Mcewan, Ian

(born June 21, 1948, Aldershot, Eng.) British novelist, short-story writer, and screenwriter whose restrained, refined prose style accentuates the horror of his dark humour and perverse subject matter.

McEwan graduated with honours from the University of Sussex (B.A., 1970) and studied under Malcolm Bradbury at the University of East Anglia (M.A., 1971). He earned notoriety for his first two short-story collections, First Love, Last Rites (1975; filmed 1997) and In Between the Sheets (1978), both of which feature a bizarre cast of grotesques in disturbing tales of sexual aberrance, black comedy, and macabre obsession. His first novel, The Cement Garden (1978), traces the incestuous decline of a family of orphaned children. The Comfort of Strangers (1981; filmed 1990) is a nightmarish novel about an English couple in Venice.

In the 1980s, when McEwan began raising a family, his novels became less insular and sensationalistic and more devoted to family dynamics and political intrigue: The Child in Time (1987) examines how a kidnapping affects the parents; The Innocent (1990; filmed 1993) concerns international espionage during the Cold War; Black Dogs (1992) tells the story of a husband and wife who have lived apart since a honeymoon incident made clear their essential moral antipathy; The Daydreamer (1994) explores the imaginary world of a creative 10-year-old boy. The novel Amsterdam (1998), a social satire influenced by the early works of Evelyn Waugh, won the Booker Prize in 1998. Atonement (2001; filmed 2007) traces over six decades the consequences of a lie told in the 1930s. The influence of Virginia Woolf's Mrs. Dalloway (1925) is evident in Saturday (2005), a vivid depiction of London on Feb. 15, 2003, a day of mass demonstrations against the incipient war in Iraq. On Chesil Beach (2007) describes the awkwardness felt by two virgins on their wedding night.

McEwan also wrote for television, radio, and film, including The Imitation Game (1980), The Ploughman's Lunch (1983), Last Day of Summer (1984), and The Good Son (1993). Several of his screenplays were adapted from his novels and short stories.