(born June 6, 1875, Lübeck, Ger.—died Aug. 12, 1955, near Zürich, Switz.) German novelist and essayist, considered the greatest German novelist of the 20th century. After a brief period of office work, Mann devoted himself to writing, as had his elder brother Heinrich (1871–1950). Buddenbrooks (1901), his first novel, was an elegy for old bourgeois virtues. In the novella Death in Venice (1912), a sombre masterpiece, he took up the tragic dilemma of the artist in a collapsing society. Though ardently patriotic at the start of World War I, after 1919 he slowly revised his views of the authoritarian German state. His great novel The Magic Mountain (1924) clarified his growing espousal of Enlightenment principles as one strand of a complex and multifaceted whole.
An outspoken opponent of Nazism, he fled to Switzerland on Adolf Hitler's accession; he settled in the U.S. in 1938 but returned to Switzerland in 1952. His tetralogy Joseph and His Brothers (1933–43) concerns the biblical Joseph. Doctor Faustus (1947), his most directly political novel, analyzes the darker aspects of the German soul. The often hilarious Felix Krull, Confidence Man (1954) remained unfinished. He is noted for his finely wrought style enriched by humour, irony, and parody and for his subtle, many-layered narratives of vast intellectual scope. His essays examined such figures as Leo Tolstoy, Sigmund Freud, Johann Wolfgang von Goethe, Friedrich Nietzsche, Anton Chekhov, and Friedrich Schiller. He received the Nobel Prize for Literature in 1929.
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