leaders of the colony. Motivated both by a distaste for the religious and political structure of Massachusetts and by a desire to open up new land, Hooker and his followers began moving into the Connecticut valley in 1635. By 1636 they had succeeded in founding three towns—Hartford, Windsor, and Wethersford. In 1638 the separate colony of New Haven was founded, and in 1662 Connecticut and Rhode Island merged under one charter.

Roger Williams, the man closely associated with the founding of Rhode Island, was banished from Massachusetts because of his unwillingness to conform to the orthodoxy established in that colony. Williams' views conflicted with those of the ruling hierarchy of Massachusetts in several important ways. His own strict criteria for determining who was regenerate, and therefore eligible for church membership, finally led him to deny any practical way to admit anyone into the church. Once he recognized that no church could ensure the purity of its congregation, he ceased using purity as a criterion and instead opened church membership to nearly everyone in the community. Moreover, Williams showed distinctly Separatist leanings, preaching that the Puritan church could not possibly achieve purity as long as it remained within the Church of England. Finally, and perhaps most serious, he openly disputed the right of the Massachusetts leaders to occupy Indian land without first purchasing it from the natives.

The unpopularity of Williams' views forced him to flee Massachusetts Bay for Providence in 1636. In 1639 William Coddington, another dissenter in Massachusetts, settled his congregation in Newport. Four years later Samuel Gorton, another minister banished from Massachusetts Bay because of his differences with the ruling oligarchy, settled in Shawomet (later renamed Warwick). In 1644 these three communities joined with a fourth in Portsmouth under one charter to become one colony called Providence Plantation in Narragansett Bay.

The early settlers of New Hampshire and Maine were also ruled by the government of Massachusetts Bay. New Hampshire was permanently separated from Massachusetts in 1692, although it was not until 1741 that it was given its own royal governor. Maine remained under the jurisdiction of Massachusetts until 1820.

The middle colonies

English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]

New Netherland, founded in 1624 at Fort Orange (now Albany) by the Dutch West India Company, was but one element in a wider program of Dutch expansion in the first half of the 17th century. The English captured the colony of New Netherland in 1664; it was renamed New York, after James, Duke of York, brother of Charles II, and was placed under the proprietary control of the duke. In return for an annual gift to the king of 40 beaver skins, the Duke of York and his resident Board of Governors were given extraordinary discretion in the ruling of the colony. Although the grant to the Duke of York made mention of a representative assembly, the duke was not legally obliged to summon it and in fact did not summon it until 1683. The duke's interest in the colony was chiefly economic, not political, but most of his efforts to derive economic gain from New York proved futile. Indians, foreign interlopers (the Dutch actually recaptured New York in 1673 and held it for more than a year), and the success of the colonists in evading taxes made the proprietor's job a frustrating one.

In February 1685 the Duke of York found himself not only proprietor of New York but also king of England, a fact that changed the status of New York from that of a proprietary to a royal colony. The process of royal consolidation was accelerated when in 1688 the colony, along with the New England and New Jersey colonies, was made part of the ill-fated Dominion of New England. In 1691 Jacob Leisler, a German merchant living on Long Island, led a successful revolt against the rule of the deputy governor, Francis Nicholson. The revolt, which was a product of dissatisfaction with a small aristocratic ruling elite and a more general dislike of the consolidated scheme of government of the Dominion of New England, served to hasten the demise of the dominion.

Pennsylvania, in part because of the liberal policies of its founder, William Penn, was destined to become the most diverse, dynamic, and prosperous of all the North American colonies. Penn himself was a liberal, but by no means radical, English Whig. His Quaker faith was marked not by the religious extremism of some Quaker leaders of the day but rather by an adherence to certain dominant tenets of the faith—liberty of conscience and pacifism—and by an attachment to some of the basic tenets of Whig doctrine. William Penn sought to implement these ideals in his “holy experiment” in the New World.

Penn received his grant of land along the Delaware River in 1681 from Charles II. The first “frame of government” proposed by Penn in 1682 provided for a council and an assembly, each to be elected by the freeholders of the colony. The council was to have the sole power of initiating legislation; the lower house could only approve or veto bills submitted by the council. After numerous objections about the “oligarchic” nature of this form of government, Penn issued a second frame of government in 1682 and then a third in 1696, but even these did not wholly satisfy the residents of the colony. Finally, in 1701, a Charter of Privileges, giving the lower house all legislative power and transforming the council into an appointive body with advisory functions only, was approved by the citizens. The Charter of Privileges, like the other three frames of government, continued to guarantee the principle of religious toleration to all Protestants.

Pennsylvania prospered from the outset. Although there was some jealousy between the original settlers (who had received the best land and important commercial privileges) and the later arrivals, economic opportunity in Pennsylvania was on the whole greater than in any other colony. Beginning in 1683 with the immigration of Germans into the Delaware valley and continuing with an enormous influx of Irish and Scotch-Irish in the 1720s and '30s, the population of Pennsylvania increased and diversified. The fertile soil of the countryside, in conjunction with a generous government land policy, kept immigration at high levels throughout the 18th century. Ultimately, however, the continuing influx of European settlers hungry for land spelled doom for the pacific Indian policy initially envisioned by William Penn. “Economic opportunity” for European settlers often depended on the dislocation, and frequent extermination, of the Indian residents who had initially occupied the land in Penn's colony.

New Jersey remained in the shadow of both New York and Pennsylvania throughout most of the colonial period. Part of the territory ceded to the Duke of York by the English crown in 1664 lay in what would later become the colony of New Jersey. The Duke of York in turn granted that portion of his lands to John Berkeley and George Carteret, two close friends and allies of the king. In 1665 Berkeley and Carteret established a proprietary government under their own direction. Constant clashes, however, developed between the New Jersey and the New York proprietors over the precise nature of the New Jersey grant. The legal status of New Jersey became even more tangled when Berkeley sold his half interest in the colony to two Quakers, who in turn placed the management of the colony in the hands of three trustees, one of whom was William Penn. The area was then divided into East Jersey, controlled by Carteret, and West Jersey, controlled by Penn and the other Quaker trustees. In 1682 the Quakers bought East Jersey. A multiplicity of owners and an uncertainty of administration caused both colonists and colonizers to feel dissatisfied with the proprietary arrangement, and in 1702 the crown united the two Jerseys into a single royal province.

When the Quakers purchased East Jersey, they also acquired the tract of land that was to become Delaware, in order to protect their water route to Pennsylvania. That territory remained part of the Pennsylvania colony until 1704, when it was given an assembly of its own. It remained under the Pennsylvania governor, however, until the Revolution.

The Carolinas and Georgia

The English crown had issued grants to the Carolina territory as early as 1629, but it was not until 1663 that a group of eight proprietors—most of them men of extraordinary wealth and power even by English standards—actually began colonizing the area. The proprietors hoped to grow silk in the warm climate of the Carolinas, but all efforts to produce that valuable commodity failed. Moreover, it proved difficult to attract settlers to the Carolinas; it was not until 1718, after a series of violent Indian wars had subsided, that the population began to increase substantially. The pattern of settlement, once begun, followed two paths. North Carolina, which was largely cut off from the European and Caribbean trade by its unpromising coastline, developed into a colony of small to medium farms. South Carolina, with close ties to both the Caribbean and Europe, produced rice and, after 1742, indigo for a world market. The early settlers in both areas came primarily from the West Indian colonies. This pattern of migration was not, however, as distinctive in North Carolina, where many of the residents were part of the spillover from the natural expansion of Virginians southward.

The original frame of government for the Carolinas, the Fundamental Constitutions, drafted in 1669 by Anthony Ashley Cooper (Lord Shaftesbury) with the help of the philosopher John Locke, was largely ineffective because of its restrictive and feudal nature. The Fundamental Constitutions was abandoned in 1693 and replaced by a frame of government diminishing the powers of the proprietors and increasing the prerogatives of the provincial assembly. In 1729, primarily because of the proprietors' inability to meet the pressing problems of defense, the Carolinas were converted into the two separate royal colonies of North and South Carolina.

The proprietors of Georgia, led by James Oglethorpe, were wealthy philanthropic English gentlemen. It was Oglethorpe's plan to transport imprisoned debtors to Georgia where they could rehabilitate themselves by profitable labour and make money for the proprietors in the process. Those who actually settled in Georgia—and by no means all of them were impoverished debtors—encountered a highly restrictive economic and social system. Oglethorpe and his partners limited the size of individual landholdings to 500 acres, prohibited slavery, forbade the drinking of rum, and instituted a system of inheritance that further restricted the accumulation of large estates. The regulations, though noble in intention, created considerable tension between some of the more enterprising settlers and the proprietors. Moreover, the economy did not live up to the expectations of the colony's promoters. The silk industry in Georgia, like that in the Carolinas, failed to produce even one profitable crop.

The settlers were also dissatisfied with the political structure of the colony; the proprietors, concerned primarily with keeping close control over their utopian experiment, failed to provide for local institutions of self-government. As protests against the proprietors' policies mounted, the crown in 1752 assumed control over the colony; subsequently, many of the restrictions that the settlers had complained about, notably those discouraging the institution of slavery, were lifted.

Imperial organization

English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]English colonies in 17th-century North America. [Credit: Encyclopædia Britannica, Inc.]

British policy toward the American colonies was inevitably affected by the domestic politics of England; since the politics of England in the 17th and 18th centuries were never wholly stable, it is not surprising that British colonial policy during those years never developed along clear and consistent lines. During the first half century of colonization, it was even more difficult for England to establish an intelligent colonial policy because of the very disorganization of the colonies themselves. It was nearly impossible for England to predict what role Virginia, Maryland, Massachusetts, Connecticut, and Rhode Island would play in the overall scheme of empire because of the diversity of the aims and governmental structures of those colonies. By 1660, however, England had taken the first steps in reorganizing her empire in a more profitable manner. The Navigation Act of 1660, a modification and amplification of a temporary series of acts passed in 1651, provided that goods bound to England or to English colonies, regardless of origin, must be shipped only in English vessels; that three-fourths of the personnel of those ships be Englishmen; and that certain “enumerated articles,” such as sugar, cotton, and tobacco, be shipped only to England, with trade in those items with other nations prohibited. This last provision hit Virginia and Maryland particularly hard; although those two colonies were awarded a monopoly over the English tobacco market at the same time that they were prohibited from marketing their tobacco elsewhere, there was no way that England alone could absorb their tobacco production.

The 1660 act proved inadequate to safeguard the entire British commercial empire, and in subsequent years other navigation acts were passed, strengthening the system. In 1663 Parliament passed an act requiring all vessels with European goods bound for the colonies to pass first through English ports to pay customs duties. In 1673 Parliament, in order to prevent merchants from shipping the enumerated articles from colony to colony in the coastal trade and then taking them to a foreign country, required that merchants post bond guaranteeing that those goods be taken only to England. Finally, in 1696 Parliament established a Board of Trade to oversee Britain's commercial empire, instituted mechanisms to ensure that the colonial governors aided in the enforcement of trade regulations, and set up vice admiralty courts in America for the prosecution of those who violated the Navigation Acts. On the whole, this attempt at imperial consolidation—what some historians have called the process of Anglicization—was successful in bringing the economic activities of the colonies under closer crown control. While a significant amount of colonial trade continued to evade British regulation, it is nevertheless clear that the British were at least partially successful in imposing greater commercial and political order on the American colonies during the period from the late-17th to the mid-18th century.

In addition to the agencies of royal control in England, there were a number of royal officials in America responsible not only for aiding in the regulation of England's commercial empire but also for overseeing the internal affairs of the colonies. The weaknesses of royal authority in the politics of provincial America were striking. In some areas, particularly in the corporate colonies of New England during the 17th century and in the proprietary colonies throughout their entire existence, direct royal authority in the person of a governor responsible to the crown was nonexistent. The absence of a royal governor in those colonies had a particularly deleterious effect on the enforcement of trade regulations. In fact, the lack of royal control over the political and commercial activities of New England prompted the Board of Trade to overturn the Massachusetts Bay charter in 1684 and to consolidate Massachusetts, along with the other New England colonies and New York, into the Dominion of New England. After the colonists, aided by the turmoil of the Glorious Revolution of 1688 in England, succeeded in overthrowing the dominion scheme, the crown installed a royal governor in Massachusetts to protect its interests.

In those colonies with royal governors—the number of those colonies grew from one in 1650 to eight in 1760—the crown possessed a mechanism by which to ensure that royal policy was enforced. The Privy Council issued each royal governor in America a set of instructions carefully defining the limits of provincial authority. The royal governors were to have the power to decide when to call the provincial assemblies together, to prorogue, or dissolve, the assemblies, and to veto any legislation passed by those assemblies. The governor's power over other aspects of the political structure of the colony was just as great. In most royal colonies he was the one official primarily responsible for the composition of the upper houses of the colonial legislatures and for the appointment of important provincial officials, such as the treasurer, attorney general, and all colonial judges. Moreover, the governor had enormous patronage powers over the local agencies of government. The officials of the county court, who were the principal agents of local government, were appointed by the governor in most of the royal colonies. Thus, the governor had direct or indirect control over every agency of government in America.

The growth of provincial power

Political growth

The distance separating England and America, the powerful pressures exerted on royal officials by Americans, and the inevitable inefficiency of any large bureaucracy all served to weaken royal power and to strengthen the hold of provincial leaders on the affairs of their respective colonies. During the 18th century the colonial legislatures gained control over their own parliamentary prerogatives, achieved primary responsibility for legislation affecting taxation and defense, and ultimately took control over the salaries paid to royal officials. Provincial leaders also made significant inroads into the governor's patronage powers. Although theoretically the governor continued to control the appointments of local officials, in reality he most often automatically followed the recommendations of the provincial leaders in the localities in question. Similarly, the governor's councils, theoretically agents of royal authority, came to be dominated by prominent provincial leaders who tended to reflect the interests of the leadership of the lower house of assembly rather than those of the royal government in London.

Thus, by the mid-18th century most political power in America was concentrated in the hands of provincial rather than royal officials. These provincial leaders undoubtedly represented the interests of their constituents more faithfully than any royal official could, but it is clear that the politics of provincial America were hardly democratic by modern standards. In general, both social prestige and political power tended to be determined by economic standing; and the economic resources of colonial America, though not as unevenly distributed as in Europe, were nevertheless controlled by relatively few men.

In the Chesapeake societies of Virginia and Maryland, and particularly in the regions east of the Blue Ridge mountains, a planter class came to dominate nearly every aspect of those colonies' economic life. These same planters, joined by a few prominent merchants and lawyers, dominated the two most important agencies of local government—the county courts and the provincial assemblies. This extraordinary concentration of power in the hands of a wealthy few occurred in spite of the fact that a large percentage of the free adult male population (some have estimated as high as 80 to 90 percent) was able to participate in the political process. The ordinary citizens of the Chesapeake society, and those of most colonies, nevertheless continued to defer to those whom they considered to be their “betters.” Although the societal ethic that enabled power to be concentrated in the hands of a few was hardly a democratic one, there is little evidence, at least for Virginia and Maryland, that the people of those societies were dissatisfied with their rulers. In general they believed that their local officials ruled responsively.

In the Carolinas a small group of rice and indigo planters monopolized much of the wealth. As in Virginia and Maryland, the planter class came to constitute a social elite. As a rule the planter class of the Carolinas did not have the same long tradition of responsible government as did the ruling oligarchies of Virginia and Maryland, and, as a consequence, they tended to be absentee landlords and governors, often passing much of their time in Charleston, away from their plantations and their political responsibilities.

The western regions of both the Chesapeake and Carolina societies displayed distinctive characteristics of their own. Ruling traditions were fewer, accumulations of land and wealth less striking, and the social hierarchy less rigid in the west. In fact, in some western areas antagonism toward the restrictiveness of the east and toward eastern control of the political structure led to actual conflict. In both North and South Carolina armed risings of varying intensity erupted against the unresponsive nature of the eastern ruling elite. As the 18th century progressed, however, and as more men accumulated wealth and social prestige, the societies of the west came more closely to resemble those of the east.

New England society was more diverse and the political system less oligarchic than that of the South. In New England the mechanisms of town government served to broaden popular participation in government beyond the narrow base of the county courts.

The town meetings, which elected the members of the provincial assemblies, were open to nearly all free adult males. Despite this, a relatively small group of men dominated the provincial governments of New England. As in the South, men of high occupational status and social prestige were closely concentrated in leadership positions in their respective colonies; in New England, merchants, lawyers, and to a lesser extent clergymen made up the bulk of the social and political elite.

The social and political structure of the middle colonies was more diverse than that of any other region in America. New York, with its extensive system of manors and manor lords, often displayed genuinely feudal characteristics. The tenants on large manors often found it impossible to escape the influence of their manor lords. The administration of justice, the election of representatives, and the collection of taxes often took place on the manor itself. As a consequence, the large landowning families exercised an inordinate amount of economic and political power. The Great Rebellion of 1766, a short-lived outburst directed against the manor lords, was a symptom of the widespread discontent among the lower and middle classes. By contrast, Pennsylvania's governmental system was more open and responsive than that of any other colony in America. A unicameral legislature, free from the restraints imposed by a powerful governor's council, allowed Pennsylvania to be relatively independent of the influence of both the crown and the proprietor. This fact, in combination with the tolerant and relatively egalitarian bent of the early Quaker settlers and the subsequent immigration of large numbers of Europeans, made the social and political structure of Pennsylvania more democratic but more faction ridden than that of any other colony.

Population growth

The increasing political autonomy of the American colonies was a natural reflection of their increased stature in the overall scheme of the British Empire. In 1650 the population of the colonies had been about 52,000; in 1700 it was perhaps 250,000, and by 1760 it was approaching 1,700,000. Virginia had increased from about 54,000 in 1700 to approximately 340,000 in 1760. Pennsylvania had begun with about 500 settlers in 1681 and had attracted at least 250,000 people by 1760. And America's cities were beginning to grow as well. By 1765 Boston had reached 15,000; New York City, 16,000–17,000; and Philadelphia, the largest city in the colonies, 20,000.

Part of that population growth was the result of the involuntary immigration of African slaves. During the 17th century slaves remained a tiny minority of the population. By the mid-18th century, after Southern colonists discovered that the profits generated by their plantations could support the relatively large initial investments needed for slave labour, the volume of the slave trade increased markedly. In Virginia the slave population leaped from about 2,000 in 1670 to perhaps 23,000 in 1715 and reached 150,000 on the eve of the American Revolution. In South Carolina it was even more dramatic. In 1700 there were probably no more than 2,500 blacks in the population; by 1765 there were 80,000–90,000, with blacks outnumbering whites by about 2 to 1.

One of the principal attractions to the immigrants who moved to America voluntarily was the availability of inexpensive arable land. The westward migration to America's frontier—in the early 17th century all of America was a frontier, and by the 18th century the frontier ranged anywhere from 10 to 200 miles from the coastline—was to become one of the distinctive elements in American history. English Puritans, beginning in 1629 and continuing through 1640, were the first to immigrate in large numbers to America. Throughout the 17th century most of the immigrants were English; but, beginning in the second decade of the 18th century, a wave of Germans, principally from the Rhineland Palatinate, arrived in America: by 1770 between 225,000 and 250,000 Germans had emigrated to America, more than 70 percent of them settling in the middle colonies, where generous land policies and religious toleration made life more comfortable for them. The Scotch-Irish and Irish immigration, which began on a large scale after 1713 and continued past the American Revolution, was more evenly distributed. By 1750 both Scotch-Irish and Irish could be found in the western portions of nearly every colony. In almost all the regions in which Europeans sought greater economic opportunity, however, that same quest for independence and self-sufficiency led to tragic conflict with Indians over the control of land. And in nearly every instance the outcome was similar: the Europeans, failing to respect Indian claims either to land or to cultural autonomy, pushed the Indians of North America further and further into the periphery.

Economic growth

Provincial America came to be less dependent upon subsistence agriculture and more on the cultivation and manufacture of products for the world market. Land, which initially served only individual needs, came to be the fundamental source of economic enterprise. The independent yeoman farmer continued to exist, particularly in New England and the middle colonies, but most settled land in North America by 1750 was devoted to the cultivation of a cash crop. New England turned its land over to the raising of meat products for export. The middle colonies were the principal producers of grains. By 1700 Philadelphia exported more than 350,000 bushels of wheat and more than 18,000 tons of flour annually. The Southern colonies were, of course, even more closely tied to the cash crop system. South Carolina, aided by British incentives, turned to the production of rice and indigo. North Carolina, although less oriented toward the market economy than South Carolina, was nevertheless one of the principal suppliers of naval stores. Virginia and Maryland steadily increased their economic dependence on tobacco and on the London merchants who purchased that tobacco; and for the most part they ignored those who recommended that they diversify their economies by turning part of their land over to the cultivation of wheat. Their near-total dependence upon the world tobacco price would ultimately prove disastrous, but for most of the 18th century Virginia and Maryland soil remained productive enough to make a single-crop system reasonably profitable.

As America evolved from subsistence to commercial agriculture, an influential commercial class increased its power in nearly every colony. Boston was the centre of the merchant elite of New England, who not only dominated economic life but also wielded social and political power as well. Merchants like James De Lancey and Philip Livingston in New York and Joseph Galloway, Robert Morris, and Thomas Wharton in Philadelphia exerted an influence far beyond the confines of their occupations. In Charleston the Pinckney, Rutledge, and Lowndes families controlled much of the trade that passed through that port. Even in Virginia, where a strong merchant class was nonexistent, those people with the most economic and political power were those commercial farmers who best combined the occupations of merchant and farmer. And it is clear that the commercial importance of the colonies was increasing. During the years 1700–10, approximately £265,000 sterling was exported annually to Great Britain from the colonies, with roughly the same amount being imported by the Americans from Great Britain. By the decade 1760–70, that figure had risen to more than £1,000,000 sterling of goods exported annually to Great Britain and £1,760,000 annually imported from Great Britain.

Cultural and religious development

Colonial culture

America's intellectual attainments during the 17th and 18th centuries, while not inferior to those of the nations of Europe, were nevertheless of a decidedly different character. It was the techniques of applied science that most excited the minds of Americans, who, faced with the problem of subduing an often wild and unruly land, saw in science the best way to explain, and eventually to harness, those forces around them. Ultimately this scientific mode of thought might be applied to the problems of civil society as well, but for the most part the emphasis in colonial America remained on science and technology, not politics or metaphysics. Typical of America's peculiar scientific genius was John Bartram of Pennsylvania, who collected and classified important botanical data from the New World. The American Philosophical Society, founded in 1744, is justly remembered as the focus of intellectual life in America. Men like David Rittenhouse, an astronomer who built the first planetarium in America; Cadwallader Colden, the lieutenant governor of New York, whose accomplishments as a botanist and as an anthropologist probably outmatched his achievements as a politician; and Benjamin Rush, a pioneer in numerous areas of social reform as well as one of colonial America's foremost physicians, were among the many active members of the society. At the centre of the American Philosophical Society was one of its founders, Benjamin Franklin, who (in his experiments concerning the flow of electricity) proved to be one of the few American scientists to achieve a major theoretical breakthrough but who was more adept at the kinds of applied research that resulted in the manufacture of more efficient fireplaces and the development of the lightning rod.

American cultural achievements in nonscientific fields were less impressive. American literature, at least in the traditional European forms, was nearly nonexistent. The most important American contribution to literature was neither in fiction nor in metaphysics but rather in such histories as Robert Beverley's History and Present State of Virginia (1705) or William Byrd's History of the Dividing Line (1728–29, but not published until 1841). The most important cultural medium in America was not the book but the newspaper. The high cost of printing tended to eliminate all but the most vital news, and thus local gossip or extended speculative efforts were sacrificed so that more important material such as classified advertisements and reports of crop prices could be included. Next to newspapers, almanacs were the most popular literary form in America, Franklin's Poor Richard's being only the most famous among scores of similar projects. Not until 1741 and the first installment of Franklin's General Magazine did literary magazines begin to make their first appearance in America. Most of the 18th-century magazines, however, failed to attract subscribers, and nearly all of them collapsed after only a few years of operation.

The visual and performing arts, though flourishing somewhat more than literature, were nevertheless slow to achieve real distinction in America. America did produce one good historical painter in Benjamin West and two excellent portrait painters in John Copley and Gilbert Stuart; but it is not without significance that all three men passed much of their lives in London, where they received more attention and higher fees.

The Southern colonies, particularly Charleston, seemed to be more interested in providing good theatre for their residents than did other regions, but in no colony did the theatre approach the excellence of that of Europe. In New England, Puritan influence was an obstacle to the performance of plays, and even in cosmopolitan Philadelphia the Quakers for a long time discouraged the development of the dramatic arts.

If Americans in the colonial period did not excel in achieving a high level of traditional cultural attainment, they did manage at least to disseminate what culture they had in a manner slightly more equitable than that of most nations of the world. Newspapers and almanacs, though hardly on the same intellectual level as the Encyclopédie produced by the European philosophes, probably had a wider audience than any European cultural medium. The New England colonies, although they did not always manage to keep pace with population growth, pioneered in the field of public education. Outside of New England, education remained the preserve of those who could afford to send their children to private schools, although the existence of privately supported but tuition-free charity schools and of relatively inexpensive “academies” made it possible for the children of the American middle class to receive at least some education. The principal institutions of higher learning—Harvard (1636), William and Mary (1693), Yale (1701), Princeton (1747), Pennsylvania (a college since 1755), King's College (1754, now Columbia), Rhode Island College (1764, now Brown), Queen's College (1766, now Rutgers), and Dartmouth (1769)—served the upper class almost exclusively; and most of them had a close relationship with a particular religious point of view (e.g., Harvard was a training ground for Congregational ministers, and Princeton was closely associated with Presbyterianism).

The Great Awakening

A series of religious revivals known collectively as the Great Awakening swept over the colonies in the 1730s and '40s. Its impact was first felt in the middle colonies, where Theodore J. Frelinghuysen, a minister of the Dutch Reformed church, began preaching in the 1720s. In New England, in the early 1730s men such as Jonathan Edwards, perhaps the most learned theologian of the 18th century, were responsible for a reawakening of religious fervour. By the late 1740s the movement had extended into the Southern colonies, where itinerant preachers such as Samuel Davies and George Whitefield exerted considerable influence, particularly in the backcountry.

The Great Awakening represented a reaction against the increasing secularization of society and against the corporate and materialistic nature of the principal churches of American society. By making conversion the initial step on the road to salvation and by opening up the conversion experience to all who recognized their own sinfulness, the ministers of the Great Awakening, some intentionally and others unwittingly, democratized Calvinist theology. The technique of many of the preachers of the Great Awakening was to inspire in their listeners a fear of the consequences of their sinful lives and a respect for the omnipotence of God. This sense of the ferocity of God was often tempered by the implied promise that a rejection of worldliness and a return to faith would result in a return to grace and an avoidance of the horrible punishments of an angry God. There was a certain contradictory quality about these two strains of Great Awakening theology, however. Predestination, one of the principal tenets of the Calvinist theology of most of the ministers of the Great Awakening, was ultimately incompatible with the promise that man could, by a voluntary act of faith, achieve salvation by his own efforts. Furthermore, the call for a return to complete faith and the emphasis on the omnipotence of God was the very antithesis of Enlightenment thought, which called for a greater questioning of faith and a diminishing role for God in the daily affairs of man. On the other hand, Jonathan Edwards, one of the principal figures of the Great Awakening in America, explicitly drew on the thought of men like John Locke and Isaac Newton in an attempt to make religion rational. Perhaps most important, the evangelical styles of religious worship promoted by the Great Awakening helped make the religious doctrines of many of the insurgent church denominations—particularly those of the Baptists and the Methodists—more accessible to a wider cross section of the American population. This expansion in church membership extended to blacks as well as whites, and the ritual forms of Evangelical Protestantism possessed features that facilitated the syncretism of African and American forms of religious worship.

America, England, and the wider world

The American colonies, though in many ways isolated from the nations of Europe, were nevertheless continually subject to diplomatic and military pressures from abroad. In particular, Spain and France were always nearby, waiting to exploit any signs of English weakness in America in order to increase their commercial and territorial designs on the North American mainland. The Great War for the Empire, or the French and Indian War as the Americans called it, was but another round in a century of warfare between the major European powers. First in King William's War (1689–97), then in Queen Anne's War (1702–13), and in King George's War (1744–48; the American phase of the War of the Austrian Succession), Englishmen and Frenchmen had vied for control over the Indians, for possession of the territory lying to the north of the North American colonies, for access to the trade in the Northwest, and for commercial superiority in the West Indies. In most of these encounters France had been aided by her ally, Spain. Because of its own holdings immediately south and west of the British colonies and in the Caribbean, Spain realized that it was in its own interest to join with the French in limiting British expansion. The culmination of these struggles came in 1754 with the Great War for the Empire. Whereas previous contests between Great Britain and France in America had been mostly provincial affairs, with American colonists doing most of the fighting for the British, the Great War for the Empire saw sizable commitments of English troops to America. The strategy of the English under William Pitt was to allow their ally, Prussia, to carry the brunt of the fighting in Europe, thus freeing the English to concentrate their troops in America.

The French, despite the fact that they were outnumbered 15 to 1 by the English colonial population in America, were nevertheless well equipped to hold their own against the British. They had a larger military organization in America than did the English, their troops were better trained, and they were more successful than the British in forming military alliances with the Indians. The early engagements of the war went to the French; the surrender of George Washington to a superior French force at Fort Necessity, the annihilation of General Edward Braddock at the Monongahela River, and French victories at Oswego and Fort William Henry all made it seem as if the war would be a short and unsuccessful one for the British. Even as these defeats took place, however, the English were able to increase their supplies of both men and material in America. By 1758, with its strength finally up to a satisfactory level, England began to implement its larger strategy, which involved sending a combined land and sea force to gain control of the St. Lawrence and a large land force aimed at Fort Ticonderoga to eliminate French control of Lake Champlain. The first expedition against the French at Ticonderoga was a disaster, as General James Abercrombie led about 15,000 British and colonial troops in an attack against the French before his forces were adequately prepared. The English assault on Louisburg, the key to the St. Lawrence, was more successful. In July 1758 Lord Jeffrey Amherst led a naval attack in which his troops landed on the shores from small boats, established beachheads, and then captured the fort at Louisburg.

In 1759, after several months of sporadic fighting, the forces of James Wolfe captured Quebec from the French army led by the Marquis de Montcalm. This was probably the turning point of the war. By the fall of 1760 the British had taken Montreal, and England possessed practical control of all of the North American continent. It took another two years for England to defeat her rivals in other parts of the world, but the contest for control of North America had been settled.

In the Treaty of Paris of 1763, England took possession of all of Canada, East and West Florida, all territory east of the Mississippi in North America, and St. Vincent, Tobago, and Dominica in the Caribbean. At the time, the British victory seemed one of the greatest in its history. The British Empire in North America had not only been secured but also greatly expanded. But, in winning the war, Britain had dissolved the empire's most potent material adhesives. Conflicts arose as the needs and interests of the British Empire began to differ from those of the American colonies; and the colonies, now economically powerful, culturally distinct, and steadily becoming more independent politically, would ultimately rebel before submitting to the English plan of empire.

Richard R. Beeman

The American Revolution and the early federal republic

Prelude to revolution

Britain's victory over France in the Great War for the Empire had been won at very great cost. British government expenditures, which had amounted to nearly £6,500,000 annually before the war, rose to about £14,500,000 annually during the war. As a result, the burden of taxation in England was probably the highest in the country's history, much of it borne by the politically influential landed classes. Furthermore, with the acquisition of the vast domain of Canada and the prospect of holding British territories both against the various nations of Indians and against the Spaniards to the south and west, the costs of colonial defense could be expected to continue indefinitely. Parliament, moreover, had voted Massachusetts a generous sum in compensation for its war expenses. It therefore seemed reasonable to British opinion that some of the future burden of payment should be shifted to the colonists themselves—who until then had been lightly taxed and indeed lightly governed.

The prolonged wars had also revealed the need to tighten the administration of the loosely run and widely scattered elements of the British Empire. If the course of the war had confirmed the necessity, the end of the war presented the opportunity. The acquisition of Canada required London officials to take responsibility for the unsettled western territories, now freed from the threat of French occupation. The British soon moved to take charge of the whole field of Indian relations. By royal proclamation (1763) a line was drawn down the Appalachians marking the limit of settlement from the British colonies, beyond which Indian trade was to be conducted strictly through British-appointed commissioners. These steps were not in time to prevent a serious uprising under the Ottawa chief Pontiac, however; and the proclamation, which sprang in part from a respect for Indian rights, caused consternation among British colonists for two reasons. It meant that limits were being set to the prospects of settlement and speculation in western lands, and it took control of the west out of colonial hands. The most ambitious men in the colonies thus saw the proclamation as a loss of power to control their own fortunes.

The tax controversy

George Grenville, who was named prime minister in 1763, was soon looking to meet the costs of defense by raising revenue in the colonies. The first measure was the Plantation Act of 1764, usually called the Sugar, or Revenue, Act, which reduced to a mere threepence the duty on imported foreign molasses but linked with this a high duty on refined sugar and a prohibition on foreign rum (the needs of the British treasury were carefully balanced with those of West Indies planters and New England distillers). The last measure of this kind (1733) had not been enforced, but this time the government set up a system of customs houses, staffed by British officers, and even established a vice-admiralty court. Sitting at Halifax, Nova Scotia, the court heard very few cases, but in principle it appeared to threaten the cherished British privilege of trials by local juries. Boston further objected to the tax's revenue-raising aspect on constitutional grounds, but, despite some expressions of anxiety, the colonies in general acquiesced.

Parliament next affected colonial economic prospects by passing a Currency Act (1764) to withdraw paper currencies, many of them surviving from the war period, from circulation. This was not done to restrict economic growth so much as to take out currency that was thought to be unsound, but it did severely reduce the circulating medium during the difficult postwar period and further indicated that such matters were subject to British control.

Grenville's next move was a stamp duty, to be raised on a wide variety of transactions, including legal writs, newspaper advertisements, and ships' bills of lading. The colonies were duly consulted and offered no alternative suggestions. The feeling in London, shared by Benjamin Franklin, was that, after making formal objections, the colonies would accept the new taxes as they had the earlier ones. But the Stamp Act (1765) hit harder and deeper than any previous parliamentary measure. As some agents had already pointed out, because of postwar economic difficulties the colonies were short of ready funds. (In Virginia this shortage was so serious that the province's treasurer, John Robinson, who was also speaker of the assembly, manipulated and redistributed paper money that had been officially withdrawn from circulation by the Currency Act; a large proportion of the landed gentry benefited from this largesse.) The Stamp Act struck at vital points of colonial economic operations, affecting transactions in trade. It also affected many of the most articulate and influential people in the colonies (lawyers, journalists, bankers). It was, moreover, the first “internal” tax levied directly on the colonies by Parliament. Previous colonial taxes had been levied by local authorities or had been “external” import duties whose primary aim could be viewed as regulating trade for the benefit of the empire as a whole rather than raising revenue. Yet no one, either in Britain or the colonies, fully anticipated the uproar that followed the imposition of these duties. Mobs in Boston and other towns rioted and forced appointed stamp distributors to renounce their posts; legal business was largely halted. Several colonies sent delegations to a Congress in New York in the summer of 1765, where the Stamp Act was denounced as a violation of the Englishman's right to be taxed only through elected representatives, and plans were adopted to impose a nonimportation embargo on British goods.

A change of ministry facilitated a change of British policy on taxation. Parliamentary opinion was angered by what it perceived as colonial lawlessness, but British merchants were worried about the embargo on British imports. The Marquis of Rockingham, succeeding Grenville, was persuaded to repeal the Stamp Act—for domestic reasons rather than out of any sympathy with colonial protests. In 1766 the repeal was passed, however, on the same day as the Declaratory Act, which declared that Parliament had the power to bind or legislate the colonies “in all cases whatsoever.” Parliament would not have voted the repeal without this assertion of its authority.

The colonists, jubilant at the repeal of the Stamp Act, drank innumerable toasts, sounded peals of cannon, and were prepared to ignore the Declaratory Act as face-saving window dressing. John Adams, however, warned in his Dissertation on the Canon and Feudal Law that Parliament, armed with this view of its powers, would try to tax the colonies again; and this happened in 1767 when Charles Townshend became Chancellor of the Exchequer in a ministry formed by Pitt, now Earl of Chatham. The problem was that Britain's financial burden had not been lifted. Townshend, claiming to take literally the colonial distinction between external and internal taxes, imposed external duties on a wide range of necessities, including lead, glass, paint, paper, and tea, the principal domestic beverage. One ominous result was that colonists now began to believe that the British were developing a long-term plan to reduce the colonies to a subservient position, which they were soon calling “slavery.” This view was ill-informed, however. Grenville's measures had been designed as a carefully considered package; apart from some tidying-up legislation, Grenville had had no further plans for the colonies after the Stamp Act. His successors developed further measures, not as extensions of an original plan but because the Stamp Act had been repealed.

Nevertheless, the colonists were outraged. In Pennsylvania the lawyer and legislator John Dickinson wrote a series of essays that, appearing in 1767 and 1768 as Letters from a Farmer in Pennsylvania, were widely reprinted and exerted great influence in forming a united colonial opposition. Dickinson agreed that Parliament had supreme power where the whole empire was concerned, but he denied that it had power over internal colonial affairs; he quietly implied that the basis of colonial loyalty lay in its utility among equals rather than in obedience owed to a superior.

It proved easier to unite on opinion than on action. Gradually, after much maneuvering and negotiation, a wide-ranging nonimportation policy against British goods was brought into operation. Agreement had not been easy to reach, and the tensions sometimes broke out in acrimonious charges of noncooperation. In addition, the policy had to be enforced by newly created local committees, a process that put a new disciplinary power in the hands of local men who had not had much previous experience in public affairs. There were, as a result, many signs of discontent with the ordering of domestic affairs in some of the colonies—a development that had obvious implications for the future of colonial politics if more action were needed later.

Constitutional differences with Britain

Very few colonists wanted or even envisaged independence at this stage. (Dickinson had hinted at such a possibility with expressions of pain that were obviously sincere.) The colonial struggle for power, although charged with intense feeling, was not an attempt to change government structure but an argument over legal interpretation. The core of the colonial case was that, as British subjects, they were entitled to the same privileges as their fellow subjects in Britain. They could not constitutionally be taxed without their own consent; and, because they were unrepresented in the Parliament that voted the taxes, they had not given this consent. James Otis, in two long pamphlets, ceded all sovereign power to Parliament with this proviso. Others, however, began to question whether Parliament did have lawful power to legislate over the colonies. These doubts were expressed by the late 1760s, when James Wilson, a Scottish immigrant lawyer living in Philadelphia, wrote an essay on the subject. Because of the withdrawal of the Townshend round of duties in 1770, Wilson kept this essay private until new troubles arose in 1774, when he published it as Considerations on the Nature and Extent of the Legislative Authority of the British Parliament. In this he fully articulated a view that had been gathering force in the colonies (it was also the opinion of Benjamin Franklin) that Parliament's lawful sovereignty stopped at the shores of Britain.

The official British reply to the colonial case on representation was that the colonies were “virtually” represented in Parliament in the same sense that the large voteless majority of the British public was represented by those who did vote. To this James Otis snorted that, if the majority of the British people did not have the vote, they ought to have it. The idea of colonial members of Parliament, several times suggested, was never a likely solution because of problems of time and distance and because, from the colonists' point of view, colonial members would not have adequate influence.

The standpoints of the two sides to the controversy could be traced in the language used. The principle of parliamentary sovereignty was expressed in the language of paternalistic authority; the British referred to themselves as parents and to the colonists as children. Colonial Tories, who accepted Parliament's case in the interests of social stability, also used this terminology. From this point of view, colonial insubordination was “unnatural,” just as the revolt of children against parents was unnatural. The colonists replied to all this in the language of rights. They held that Parliament could do nothing in the colonies that it could not do in Britain because the Americans were protected by all the common-law rights of the British. (When the First Continental Congress met in September 1774, one of its first acts was to affirm that the colonies were entitled to the common law of England.)

Rights, as Richard Bland of Virginia insisted in The Colonel Dismounted (as early as 1764), implied equality. And here he touched on the underlying source of colonial grievance. Americans were being treated as unequals, which they not only resented but also feared would lead to a loss of control of their own affairs. Colonists perceived legal inequality when writs of assistance—essentially, general search warrants—were authorized in Boston in 1761 while closely related “general warrants” were outlawed in two celebrated cases in Britain. Townshend specifically legalized writs of assistance in the colonies in 1767. Dickinson devoted one of his Letters from a Farmer to this issue.

When Lord North became prime minister early in 1770, George III had at last found a minister who could work both with himself and with Parliament. British government began to acquire some stability. In 1770, in the face of the American policy of nonimportation, the Townshend tariffs were withdrawn—all except the tax on tea, which was kept for symbolic reasons. Relative calm returned, though it was ruffled on the New England coastline by frequent incidents of defiance of customs officers, who could get no support from local juries. These outbreaks did not win much sympathy from other colonies, but they were serious enough to call for an increase in the number of British regular forces stationed in Boston. One of the most violent clashes occurred in Boston just before the repeal of the Townshend duties. Threatened by mob harassment, a small British detachment opened fire and killed five people, an incident soon known as the Boston Massacre. The soldiers were charged with murder and were given a civilian trial, in which John Adams conducted a successful defense.

The other serious quarrel with British authority occurred in New York, where the assembly refused to accept all the British demands for quartering troops. Before a compromise was reached, Parliament had threatened to suspend the assembly. The episode was ominous because it indicated that Parliament was taking the Declaratory Act at its word; on no previous occasion had the British legislature intervened in the operation of the constitution in an American colony. (Such interventions, which were rare, had come from the crown.)

British intervention in colonial economic affairs occurred again when in 1773 Lord North's administration tried to rescue the East India Company from difficulties that had nothing to do with America. The Tea Act gave the company, which produced tea in India, a monopoly of distribution in the colonies. The company planned to sell its tea through its own agents, eliminating the system of sale by auction to independent merchants. By thus cutting the costs of middlemen, it hoped to undersell the widely purchased, inferior, smuggled tea. This plan naturally affected colonial merchants, and many colonists denounced the act as a plot to induce Americans to buy—and therefore pay the tax on—legally imported tea. Boston was not the only port to threaten to reject the casks of taxed tea, but its reply was the most dramatic—and provocative.

On December 16, 1773, a party of Bostonians, thinly disguised as Mohawk Indians, boarded the ships at anchor and dumped some £10,000 worth of tea into the harbour. British opinion was outraged, and America's friends in Parliament were immobilized. (American merchants in other cities were also disturbed. Property was property.) In the spring of 1774, with hardly any opposition, Parliament passed a series of measures designed to reduce Massachusetts to order and imperial discipline. The port of Boston was closed; and, in the Massachusetts Government Act, Parliament for the first time actually altered a colonial charter, substituting an appointive council for the elective one established in 1691 and conferring extensive powers on the governor and council. The famous town meeting, a forum for radical thinkers, was outlawed as a political body. To make matters worse, Parliament also passed the Quebec Act for the government of Canada. To the horror of pious New England Calvinists, the Roman Catholic religion was recognized for the French inhabitants. In addition, Upper Canada (i.e., the southern section) was joined to the Mississippi valley for purposes of administration, permanently blocking the prospect of American control of western settlement.

The Continental Congress

There was widespread agreement that this intervention in colonial government could threaten other provinces and could be countered only by collective action. After much intercolonial correspondence, a Continental Congress came into existence, meeting in Philadelphia in September 1774. Every colonial assembly except that of Georgia appointed and sent a delegation. The Virginia delegation's instructions were drafted by Thomas Jefferson and were later published as A Summary View of the Rights of British America (1774). Jefferson insisted on the autonomy of colonial legislative power and set forth a highly individualistic view of the basis of American rights. This belief that the American colonies and other members of the British Empire were distinct states united under the king and thus subject only to the king and not to Parliament was shared by several other delegates, notably James Wilson and John Adams, and strongly influenced the Congress.

The Congress' first important decision was one on procedure: whether to vote by colony, each having one vote, or by wealth calculated on a ratio with population. The decision to vote by colony was made on practical grounds—neither wealth nor population could be satisfactorily ascertained—but it had important consequences. Individual colonies, no matter what their size, retained a degree of autonomy that translated immediately into the language and prerogatives of sovereignty. Under Massachusetts' influence, the Congress next adopted the Suffolk Resolves, recently voted in Suffolk county, Massachusetts, which for the first time put natural rights into the official colonial argument (hitherto all remonstrances had been based on common law and constitutional rights). Apart from this, however, the prevailing mood was cautious.

The Congress' aim was to put such pressure on the British government that it would redress all colonial grievances and restore the harmony that had once prevailed. The Congress thus adopted an Association that committed the colonies to a carefully phased plan of economic pressure, beginning with nonimportation, moving to nonconsumption, and finishing the following September (after the rice harvest had been exported) with nonexportation. A few New England and Virginia delegates were looking toward independence; but the majority went home hoping that these steps, together with new appeals to the king and to the British people, would avert the need for any further such meetings. If these measures failed, however, a second Congress would convene the following spring.

Behind the unity achieved by the Congress lay deep divisions in colonial society. In the mid-1760s upriver New York was disrupted by land riots, which also broke out in parts of New Jersey; much worse disorder ravaged the backcountry of both North and South Carolina, where frontier people were left unprotected by legislatures that taxed them but in which they felt themselves unrepresented. A pitched battle at Alamance Creek in North Carolina in 1771 ended that rising and was followed by executions for treason. Although without such serious disorder, the cities also revealed acute social tensions and resentments of inequalities of economic opportunity and visible status. New York provincial politics were riven by intense rivalry between two great family-based parties, the DeLanceys, who benefited from royal government connections, and their rivals, the Livingstons. (The politics of the quarrel with Britain affected the domestic standing of the parties and eventually eclipsed the DeLanceys.) Another phenomenon was the rapid rise of dissenting religious sects, notably the Baptists; although they carried no political program, their style of preaching suggested a strong undercurrent of social as well as religious dissent. There was no inherent unity to these disturbances, but many leaders of colonial society were reluctant to ally themselves with these disruptive elements even in protest against Britain. They were concerned about the domestic consequences of letting the protests take a revolutionary turn; power shared with these elements might never be recovered.

When the British general Thomas Gage sent a force from Boston to destroy American rebel military stores at Concord, Massachusetts, fighting broke out between militia and British troops at Lexington and Concord on April 19, 1775. Reports of these clashes reached the Second Continental Congress, which met in Philadelphia in May. Although most colonial leaders still hoped for reconciliation with Britain, the news stirred the delegates to more radical action. Steps were taken to put the continent on a war footing. While a further appeal was addressed to the British people (mainly on John Dickinson's insistence), the Congress raised an army, adopted a Declaration of the Causes and Necessity of Taking Up Arms, and appointed committees to deal with domestic supply and foreign affairs. In August 1775 the king declared a state of rebellion; by the end of the year, all colonial trade was banned. Even yet, General George Washington, commander of the Continental Army, still referred to the British troops as “ministerial” forces, indicating a civil war, not a war looking to separate national identity.

Then in January 1776 the publication of Thomas Paine's irreverent pamphlet Common Sense abruptly shattered this hopeful complacency and put independence on the agenda. Paine's eloquent, direct language spoke people's unspoken thoughts; no pamphlet had ever made such an impact on colonial opinion. While the Congress negotiated urgently, but secretly, for a French alliance, power struggles erupted in provinces where conservatives still hoped for relief. The only form relief could take, however, was British concessions; as public opinion hardened in Britain, where a general election in November 1774 had returned a strong majority for Lord North, the hope for reconciliation faded. In the face of British intransigence, men committed to their definition of colonial rights were left with no alternative; and the substantial portion of colonists—about one-third according to John Adams; however, contemporary historians believe the number to have been much smaller—who preferred loyalty to the crown, with all its disadvantages, were localized and outflanked. Where the British armies massed, they found plenty of loyalist support; but, when they moved on, they left the loyalists feeble and exposed.

The most dramatic internal revolution occurred in Pennsylvania, where a strong radical party, based mainly in Philadelphia but with allies in the country, seized power in the course of the controversy over independence itself. Opinion for independence swept the colonies in the spring of 1776. The Congress recommended that colonies form their own governments and assigned a committee to draft a declaration of independence.

This document, written by Thomas Jefferson but revised in committee, consisted of two parts. The preamble set the claims of the United States on a basis of natural rights, with a dedication to the principle of equality; the second was a long list of grievances against the crown—not Parliament now, since the argument was that Parliament had no lawful power in the colonies. On July 2 the Congress itself voted for independence; on the 4th it adopted the Declaration.

J.R. Pole

The American Revolutionary War

The American Revolutionary War thus began as a civil conflict within the British Empire over colonial affairs, but, with America being joined by France in 1778, Spain in 1779, and the Netherlands in 1780, it became an international war. On land the Americans assembled both state militias and the Continental (national) Army, with approximately 20,000 men, mostly farmers, fighting at any given time. By contrast, the British army was composed of reliable and well-trained professionals, numbering about 42,000 regulars, supplemented by about 30,000 German mercenaries.

The war began when the British general Thomas Gage sent a force from Boston to destroy American rebel military stores at Concord, Massachusetts. After fighting broke out at Lexington and Concord on April 19, 1775, rebel forces began a siege of Boston that ended when the American general Henry Knox arrived with artillery captured from Fort Ticonderoga, forcing General William Howe, Gage's replacement, to evacuate Boston on March 17, 1776. An American force under General Richard Montgomery invaded Canada in the fall of 1775, captured Montreal, and launched an unsuccessful attack on Quebec, in which Montgomery was killed. The Americans maintained a siege on the city until the arrival of British reinforcements in the spring and then retreated to Fort Ticonderoga.

The British government sent General Howe's brother, Richard, Admiral Lord Howe, with a large fleet to join his brother in New York, authorizing them to treat with the Americans and assure them pardon should they submit. When the Americans, who declared themselves independent on July 4, 1776, refused this offer of peace, General Howe landed on Long Island and on August 27 defeated the army of General George Washington, the commander in chief of the American forces. When Washington retreated into Manhattan, Howe drew him north, defeated his army at Chatterton Hill near White Plains on October 28, and then stormed the garrison Washington had left behind on Manhattan, seizing prisoners and supplies. Lord Cornwallis, having taken Washington's other garrison at Fort Lee, drove the American army across New Jersey to the western bank of the Delaware River and then quartered his troops for the winter at outposts in New Jersey. On Christmas night, Washington crossed the Delaware and attacked Cornwallis's garrison at Trenton, taking nearly 1,000 prisoners. Though Cornwallis soon recaptured Trenton, Washington escaped and went on to defeat British reinforcements at Princeton. Washington's Trenton-Princeton campaign roused the country and kept the struggle for independence alive.

In 1777 a British army under General John Burgoyne moved south from Canada with Albany in New York as its goal. Burgoyne captured Fort Ticonderoga on July 5, but as he approached Albany he was twice defeated by an American force led by Generals Horatio Gates and Benedict Arnold, and on October 17, 1777, at Saratoga, he was forced to surrender his army. Earlier that fall, Howe had sailed from New York to Chesapeake Bay, and once ashore he had defeated Washington's forces at Brandywine Creek on September 11 and occupied the American capital of Philadelphia on September 25.

After a mildly successful attack at Germantown on October 4, Washington quartered his 11,000 troops for the winter at Valley Forge. Though the conditions at Valley Forge were bleak and food was scarce, a Prussian officer, Baron Friedrich Wilhelm von Steuben, was able to give the American troops valuable training in maneuvers and in the more efficient use of their weapons. Von Steuben's aid contributed greatly to Washington's success at Monmouth (now Freehold), New Jersey, on June 28, 1778. After that battle British forces in the north remained chiefly in and around the city of New York.

While the French had been secretly furnishing financial and material aid to the Americans since 1776, in 1778 they began to prepare fleets and armies and in June finally declared war on Britain. With action in the north largely a stalemate, their primary contribution was in the south, where they participated in such undertakings as the siege of British-held Savannah and the decisive siege of Yorktown. Cornwallis destroyed an army under Gates at Camden, South Carolina, on August 16, 1780, but suffered heavy setbacks at Kings Mountain on October 7 and at Cowpens on January 17, 1781. After Cornwallis won a costly victory at Guilford Courthouse, North Carolina, on March 15, 1781, he entered Virginia to join other British forces there, setting up a base at Yorktown. Washington's army and a force under the French Count de Rochambeau placed Yorktown under siege, and Cornwallis surrendered his army of more than 7,000 men on October 19, 1781.

Thereafter, land action in America died out, though war continued on the high seas. Although a Continental Navy was created in 1775, the American sea effort lapsed largely into privateering, and after 1780 the war at sea was fought chiefly among Britain and America's European allies. American privateers swarmed around the British Isles, and by the end of the war they had captured 1,500 British merchant ships and 12,000 sailors. After 1780 Spain and the Netherlands were able to control much of the water around the British Isles, thus keeping the bulk of British naval forces tied down in Europe.

Treaty of Paris

The military verdict in North America was reflected in the preliminary Anglo-American peace treaty of 1782, which was included in the Treaty of Paris of 1783. Benjamin Franklin, John Adams, John Jay, and Henry Laurens served as the American commissioners. By its terms Britain recognized the independence of the United States with generous boundaries, including the Mississippi River on the west. Britain retained Canada but ceded East and West Florida to Spain. Provisions were inserted calling for the payment of American private debts to British citizens, for American access to the Newfoundland fisheries, and for a recommendation by the Continental Congress to the states in favour of fair treatment of the loyalists.

Most of the loyalists remained in the new nation. Perhaps as many as 80,000 Tories migrated to Canada, England, and the British West Indies. Many of these had served as British soldiers, and many had been banished by the American states. The less ardent and more cautious Tories, staying in the United States, accepted the separation from Britain as final and could not be distinguished from the patriots after the passage of a generation. The loyalists were harshly treated as dangerous enemies by the American states during the war and immediately afterward. They were commonly deprived of civil rights, often fined, and frequently deprived of their property. The more conspicuous were usually banished upon pain of death. The British government compensated more than 4,000 of the exiles for property losses, paying out almost £3,300,000. It also gave them land grants, pensions, and appointments to enable them to reestablish themselves.

Ed.

Foundations of the American republic

It had been far from certain that the Americans could fight a successful war against the might of Britain. The scattered colonies had little inherent unity; their experience of collective action was limited; an army had to be created and maintained; they had no common institutions other than the Continental Congress; and they had almost no experience of continental public finance. The Americans could not have hoped to win the war without French help, and the French monarchy—whose interests were anti-British but not pro-American—had waited watchfully to see what the Americans could do in the field. Although the French began supplying arms, clothing, and loans surreptitiously soon after the Americans declared independence, it was not until 1778 that they entered into a formal alliance.

Most of these problems lasted beyond the achievement of independence and continued to vex American politics for many years, even for generations. Meanwhile, however, the colonies had valuable, though less visible, sources of strength. Practically all farmers had their own arms and could form into militia companies overnight. More fundamentally, Americans had for many years been receiving basically the same information, mainly from the English press, reprinted in identical form in colonial newspapers. The effect of this was to form a singularly wide body of agreed opinion about major public issues. Another force of incalculable importance was the fact that for several generations Americans had to a large extent been governing themselves through elected assemblies, which in turn had developed sophisticated experience in committee politics.

This factor of “institutional memory” was of great importance in the forming of a mentality of self-government. Men became attached to their habitual ways, especially when these were habitual ways of running their own affairs; and these habits formed the basis of an ideology just as pervasive and important to the people concerned as republican theories published in Britain and the European continent. Moreover, colonial self-government seemed, from a colonial point of view, to be continuous and consistent with the principles of English government—principles for which Parliament had fought the Civil Wars in the mid-17th century and which colonists believed to have been reestablished by the Glorious Revolution of 1688–89. It was equally important that experience of self-government had taught colonial leaders how to get things done. When the Continental Congress met in 1774, members did not have to debate procedure (except on voting); they already knew it. Finally, the Congress' authority was rooted in traditions of legitimacy. The old election laws were used. Voters could transfer their allegiance with minimal difficulty from the dying colonial assemblies to the new assemblies and conventions of the states.

Problems before the Second Continental Congress

When the Second Continental Congress assembled in Philadelphia in May 1775, revolution was not a certainty. The Congress had to prepare for that contingency nevertheless and thus was confronted by two parallel sets of problems. The first was how to organize for war; the second, which proved less urgent but could not be set aside forever, was how to define the legal relationship between the Congress and the states.

In June 1775 the Congress provided for the enlistment of an army and appointed Colonel George Washington (who had made a point of turning up in uniform) commander in chief. It then turned to the vexatious problems of finance. An aversion to taxation being one of the unities of American sentiment, the Congress began by trying to raise a domestic loan. It did not have much success, however, for the excellent reason that the outcome of the operation appeared highly dubious. At the same time, authority was taken for issuing a paper currency. This proved to be the most important method of domestic war finance, and, as the war years passed, Congress resorted to issuing more and more Continental currency, which depreciated rapidly and had to compete with currencies issued by state governments. (People were inclined to prefer local currencies.) The Continental Army was a further source of a form of currency because its commission agents issued certificates in exchange for goods; these certificates bore an official promise of redemption and could be used in personal transactions. Loans raised overseas, notably in France and the Netherlands, were another important source of revenue.

In 1780 Congress decided to call in all former issues of currency and replace them with a new issue on a 40-to-1 ratio. The Philadelphia merchant Robert Morris, who was appointed superintendent of finance in 1781 and came to be known as the Financier, guided the United States through its complex fiscal difficulties. Morris' personal finances were inextricably tangled up with those of the country, and he became the object of much hostile comment, but he also used his own resources to secure urgently needed loans from abroad. In 1781 Morris secured a charter for the first Bank of North America, an institution which owed much to the example of the Bank of England. Although the bank was attacked by radical egalitarians as an unrepublican manifestation of privilege, it gave the United States a firmer financial foundation.

The problem of financing and organizing the war sometimes overlapped with Congress' other major problem, that of defining its relations with the states. The Congress, being only an association of states, had no power to tax individuals. The Articles of Confederation, a plan of government organization adopted and put into practice by Congress in 1777, although not officially ratified by all the states until 1781, gave Congress the right to make requisitions on the states proportionate to their ability to pay. The states in turn had to raise these sums by their own domestic powers to tax, a method that state legislators looking for reelection were reluctant to employ. The result was that many states were constantly in heavy arrears, and, particularly after the urgency of the war years had subsided, the Congress' ability to meet expenses and repay its war debts was crippled.

The Congress lacked power to enforce its requisitions and fell badly behind in repaying its wartime creditors. When individual states (Maryland as early as 1782, Pennsylvania in 1785) passed legislation providing for repayment of the debt owed to their own citizens by the Continental Congress, one of the reasons for the Congress' existence had begun to crumble. Two attempts were made to get the states to agree to grant the Congress the power it needed to raise revenue by levying an impost on imports. Each failed for want of unanimous consent. Essentially, an impost would have been collected at ports, which belonged to individual states—there was no “national” territory—and therefore cut across the concept of state sovereignty. Agreement was nearly obtained on each occasion, and, if it had been, the Constitutional Convention might never have been called. But the failure sharply pointed up the weakness of the Congress and of the union between the states under the Articles of Confederation.

The Articles of Confederation reflected strong preconceptions of state sovereignty. Article II expressly reserved sovereignty to the states individually, and another article even envisaged the possibility that one state might go to war without the others. Fundamental revisions could be made only with unanimous consent, because the Articles represented a treaty between sovereigns, not the creation of a new nation-state. Other major revisions required the consent of nine states. Yet state sovereignty principles rested on artificial foundations. The states could never have achieved independence on their own, and in fact the Congress had taken the first step both in recommending that the states form their own governments and in declaring their collective independence. Most important of its domestic responsibilities, by 1787 the Congress had enacted several ordinances establishing procedures for incorporating new territories. (It had been conflicts over western land claims that had held up ratification of the Articles. Eventually the states with western claims, principally New York and Virginia, ceded them to the United States.) The Northwest Ordinance of 1787 provided for the phased settlement and government of territories in the Ohio valley, leading to eventual admission as new states. It also excluded the introduction of slavery—though it did not exclude the retention of existing slaves.

The states had constantly looked to the Congress for leadership in the difficulties of war; now that the danger was past, however, disunity began to threaten to turn into disintegration. The Congress was largely discredited in the eyes of a wide range of influential men, representing both old and new interests. The states were setting up their own tariff barriers against each other and quarreling among themselves; virtual war had broken out between competing settlers from Pennsylvania and Connecticut claiming the same lands. By 1786, well-informed men were discussing a probable breakup of the Confederation into three or more new groups, which could have led to wars among the American republics.

State politics

The problems of forming a new government affected the states individually as well as in confederation. Most of them established their own constitutions—formulated either in conventions or in the existing assemblies. The most democratic of these constitutions was the product of a virtual revolution in Pennsylvania, where a highly organized radical party seized the opportunity of the revolutionary crisis to gain power. Suffrage was put on a taxpayer basis, with nearly all adult males paying some tax; representation was reformed to bring in the populations of western counties; and a single-chamber legislature was established. An oath of loyalty to the constitution for some time excluded political opponents and particularly Quakers (who could not take oaths) from participation. For the rest, the state constitutions reflected the firm political ascendancy of the traditional ruling elite. Power ascended from a broad base in the elective franchise and representation through a narrowing hierarchy of offices restricted by property qualifications. State governors had in some cases to be men of great wealth. Senators were either wealthy or elected by the wealthy sector of the electorate. (These conditions were not invariable; Virginia, which had a powerful landed elite, dispensed with such restrictions.) Several states retained religious qualifications for office; the separation of church and state was not a popular concept, and minorities such as Baptists and Quakers were subjected to indignities that amounted in some places (notably Massachusetts and Connecticut) to forms of persecution.

Elite power provided a lever for one of the most significant transformations of the era, one that took place almost without being either noticed or intended. This was the acceptance of the principle of proportional representation as the determining rule of political action. It was made not only possible but attractive when the larger aggregations of population broadly coincided with the highest concentrations of property: great merchants and landowners from populous areas could continue to exert political ascendancy so long as they retained some sort of hold on the political process. (This would hardly have been possible if American politics had been ruled by class war, but this was not the case.) The principle reemerged to dominate the distribution of voters in the House of Representatives and in the electoral college under the new federal Constitution.

Relatively conservative constitutions did little to stem a tide of increasingly democratic politics. The old elites had to wrestle with new political forces (and in the process they learned how to organize in the new regime). Executive power was weakened. Many elections were held annually, and terms were limited. Legislatures quickly admitted new representatives from recent settlements, many with little previous political experience.

The new state governments, moreover, had to tackle major issues that affected all classes. The needs of public finance led to emissions of paper money. In several states these were resumed after the war, and, since they tended (though not invariably) to depreciate, they led directly to fierce controversies. The treatment of loyalists—adherents of the British cause—was also a theme of intense political dispute after the war. Despite the protests of men like Alexander Hamilton, who urged restoration of property and rights, in many states loyalists were driven out and their estates seized and redistributed in forms of auction, providing opportunities for speculation rather than personal occupation. Many states were depressed economically. In Massachusetts, which remained under orthodox control, stiff taxation under conditions of postwar depression trapped many farmers into debt. Unable to meet their obligations, they rose late in 1786 under a Revolutionary War officer, Captain Daniel Shays, in a movement to prevent the court sessions. Shays's Rebellion was crushed early in 1787 by an army raised in the state. The action caused only a few casualties, but the episode sent a shiver of fear throughout the country's propertied classes. It also seemed to justify the classical thesis that republics were unstable. It thus provided a potent stimulus to state legislatures to send delegates to the convention called (following a preliminary meeting in Annapolis) to meet at Philadelphia to revise the Articles of Confederation.

The Constitutional Convention

The Philadelphia Convention, which met in May 1787, was officially called for by the old Congress solely to remedy defects in the Articles of Confederation. But the “Virginia Plan” presented by the Virginia delegates went beyond revision and boldly proposed to introduce a new, national government in place of the existing confederation. The Convention thus immediately faced the question of whether the United States was to be a nation. This decision was effectively made when the plan for a bicameral legislature was approved. The alternative, based on the old single chamber representing autonomous states, was passed over when the hastily drafted New Jersey Plan was defeated in mid-June.

The Constitution as it emerged after a summer of debate embodied a much stronger principle of separation of powers than was generally to be found in the state constitutions. The chief executive was to be a single figure (a composite executive was discussed) and was to be elected by an electoral college, meeting in the states. This followed much debate over the Virginia Plan's preference for legislative election. The principal control on the president was the rather remote threat of impeachment (to which James Madison attached great importance). The Virginia Plan's proposal that representation be proportional to population in both houses was severely modified by the retention of equal representation for each state in the Senate. After some contention, antislavery forces gave way to a compromise by which three-fifths of the slaves would be counted as population for purposes of representation (and direct taxation). Slave states would thus be perpetually overrepresented in national politics; provision was also added for a law permitting the recapture of fugitive slaves, though in deference to republican scruples the word “slaves” was not used.

Contemporary theory expected the legislature to be the most powerful branch of government. Thus, to balance the system, the executive was given a veto, and a judicial system with powers of review was established. It was also implicit in the structure that the new, federal judiciary would have power to veto any state laws that conflicted with either the Constitution or with federal statutes. States were forbidden to pass laws impairing obligations of contract—a measure aimed to encourage capital—and the Congress could pass no ex post facto law. But the Congress was endowed with the basic powers of a modern—and sovereign—government. This was a republic, and the United States could confer no aristocratic titles of honour. The prospect of eventual enlargement of federal power appeared in the clause giving the Congress powers to pass legislation “necessary and proper” for implementing the general purposes of the Constitution.

The states retained their civil jurisdiction; but there was an emphatic shift of the political centre of gravity to the federal government, of which the most fundamental indication was the universal understanding that this government would act directly on citizens, as individuals, throughout all the states, regardless of state authority. The language of the Constitution told of the new style: it began, “We the people of the United States,” rather than “We the people of New Hampshire, Massachusetts, etc.”

The draft Constitution aroused widespread opposition. Anti-Federalists—so-called because their opponents deftly seized the appellation of “Federalists,” though they were really nationalists—were strong in states such as Virginia, New York, and Massachusetts, where the economy was relatively successful and many people saw little need for such extreme remedies. Anti-Federalists also expressed fears—here touches of class conflict certainly arose—that the new government would fall into the hands of merchants and men of money. Many good republicans detected oligarchy in the structure of the Senate, with its six-year terms. The absence of a bill of rights aroused deep fears of central power. The Federalists, however, had the advantages of communications, the press, organization, and, generally, the better of the argument. Anti-Federalists also suffered the disadvantage of having no internal coherence or unified purpose.

The debate gave rise to a very intensive literature, much of it at a higher intellectual level than can be found in to-day's public debates. The most sustained pro-Federalist argument, written mainly by Alexander Hamilton and James Madison (assisted by John Jay) under the pseudonym of Publius, appeared in the newspapers as The Federalist. These essays attacked the feebleness of the Confederation and claimed that the new Constitution would have advantages for all sectors of society while threatening none. In the course of the debate, they passed from a strongly nationalist standpoint to one that showed more respect for the idea of a mixed form of government that would safeguard the states. Madison contributed assurances that a multiplicity of interests would counteract each other, preventing the consolidation of power continually charged by their enemies.

The Bill of Rights, steered through the first Congress by Madison's diplomacy, mollified much of the latent opposition. These first 10 amendments, ratified in 1791, adopted into the Constitution the basic English common-law rights that Americans had fought for. But they did more. Unlike Britain, the United States secured a guarantee of freedom for the press and the right of (peaceable) assembly. Also unlike Britain, church and state were formally separated in a clause that seemed to set equal value on nonestablishment of religion and its free exercise. (This left the states free to maintain their own establishments.)

In state conventions held through the winter of 1787 to the summer of 1788, the Constitution was ratified by the necessary minimum of nine states. But the vote was desperately close in Virginia and New York, respectively the 10th and 11th states to ratify, and without them the whole scheme would have been built on sand.

The social revolution

The American Revolution was a great social upheaval but one that was widely diffused, often gradual, and different in different regions. The principles of liberty and equality stood in stark conflict with the institution of African slavery, which had built much of the country's wealth. One gradual effect of this conflict was the decline of slavery in all the Northern states; another was a spate of manumissions by liberal slave owners in Virginia. But with most slave owners, especially in South Carolina and Georgia, ideals counted for nothing. Throughout the slave states, the institution of slavery came to be reinforced by a doctrine of racial inferiority, which proved hard to dispel. Although the manumissions did result in the development of new communities of free blacks, who enjoyed considerable freedom of movement for a few years, in the 1790s the condition of free blacks deteriorated as states adopted laws restricting their activities, residences, and economic choices. They came to occupy poor neighbourhoods and grew into a permanent underclass, denied education or opportunity.

The War of Independence also dramatized the economic importance of women. Women had always contributed indispensably to the operation of farms and often businesses, while seldom acquiring independent status; but, when war removed men from the locality, women often had to take full charge, which they proved they could do. Republican ideas spread among women, influencing discussion of women's rights, education, and role in society. Some states modified their inheritance and property laws to permit women to inherit a share of estates and to exercise limited control of property after marriage. On the whole, however, the Revolution itself had only very gradual and diffused effects on women's ultimate status. Such changes as took place amounted to a fuller recognition of the importance of women as mothers of republican citizens rather than making them into independent citizens of equal political and civil status with men.

The American Revolution was in many respects a manifestation of the Enlightenment in political, civil, and ecclesiastical action. One of its triumphs was the passage of the Virginia Statute for Religious Liberty in 1786 (which Jefferson, the original author, proudly had printed in the next edition of the French Encyclopédie). The state would tolerate all religions but give formal favour to none; people were free to follow the dictates of their own religious consciences. Although several states retained formal establishments, there was much competition among sects. In New England and in commercial centres of activity, and later in newer western settlements, the earlier severe Calvinism gradually gave way to a gentler and more indulgent universalism: people came to hope and then to believe that God actually wanted his creatures to be happy. Doctrinally, moreover, Unitarianism appealed to an increasing number of Congregationalists. A great new revivalist movement arose again around 1798, mainly in the new West, and this frequently renewed revival spirit appealed directly to the senses and away from the moderate intellectualism of the Enlightenment.

Americans had fought for independence to protect common-law rights; they had no program for legal reform. Gradually, however, some customary practices came to seem out of keeping with republican principles. The outstanding example was the law of inheritance. The new states took steps, where necessary, to remove the old rule of primogeniture in favour of equal partition of intestate estates; this conformed both to the egalitarian and the individualist principles preferred by American society. Humanization of the penal codes, however, occurred only gradually, in the 19th century, inspired as much by European example as by American sentiment.

As for the problem of the indigenous population, Americans had no clear or consistent solution. Indians were not taxed; they were not citizens; and yet they often lived, traded, and earned a living in and around Euro-American centres and settlements. In the west, Indian and Euro-American cultures interacted and constantly learned from one another, but their essentially incompatible aims often broke into hostility. The new government of the United States thus found itself involved at once in a war on its northwestern frontiers with a formidable enemy. A temporary peace was achieved after Anthony Wayne's victory in 1794 at the Battle of Fallen Timbers. The following year 12 Indian tribes signed the Treaty of Greenville, opening the northwest for U.S. settlement.

The United States from 1789 to 1816

The Federalist administration and the formation of parties

The United States, 1783–1812. [Credit: Encyclopædia Britannica, Inc.]The United States, 1783–1812. [Credit: Encyclopædia Britannica, Inc.]

The first elections under the new Constitution were held in 1789. Washington was unanimously voted the nation's first president. His secretary of the treasury, Alexander Hamilton, formed a clear-cut program that soon gave substance to the old fears of the Anti-Federalists. Hamilton, who had believed since the early 1780s that a national debt would be “a national blessing,” both for economic reasons and because it would act as a “cement” to the Union, used his new power base to realize the ambitions of the nationalists. He recommended that the federal government pay off the old Continental Congress' debts at par rather than at a depreciated value and that it assume state debts, drawing the interests of the creditors toward the central rather than state governments. This plan met strong opposition from the many who had sold their securities at great discount during the postwar depression and from Southern states, which had repudiated their debts and did not want to be taxed to pay other states' debts. A compromise in Congress was reached—thanks to the efforts of Secretary of State Jefferson—whereby Southern states approved Hamilton's plan in return for Northern agreement to fix the location of the new national capital on the banks of the Potomac, closer to the South. When Hamilton next introduced his plan to found a Bank of the United States, modeled on the Bank of England, opposition began to harden. Many argued that the Constitution did not confide this power to Congress. Hamilton, however, persuaded Washington that anything not expressly forbidden by the Constitution was permitted under implied powers—the beginning of “loose” as opposed to “strict” constructionist interpretations of the Constitution. The Bank Act passed in 1791. Hamilton also advocated plans for the support of nascent industry, which proved premature, and he imposed a revenue-raising whiskey excise that led to a minor rebellion in western Pennsylvania in 1794.

A party opposed to Hamilton's fiscal policies began to form in Congress. With Madison at its centre and with support from Jefferson, it soon extended its appeal beyond Congress to the constituencies. Meanwhile, the French Revolution and France's subsequent declaration of war against Great Britain, Spain, and Holland further divided American loyalties. Democratic-Republican societies sprang up to express support for France, while Hamilton and his supporters, known as Federalists, backed Britain for economic reasons. Washington pronounced American neutrality in Europe, but to prevent a war with Britain he sent Chief Justice John Jay to London to negotiate a treaty (1794). The United States gained only minor concessions and—humiliatingly—accepted British naval supremacy as the price of protection for American shipping.

Washington, whose tolerance had been severely strained by the Whiskey Rebellion and by criticism of the Jay Treaty, chose not to run for a third presidential term. In his farewell address (in a passage drafted by Hamilton) he denounced the new party politics as divisive and dangerous. Parties did not yet aspire to national objectives, however, and, when the Federalist John Adams was elected president, the Republican Jefferson, as the presidential candidate with the second greatest number of votes, became vice president. Wars in Europe and on the high seas, together with rampant opposition at home, gave the new administration little peace. Virtual naval war with France had followed from American acceptance of British naval protection. In 1798 a French attempt to solicit bribes from American commissioners negotiating a settlement of differences (the so-called XYZ Affair) aroused a wave of anti-French feeling. Later that year the Federalist majority in Congress passed the Alien and Sedition Acts, which imposed serious civil restrictions on aliens suspected of pro-French activities and penalized U.S. citizens who criticized the government, making nonsense of the First Amendment's guarantee of free press. The acts were most often invoked to prosecute Republican editors, some of whom served jail terms. These measures in turn called forth the Virginia and Kentucky resolutions, drafted respectively by Madison and Jefferson, which invoked state sovereignty against intolerable federal powers. War with France often seemed imminent during this period, but